"If I don't know," said the legless man, "how Satan felt after the fall, nobody does. The things I've been--the things I've seen--back there--down here--the things I've lost--the things I've found! Hell's Bell's, Johnson! what is it you want--food?--drink?--a woman?"
The unshaven man's eyes shone with an unholy light.
"What would you do for twenty-five dollars?"
The unshaven man said nothing. He looked everything.
"Do you know the McIver woman?"
"Fanny?"
The legless man granted. "Yes. Fanny. She'll look at you if you've got money."
"She'd crawl through a sewer to find a dime."
"Quite so," the legless man commented dryly. "Well, it wouldn't matter to me if she went on a tear and was found dead in her bed."
"It's worth fifty." Something in the unshaven man's voice suggested that he had once been remotely connected with some sort of a business.
The legless man shook his head. "Judas Iscariot," he said, "betrayed the Lord God for thirty. Fanny McIver's scalp isn't worth a cent over twenty-five. You're just a broken-down drunk. It takes a bigger bluffer than you to make me put an insult on Christendom. Fifteen down. Ten when Fanny's had her last hang-over."
"Why don't you do some of your dirty work yourself?"
"I do all I can," said the legless man simply; "I can't find time for everything."
The unshaven man shifted uneasily on his shabby feet. In his stomach the flames which only alcohol can quench were burning with a steady gnawing fury. "How about a little drink?" he said.
"Fifteen down," said the legless man; "ten when the job's done, and a ticket to Chicago."
"With a reservation? I'll feel like the devil; I couldn't sit up all night."
"I'll throw in an upper," said the legless man.
Still the unshaven man resisted. "What's Fanny done to you?"
"None of your business."
As if that settled the matter, and removed all obstacles and moral scruples, the unshaven man sighed, and held out his hand for the money which was to bind the contract.
Twelve hours later, Fanny McIver's death was being attributed by the authorities to the insane, jealous rage of a lover. But as she had lately changed her name and address, she lay for a while in the morgue awaiting identification. It was the legless beggar who performed that last solemn rite. He was quite unmoved. Her death mattered no more in his scheme of life than the death of a fly.
But as he held up his hand and swore that the identity of the corpse was such and such, he remembered how graceful she had been at sixteen, how affectionate, how ready to forgive. He remembered with a certain admiration that during the heyday of her earning powers she had always trusted to his generosity, and had never tried to hold any of her earnings back. Prison and drink had destroyed all that was honest in her, all that was womanly. So a drop of acid will eat out the heart of the freshest and loveliest rose. She became a very evil thing--full of evil knowledge. There was even a certain danger in her--not much--nothing definite--but enough. She was better dead.
He turned and swung out of the morgue into the sunlight. And he wondered whatever had become of the child that she had borne him.
V
It would have been easier for Wilmot Allen if he could have come into Barbara's life for the first time. She was too used to him to appreciate such of his qualities as were fine and noble at their true value. And contrarily it was the same familiarity which limned his faults so clearly and perhaps exaggerated them. She often thought that if she could see him for the first time she would fall head over ears in love with him, and be married to him out of hand. Was it not better therefore, since the man's character had its disillusionments, that their life-long friendship precluded the idea of marrying in haste and repenting at leisure? "It's almost," she said to herself, "as if I had married him long ago and found out that I had made a mistake."
But she hated to hurt him in any way. And it caused her a genuine sorrow sometimes to say no to him. He had proposed to her many times a year for many, many years, and always with a passion and sincerity that made it appear as if he was proposing for the first time in his life. Twice, the strength and devotion of his physical presence had seemed to remove every doubt of him from her mind, and she had said that she would marry him, and had been ecstatically happy while he kissed her and held her in his arms. And each time better knowledge of herself, a sleepless night, and the unsparing light of morning had filled her with shame and remorse, and made it quite clear that she had made one more mistake, and must tell him so, and eat humble pie. And exact a promise that he would never make love to her again. But she could never get him to promise that. And she could never keep him from kissing things that belonged to her when she was looking, and when she wasn't. And if, as he sometimes threatened in moments of disappointed and injured feelings, he had gone far away, so that he could never cross her path again, she would have missed him so much that it would almost have killed her. And so it is with all human beings--they care little enough about their dearest possessions until the fire by night consumes them, or the thief walks off with them. Then the silver and the jewels, and this thing and that, assume a sort of humanity--and are as if they had been dear friends and unutterably necessary companions in joy and sorrow.
To Wilmot a little encouragement was a great thing, a foundation upon which to undertake pyramids. Having intruded upon Barbara's working hours without being scolded, Wilmot began to picture for himself a delightful life of intruding upon them every day. He hoped that if she was really working, she would not actually send him away, but let him sit in the deep chair by the fire and wait till she was through, and ready for talk and play. As much almost as he loved her, he hated her ambitions, if only because they interfered with him, and because he found it impossible to take them seriously. Her work seemed surprisingly good to him--not surprisingly good for a genuine sculptor who exhibited in salons, but for a girl of his own class whom he had always known. In this estimate he did not do Barbara justice. She had a fine natural talent and she had been well trained. People who knew what they were talking about, shock-headed young fellows with neighboring studios, prophesied great things for her, partly because she was beautiful, and partly because her work, as far as she had gone in it, was really good. What she lacked, they said, was inspiration, experience, and knowledge of life. When these things came to her in due time, her technique would be quite equal to expressing them.
Wilmot's dream of being much in Barbara's studio proved negotiable only as a dream. Barbara began a fountain for her father's garden at Clovelly, and during the modelling of the central figure the studio was no place for a modest young man. He had one glimpse through the half-open door of a girl with very red hair and very white skin, and he turned and beat a decided retreat, blushing furiously. He did not repeat his visit to her studio until Barbara assured him that the nymph had put on her clothes and gone away. Then, much to his disgust, he found there a young fellow named Scupper, who smoked a vile pipe and had dirty finger-nails and was allowed to make himself at home because he had recently exhibited a portrait bust that everybody was praising (even Wilmot) and because he had volunteered during a delightful contemplation of Barbara's face to do her portrait and tell her all that he had learned from his great master, Rodin.
The little beast had the assurance of the devil. He praised, blamed, patronized, puffed his pipe, and dwelt with superiority on topics which are best left alone, until Wilmot wanted to kick him downstairs. Scupper, aware of Wilmot's dislike