I linger not here. I long for the sunny South; and trusting myself once more to thy current I glide onward.
I pass the sea-like estuary of the Ohio, and the embouchure of another of thy mightiest tributaries, the famed river of the plains. How changed the aspect of thy shores! I no longer look upon bold bluffs and beetling cliffs. Thou hast broken from the hills that enchained thee, and now rollest far and free, cleaving a wide way through thine own alluvion. Thy very banks are the creation of thine own fancy—the slime thou hast flung from thee in thy moments of wanton play—and thou canst break through their barriers at will. Forests again fringe thee—forests of giant trees—the spreading platanus, the tall tulip-tree, and the yellow-green cotton-wood rising in terraced groves from the margin of thy waters. Forests stand upon thy banks, and the wreck of forests is borne upon thy bubbling bosom!
I pass thy last great affluent, whose crimson flood just tinges the hue of thy waters. Down thy delta I glide, amid scenes rendered classic by the sufferings of De Soto—by the adventurous daring of Iberville and La Salle.
And here my soul reaches the acmé of its admiration. Dead to beauty must be heart and eye that could behold thee here, in this thy southern land, without a thrill of sublimest emotion!
I gaze upon lovely landscapes ever changing, like scenes of enchantment, or the pictures of a panorama. They are the loveliest upon earth—for where are views to compare with thine? Not upon the Rhine, with its castled rocks—not upon the shores of that ancient inland sea—not among the Isles of the Ind. No. In no part of the world are scenes like these; nowhere is soft beauty blended so harmoniously with wild picturesqueness.
And yet not a mountain meets the eye—not even a hill—but the dark cyprières, draped with the silvery tillandsia, form a background to the picture with all the grandeur of the pyrogenous granite!
The forest no longer fringes thee here. It has long since fallen before the planter’s axe; and the golden sugar-cane, the silvery rice, and the snowy cotton-plant, flourish in its stead. Forest enough has been left to adorn the picture. I behold vegetable forms of tropic aspect, with broad shining foliage—the Sabal palm, the anona, the water-loving tupelo, the catalpa with its large trumpet flowers, the melting liquidambar, and the wax-leaved mangolia. Blending their foliage with these fair indigènes are an hundred lovely exotics—the orange, lemon, and fig; the Indian-lilac and tamarind; olives, myrtles, and bromelias; while the Babylonian willow contrasts its drooping fronds with the erect reeds of the giant cane, or the lance-like blades of the yucca gloriosa.
Embowered amidst these beautiful forms I behold villas and mansions; of grand and varied aspect—varied as the races of men who dwell beneath their roofs. And varied are they; for the nations of the world dwell together upon thy banks—each having sent its tribute to adorn thee with the emblems of a glorious and universal civilisation. Father of Waters, farewell!
Though not born in this fair southern land, I have long lingered there; and I love it even better than the land of my birth. I have there spent the hours of bright youth, of adventurous manhood; and the retrospect of these hours is fraught with a thousand memories tinged with a romance that can never die. There my young heart yielded to the influence of Love—a first and virgin love. No wonder the spot should be to me the most hallowed on earth!
Reader! listen to the story of that love!
Chapter Two.
Six Months in the Crescent City.
Like other striplings escaped from college, I was no longer happy at home. The yearning for travel was upon me; and I longed to make acquaintance with that world, as yet only known to me through the medium of books.
My longing was soon to be gratified; and without a sigh I beheld the hills of my native land sink behind the black waves—not much caring whether I should ever see them again.
Though emerging from the walls of a classic college, I was far from being tinctured with classic sympathies. Ten years spent in pondering over the wild hyperbole of Homer, the mechanical verse-work of Virgil, and the dry indelicacies of Horatius Flaccus, had failed to imbue me with a perception of that classic beauty felt, or pretended to be felt, by the spectacled savant. My mind was not formed to live on the ideal, or dream over the past. I delight rather in the real, the positive, and the present. Don Quixotes may play the troubadour among ruined castles, and mincing misses cover the ground of the guide-books. For my part I have no belief in the romance of old-world life. In the modern Tell I behold a hireling, ready to barter his brawny limbs to the use of whatever tyrant; and the picturesque Mazzaroni, upon closer acquaintance, dwindles down to the standard of a hen-roost thief. Amid the crumbling walls of Athens and the ruins of Rome I encounter inhospitality and hunger. I am not a believer in the picturesqueness of poverty. I have no relish for the romance of rags.
And yet it was a yearning for the romantic that called me from home. I longed for the poetic and picturesque, for I was just at that age when the mind is imbued with its strongest faith in their reality. Ha! mine is not yet disabused of this belief. I am older now, but the hour of disenchantment has not yet come upon me—nor ever will. There is a romance in life, that is no illusion. It lives not in the effete forms and childish ceremonies of the fashionable drawing-room—it has no illustration in the tinsel trappings and gaudy puerilities of a Court. Stars, garters, and titles are its antidotes; red cloth and plush the upas-trees of its existence.
Its home is elsewhere, amid the grand and sublime scenes of Nature—though these are not necessary accompaniments. It is no more incidental to field and forest, rock, river, and mountain, than to the well-trodden ways of the trading-town. Its home is in human hearts—hearts that throb with high aspirations—bosoms that burn with the noble passions of Liberty and Love!
My steps then were not directed towards classic shores, but to lands of newer and more vigorous life. Westward went I in search of romance. I found it in its most attractive form under the glowing skies of Louisiana.
In the month of January, 18—, I set foot upon the soil of the New-World—upon a spot stained with English blood. The polite skipper, who had carried me across the Atlantic, landed me in his gig. I was curious to examine the field of this decisive action; for at that period of my life I had an inclination for martial affairs. But something more than mere curiosity prompted me to visit the battle-ground of New Orleans. I then held an opinion deemed heterodox—namely, that the improvised soldier is under certain circumstances quite equal to the professional hireling, and that long military drill is not essential to victory. The story of war, superficially studied, would seem to antagonise this theory, which conflicts also with the testimony of all military men. But the testimony of mere military men on such a matter is without value. Who ever heard of a military man who did not desire to have his art considered as mythical as possible? Moreover, the rulers of the world have spared no pains to imbue their people with false ideas upon this point. It is necessary to put forward some excuse for that terrible incubus upon the nations, the “standing army.”
My desire to view the battle-ground upon the banks of the Mississippi had chiefly reference to this question. The action itself had been one of my strong arguments in favour of my belief; for upon this spot some six thousand men—who had never heard the absurd command, “Eyes right!”—out-generalled, “whipped,” in fact nearly annihilated, a well-equipped and veteran army of twice their number!
Since standing upon that battle-ground I have carried a sword in more than one field of action. What I then held only as a theory,