The soubrette was like a beautiful Gipsy, with a clear, dark complexion, rich, mantling colour in her velvety cheeks, intensely black hair—long, thick, and wavy—great, flashing, brown eyes, and rather a large mouth, with ripe, red lips, and dazzling white teeth—one’s very beau-ideal of a bewitching, intriguing waiting-maid, and one that might be a dangerous rival to any but a surpassingly lovely and fascinating mistress. She was one of the beauties that women are not apt to admire, but men rave about and run after the world over. She wore a fantastic costume of blue and yellow, which was odd, piquant, and becoming, and seemed fully conscious of her own charms.
Mme. Leonarde, the “noble mother” of the troupe dressed all in black, like a Spanish duenna, was portly of figure, with a heavy, very pale face, double chin, and intensely black eyes, that had a crafty, slightly malicious expression. She had been upon the stage from her early childhood, passing through all the different phases, and was an actress of decided talent, often still winning enthusiastic applause at the expense of younger and more attractive women, who were inclined to think her something of an old sorceress.
So much for the feminine element. The principal roles were all represented; and if occasionally a re-enforcement was required, they could almost always pick up some provincial actress, or even an amateur, at a pinch. The actors were five in number: The pedant, already described, who rejoiced in the name of Blazitis; Leander; Herode, the tragic tyrant; Matamore, the bully; and Scapin, the intriguing valet.
Leander, the romantic, irresistible, young lover—darling of the ladies—was a tall, fine-looking fellow of about thirty, though apparently much more youthful, thanks to the assiduous care he bestowed on his handsome person. His slightly curly, black hair was worn long, so that he might often have occasion to push it back from his forehead, with a hand as white and delicate as a woman’s, upon one of whose taper fingers sparkled an enormous diamond—a great deal too big to be real. He was rather fancifully dressed, and always falling into such graceful, languishing attitudes as he thought would be admired by the fair sex, whose devoted slave he was. This Adonis never for one moment laid aside his role. He punctuated his sentences with sighs, even when speaking of the most indifferent matters, and assumed all sorts of preposterous airs and graces, to the secret amusement of his companions. But he had great success among the ladies, who all flattered him and declared he was charming, until they had turned his head completely; and it was his firm belief that he was irresistibly fascinating.
The tyrant was the most good-natured, easy-going creature imaginable; but, strangely enough, gifted by nature with all the external signs of ferocity. With his tall, burly frame, very dark skin, immensely thick, shaggy eyebrows, black as jet, crinkly, bushy hair of the same hue, and long beard, that grew far up on his cheeks, he was a very formidable, fierce-looking fellow; and when he spoke, his loud, deep voice made everything ring again. He affected great dignity, and filled his role to perfection.
Matamore was as different as possible, painfully thin—scarcely more than mere skin and bones—a living skeleton with a large hooked nose, set in a long, narrow face, a huge mustache turned up at the ends, and flashing, black eyes. His excessively tall, lank figure was so emaciated that it was like a caricature of a man. The swaggering air suitable to his part had become habitual with him, and he walked always with immense strides, head well thrown back, and hand on the pommel of the huge sword he was never seen without.
As to Scapin, he looked more like a fox than anything else, and had a most villainous countenance; yet he was a good enough fellow in reality.
The painter has a great advantage over the writer, in that he can so present the group on his canvas that one glance suffices to take in the whole picture, with the lights and shadows, attitudes, costumes, and details of every kind, which are sadly wanting in our description—too long, though so imperfect—of the party gathered thus unexpectedly round our young baron’s table. The beginning of the repast was very silent, until the most urgent demands of hunger had been satisfied. Poor de Sigognac, who had never perhaps at any one time had as much to eat as he wanted since he was weaned, attacked the tempting viands with an appetite and ardour quite new to him; and that too despite his great desire to appear interesting and romantic in the eyes of the beautiful young women between whom he was seated. The pedant, very much amused at the boyish eagerness and enjoyment of his youthful host, quietly heaped choice bits upon his plate, and watched their rapid disappearance with beaming satisfaction. Beelzebub had at last plucked up courage and crept softly under the table to his master, making his presence known by a quick tapping with his fore-paws upon the baron’s knees; his claims were at once recognised, and he feasted to his heart’s content on the savoury morsels quietly thrown down to him. Poor old Miraut, who had followed Pierre into the room, was not neglected either, and had his full share of the good things that found their way to his master’s plate.
By this time there was a good deal of laughing and talking round the festive board. The baron, though very timid, and much embarrassed, had ventured to enter into conversation with his fair neighbours. The pedant and the tyrant were loudly discussing the respective merits of tragedy and comedy. Leander, like Narcissus of old, was complacently admiring his own charms as reflected in a little pocket mirror he always had about him. Strange to say he was not a suitor of either Serafina’s or Isabelle’s; fortunately for them he aimed higher, and was always hoping that some grand lady, who saw him on the stage, would fall violently in love with him, and shower all sorts of favours upon him. He was in the habit of boasting that he had had many delightful adventures of the kind, which Scapin persistently denied, declaring that to his certain knowledge they had never taken place, save in the aspiring lover’s own vivid imagination. The exasperating valet, malicious as a monkey, took the greatest delight in tormenting poor Leander, and never lost an opportunity; so now, seeing him absorbed in self-admiration, he immediately attacked him, and soon had made him furious. The quarrel grew loud and violent, and Leander was heard declaring that he could produce a large chest crammed full of love letters, written to him by various high and titled ladies; whereupon everybody laughed uproariously, while Serafina said to de Sigognac that she for one did not admire their taste, and Isabelle silently looked her disgust. The baron meantime was more and more charmed with this sweet, dainty young girl, and though he was too shy to address any high-flown compliments to her, according to the fashion of the day, his eyes spoke eloquently for him. She was not at all displeased at his ardent glances, and smiled radiantly and encouragingly upon him, thereby unconsciously making poor Matamore, who was secretly enamoured of her, desperately unhappy, though he well knew that his passion was an utterly hopeless one. A more skilful and audacious lover would have pushed his advantage, but our poor young hero had not learned courtly manners nor assurance in his isolated chateau, and, though he lacked neither wit nor learning, it must be confessed that at this moment he did appear lamentably stupid.
All the bottles having been scrupulously emptied, the pedant turned the last one of the half dozen upside down, so that every drop might run out; which significant action was noted and understood by Matamore, who lost no time in bringing in a fresh supply from the chariot. The baron began to feel the wine a little in his head, being entirely unaccustomed to it, yet he could not resist drinking once again to the health of the ladies. The pedant and the tyrant drank like old topers, who can absorb any amount of liquor—be it wine, or something stronger—without becoming actually intoxicated. Matamore was very abstemious, both in eating and drinking, and could have lived like the impoverished Spanish hidalgo, who dines on three olives and sups on an air upon his mandoline. There was a reason for his extreme frugality; he feared that if he ate and drank like other people he might lose his phenomenal thinness, which was of inestimable value to him in a professional point of view. If he should be so unfortunate as to gain flesh, his attractions would diminish in an inverse ratio, so he starved himself almost to death, and was constantly seen anxiously examining the buckle of his belt, to make sure that he had not increased in girth since his last meal. Voluntary Tantalus, he scarcely allowed himself enough to keep life in his attenuated frame, and if he had but fasted as carefully from motives of piety he would have been a full-fledged saint.
The portly duenna disposed of solids and fluids perseveringly, and in formidable quantities, seeming to have an unlimited capacity; but Isabelle