He is a "strange man" no longer. Each moment his voice sinks deeper into my remembrance. He is my father—that I feel ringing through the dim halls of my consciousness. Harriet clings to his hand in perfect knowledge and confidence. We eat our bread and milk, the trundle-bed is pulled out, we children clamber in, and I go to sleep to the music of his resonant voice recounting the story of the battles he had seen, and the marches he had made.
The emergence of an individual consciousness from the void is, after all, the most amazing fact of human life and I should like to spend much of this first chapter in groping about in the luminous shadow of my infant world because, deeply considered, childish impressions are the fundamentals upon which an author's fictional out-put is based; but to linger might weary my reader at the outset, although I count myself most fortunate in the fact that my boyhood was spent in the midst of a charming landscape and during a certain heroic era of western settlement.
The men and women of that far time loom large in my thinking for they possessed not only the spirit of adventurers but the courage of warriors. Aside from the natural distortion of a boy's imagination I am quite sure that the pioneers of 1860 still retained something broad and fine in their action, something a boy might honorably imitate.
The earliest dim scene in my memory is that of a soft warm evening. I am cradled in the lap of my sister Harriet who is sitting on the door-step beneath a low roof. It is mid-summer and at our feet lies a mat of dark-green grass from which a frog is croaking. The stars are out, and above the high hills to the east a mysterious glow is glorifying the sky. The cry of the small animal at last conveys to my sister's mind a notion of distress, and rising she peers closely along the path. Starting back with a cry of alarm, she calls and my mother hurries out. She, too, examines the ground, and at last points out to me a long striped snake with a poor, shrieking little tree-toad in its mouth. The horror of this scene fixes it in my mind. My mother beats the serpent with a stick. The mangled victim hastens away, and the curtain falls.
I must have been about four years old at this time, although there is nothing to determine the precise date. Our house, a small frame cabin, stood on the eastern slope of a long ridge and faced across a valley which seemed very wide to me then, and in the middle of it lay a marsh filled with monsters, from which the Water People sang night by night. Beyond was a wooded mountain.
This doorstone must have been a favorite evening seat for my sister, for I remember many other delicious gloamings. Bats whirl and squeak in the odorous dusk. Night hawks whiz and boom, and over the dark forest wall a prodigious moon miraculously rolls. Fire-flies dart through the grass, and in a lone tree just outside the fence, a whippoorwill sounds his plaintive note. Sweet, very sweet, and wonderful are all these!
The marsh across the lane was a sinister menacing place even by day for there (so my sister Harriet warned me) serpents swarmed, eager to bite runaway boys. "And if you step in the mud between the tufts of grass," she said, "you will surely sink out of sight."—At night this teeming bog became a place of dank and horrid mystery. Bears and wolves and wildcats were reported as ruling the dark woods just beyond—only the door yard and the road seemed safe for little men—and even there I wished my mother to be within immediate call.
My father who had bought his farm "on time," just before the war, could not enlist among the first volunteers, though he was deeply moved to do so, till his land was paid for—but at last in 1863 on the very day that he made the last payment on the mortgage, he put his name down on the roll and went back to his wife, a soldier.
I have heard my mother say that this was one of the darkest moments of her life and if you think about it you will understand the reason why. My sister was only five years old, I was three and Frank was a babe in the cradle. Broken hearted at the thought of the long separation, and scared by visions of battle my mother begged the soldier not to go; but he was of the stern stuff which makes patriots—and besides his name was already on the roll, therefore he went away to join Grant's army at Vicksburg. "What sacrifice! What folly!" said his pacifist neighbors—"to leave your wife and children for an idea, a mere sentiment; to put your life in peril for a striped silken rag." But he went. For thirteen dollars a month he marched and fought while his plow rusted in the shed and his cattle called to him from their stalls.
My conscious memory holds nothing of my mother's agony of waiting, nothing of the dark days when the baby was ill and the doctor far away—but into my subconscious ear her voice sank, and the words Grant, Lincoln, Sherman, "furlough," "mustered out," ring like bells, deep-toned and vibrant. I shared dimly in every emotional utterance of the neighbors who came to call and a large part of what I am is due to the impressions of these deeply passionate and poetic years.
Dim pictures come to me. I see my mother at the spinning wheel, I help her fill the candle molds. I hold in my hands the queer carding combs with their crinkly teeth, but my first definite connected recollection is the scene of my father's return at the close of the war.
I was not quite five years old, and the events of that day are so commingled with later impressions—experiences which came long after—that I cannot be quite sure which are true and which imagined, but the picture as a whole is very vivid and very complete.
Thus it happened that my first impressions of life were martial, and my training military, for my father brought back from his two years' campaigning under Sherman and Thomas the temper and the habit of a soldier.
He became naturally the dominant figure in my horizon, and his scheme of discipline impressed itself almost at once upon his children.
I suspect that we had fallen into rather free and easy habits under mother's government, for she was too jolly, too tender-hearted, to engender fear in us even when she threatened us with a switch or a shingle. We soon learned, however, that the soldier's promise of punishment was swift and precise in its fulfillment. We seldom presumed a second time on his forgetfulness or tolerance. We knew he loved us, for he often took us to his knees of an evening and told us stories of marches and battles, or chanted war-songs for us, but the moments of his tenderness were few and his fondling did not prevent him from almost instant use of the rod if he thought either of us needed it.
His own boyhood had been both hard and short. Born of farmer folk in Oxford County, Maine, his early life had been spent on the soil in and about Lock's Mills with small chance of schooling. Later, as a teamster, and finally as shipping clerk for Amos Lawrence, he had enjoyed three mightily improving years in Boston. He loved to tell of his life there, and it is indicative of his character to say that he dwelt with special joy and pride on the actors and orators he had heard. He could describe some of the great scenes and repeat a few of the heroic lines of Shakespeare, and the roll of his deep voice as he declaimed, "Now is the winter of our discontent made glorious summer by this son of York," thrilled us—filled us with desire of something far off and wonderful. But best of all we loved to hear him tell of "Logan at Peach Tree Creek," and "Kilpatrick on the Granny White Turnpike."
He was a vivid and concise story-teller and his words brought to us (sometimes all too clearly), the tragic happenings of the battlefields of Atlanta and Nashville. To him Grant, Lincoln, Sherman and Sheridan were among the noblest men of the world, and he would not tolerate any criticism of them.
Next to his stories of the war I think we loved best to have him picture "the pineries" of Wisconsin, for during his first years in the State he had been both lumberman and raftsman, and his memory held delightful tales of wolves and bears and Indians.
He often imitated the howls and growls and actions of the wild animals with startling realism, and his river narratives were full of unforgettable phrases like "the Jinny Bull Falls," "Old Moosinee" and "running the rapids."
He also told us how his father and mother came west by way of the Erie Canal, and in a steamer on the Great Lakes, of how they landed in Milwaukee with Susan, their twelve-year-old daughter, sick with the smallpox; of how a farmer from Monticello carried them in his big farm wagon over the long road to their future home in Green county and it was with deep emotion that he described the bitter