"Phil, what day of the month is this?" I demanded with a start.
Phil turned at the open door of the dining-hall, which I could see had been made into a museum.
"July tenth," she answered promptly; for you can never catch Phil tripping as to a date, or a day of the week, even if you should shake her out of her first sleep to ask.
"Then it's the anniversary of his death!" I exclaimed. "July 10, 1584, it was. How strange we should have come on the very day! It makes it seem a pilgrimage."
"I don't find it strange," said Cousin Robert. "Many people come every day of the year."
Having thus poured the cold water of common sense on my sentiment, he dragged us into the dining-hall museum to see relics of William, and I should have been resentful, had not my eyes suddenly met other eyes looking down from the wall. They were the eyes of William the Silent himself when he was young—painted eyes, yet they spoke to me.
I don't know how fine that portrait may be as a work of art, but it is marvelously real. I understood in a moment why little, half-deformed Anna of Saxony had been so mad to marry him; I knew that, in her place, I should have overcome just as many obstacles to make that dark, haunting face the face of my husband.
Of course I've often read that William of Orange was a handsome man, as well as a dashing and extravagant gallant in his young days, but never till now had I realized how singularly attractive he must have been. The face in the portrait was sad, and as thoughtful as if he had sat to the artist on the day he heard the dreadful secret of the fate which Philip of Spain and Francis of France were plotting for the Netherlands, the day that decided his future, and gave him his name of "William the Silent." Yet in spite of its melancholy, almost sternness, it won me as no pictured face of a man ever did before.
"This is a great day for me," I said to Phil, who was close behind; "not only am I seeing Holland for the first time, but I've fallen in love with William the Silent."
I laughed as I made this announcement, though I was half in earnest; and turning to see whether I had shocked Cousin Robert, I found him in conversation with a tall, black-haired young man, near the door.
The man—he wore a gray suit, and carried a straw hat in his hand—had his back to me, and I remembered having seen the same back in the museum before we came in. Now he was going out, and evidently he and Cousin Robert had recognized each other as acquaintances. As I looked, he turned, and I saw his face. It was so like the face of the portrait that I felt myself grow red. How I did hope he hadn't overheard that silly speech!
For a moment his eyes and mine met as mine had met the eyes of the portrait. Then he shook hands with Robert and was gone.
"Very odd," said my cousin the giant, strolling toward us again, "that was Rudolph Brederode. And," he glanced at me, "his nickname among his friends is William the Silent."
"Why?" I asked, pretending unconsciousness.
"Don't you think there is a likeness?"
"I'm bad at seeing likenesses," said I.
"Why, Nell, I don't think you are," Phil defended me against myself. "You're always seeing the strangest resemblances between clouds and animals, and plants and people, and there's no end to what you find on wall papers. This very day you thought Mr. Starr like Robert Louis Stevenson, though I——"
"That's when my imagination's running loose," I explained. "Cousin Robert is talking about facts."
"Oh!" said Phil.
"It's rather an ugly portrait," I went on; "I don't suppose William of Orange was like it one bit."
"But we have two reasons for calling Brederode the Taciturn," said Robert. "He has a way to keep still about things which other people discuss. Sometimes it makes men angry, but especially the ladies. Brederode does not care what others think; he descends from the great Brederode, but he is different."
"The Water Beggar was brave," I remarked.
"Rudolph is brave," retorted Cousin Robert, firing up. "You will think so to-morrow."
"What is he going to do?" I asked. "Something to startle Holland?"
"Holland has seen him do it before, but you have not. You will see him ride better than any one else in the jumping contests at the Concours Hippique at Scheveningen. It will be a fine show, but Brederode and his horses will be the best. My mother has a box. She will take you."
"But I thought you were going to take us to The Hague and the Huis ten Bosch?"
"That will be in the early morning. Perhaps my sisters will go; and after we have finished the pictures at The Hague, we will meet my mother and my fiancée, Freule Menela van der Windt, at the race grounds about two, and the show will not be over till seven, so dinner will be late."
"You Dutch are a strong race," I murmured.
"Brederode says he always comes here when he's anywhere in the neighborhood, for a look at the Prinzenhof on the tenth of July," Robert went on. "Odd, is it not?"
"No more odd than that we should have been here," said I. But I said this in a low voice; and it's only a man who is in love with a girl who hears her when she mutters.
"He asked how the automobile was going, and I mentioned one or two things that bothered me, so he has gone out to talk to the chauffeur," Cousin Robert continued, unable to turn his thoughts from his Admirable Crichton. "Don't you think you've seen enough? It is late; and when I told Brederode I was showing Delft to my American cousin and an English friend, he said I must take you to the New Church, the tomb of William, and of Hugo Grotius. He wanted you to go to the Old Church too, and see the place where van Tromp lies, but we shall not have time. Besides, it would not please Miss Rivers."
"Why not?" asked Phyllis, large-eyed.
"You are English, and the English do not like to remember that Holland, through van Tromp, swept them off the seas—"
"Oh, I remember, he stuck up a broom on the mast," cut in Phil. "But it was long ago."
"How is it that the tombs of William and Grotius can be in a new church?" I reflected aloud.
"It is newer than the other, for it was founded in thirteen hundred and something," said Cousin Robert; "I suppose you ought to see it, even if dinner should be late. For, as Brederode says, 'Delft is the heart of Holland, and the New Church is the core of that heart.' It is for us what your Westminster Abbey is to you, Miss Rivers."
We went out from the old convent palace with its arched windows and narrow doors into the gold and green light of the Delft afternoon. In the street outside the courtyard stood the automobile, and the chauffeur was polishing something on it (people in Holland seem always to be polishing something, if they are obliged to stand still for a moment), but Mr. Rudolph Brederode, alias William the Silent, had vanished, and I was glad.
We got into the motor-car again, passing with every few yards some beautiful old building. But one thing in Delft disappointed me; I saw no storks, and I expected the air to be dark with storks.
"I don't think there are any now," said Robert, apologetically, "though Brederode would know."
"Isn't it true that the stork's the patron saint of Delft?" I asked. "Wasn't it here you had the fire which nearly ruined the city, hundreds of years ago, and the parent storks wouldn't leave their babies, but died covering them up with their wings? And didn't Holland take the stork, after that, for a kind of—of motto for the whole country because it was so brave and faithful?"
"Yes," Robert admitted, "Delft is not tired of storks, but storks are tired of Delft. You can offer them nice nests on long poles, and all kinds of inducements, to live in a certain place, but unless they choose, you cannot make them do anything."
"Ah, now I know why the Dutch have canonized storks!" I exclaimed.
And just then we arrived at the New Church, which looked