CHAPTER FOUR
"SHE'S A GOOD GIRL WHEN SHE AIN'T CRAZY"
When the sun has been up just long enough to take the before-dawn chill from the air without having swallowed all the diamonds that spangle bush and twig and grass-blade after a night's soaking rain, it is good to ride over the hills of Idaho and feel oneself a king—and never mind the crown and the scepter. Lone Morgan, riding early to the Sawtooth to see the foreman about getting a man for a few days to help replace a bridge carried fifty yards downstream by a local cloudburst, would not have changed places with a millionaire. The horse he rode was the horse he loved, the horse he talked to like a pal when they were by themselves. The ridge gave him a wide outlook to the four corners of the earth. Far to the north the Sawtooth range showed blue, the nearer mountains pansy purple where the pine trees stood, the foothills shaded delicately where canyons swept down to the gray plain. To the south was the sagebrush, a soft, gray-green carpet under the sun. The sky was blue, the clouds were handfuls of clean cotton floating lazily. Of the night's storm remained no trace save slippery mud when his horse struck a patch of clay, which was not often, and the packed sand still wet and soggy from the beating rain.
Rock City showed black and inhospitable even in the sunlight. The rock walls rose sheer, the roofs slanted rakishly, the signs scratched on the rock by facetious riders were pointless and inane. Lone picked his way through the crooked defile that was marked Main Street on the corner of the first huge boulder and came abruptly into the road. Here he turned north and shook his horse into a trot.
A hundred yards or so down the slope beyond Rock City he pulled up short with a "What the hell!" that did not sound profane, but merely amazed. In the sodden road were the unmistakable footprints of a woman. Lone did not hesitate in naming the sex, for the wet sand held the imprint cleanly, daintily. Too shapely for a boy, too small for any one but a child or a woman with little feet, and with the point at the toes proclaiming the fashion of the towns, Lone guessed at once that she was a town girl, a stranger, probably—and that she had passed since the rain; which meant since daylight.
He swung his horse and rode back, wondering where she could have spent the night. Halfway through Rock City the footprints ended abruptly, and Lone turned back, riding down the trail at a lope. She couldn't have gone far, he reasoned, and if she had been out all night in the rain, with no better shelter than Rock City afforded, she would need help—"and lots of it, and pretty darn quick," he added to John Doe, which was the ambiguous name of his horse.
Half a mile farther on he overtook her. Rather, he sighted her in the trail, saw her duck in amongst the rocks and scattered brush of a small ravine, and spurred after her. It was precarious footing for his horse when he left the road, but John Doe was accustomed to that. He jumped boulders, shied around buckthorn, crashed through sagebrush and so brought the girl to bay against a wet bank, where she stood shivering. The terror in her face and her wide eyes would have made her famous in the movies. It made Lone afraid she was crazy.
Lone swung off and went up to her guardedly, not knowing just what an insane woman might do when cornered. "There, now, I'm not going to hurt yuh at all," he soothed. "I guess maybe you're lost. What made you run away from me when you saw me coming?"
Lorraine continued to stare at him.
"I'm going to the ranch, and if you'd like a ride, I'll lend you my horse. He'll be gentle if I lead him. It's a right smart walk from here." Lone smiled, meaning to reassure her.
"Are you the man I saw shoot that man and then fasten him to the stirrup of the saddle so the horse dragged him down the road? If you are, I—I——"
"No—oh, no, I'm not the man," Lone said gently. "I just now came from home. Better let me take you in to the ranch."
"I was going to the ranch—did you see him shoot that man and make the horse drag him—make the horse—he slashed that horse with the quirt—and he went tearing down the road dragging—it—it was—horrible!"
"Yes—yes, don't worry about it. We'll fix him. You come and get on John Doe and let me take you to the ranch. Come on—you're wet as a ducked pup."
"That man was just riding along—I saw him when it lightened. And he shot him—oh, can't you do something?"
"Yes, yes, they're after him right now. Here. Just put your foot in the stirrup—I'll help you up. Why, you're soaked!" Perseveringly Lone urged her to the horse. "You're soaking wet!" he exclaimed again.
"It rained," she muttered confusedly. "I thought it was the ranch—but they were rocks. Just rocks. Did you see him shoot that man? Why—why it shouldn't be allowed! He ought to be arrested right away—I'd have called a policeman but—isn't thunder and lightning just perfectly awful? And that horse—going down the road dragging——
"You'd better get some one to double for me in this scene," she said irrelevantly. "I—I don't know this horse, and if he starts running the boys might not catch him in time. It isn't safe, is it?"
"It's safe," said Lone pityingly. "You won't be dragged. You just get on and ride. I'll lead him. John Doe's gentle as a dog."
"Just straight riding?" Lorraine considered the matter gravely. "Wel-ll—but I saw a man dragged, once. He'd been shot first. It—it was awful!"
"I'll bet it was. How'd you come to be walking so far?"
Lorraine looked at him suspiciously. Lone thought her eyes were the most wonderful eyes—and the most terrible—that he had ever seen. Almond-shaped they were, the irises a clear, dark gray, the eyeballs blue-white like a healthy baby's. That was the wonder of them. But their glassy shine made them terrible. Her lids lifted in a sudden stare.
"You're not the man, are you? I—I think he was taller than you. And his hat was brown. He's a brute—a beast! To shoot a man just riding along—— It rained," she added plaintively. "My bag is back there somewhere under a bush. I think I could find the bush—it was where a rabbit was sitting—but he's probably gone by this time. A rabbit," she told him impressively, "wouldn't sit out in the rain all night, would he? He'd get wet. And a rabbit would feel horrid when he was wet—such thick fur he never would get dried out. Where do they go when it rains? They have holes in the ground, don't they?"
"Yes. Sure, they do. I'll show you one, down the road here a little piece. Come on—it ain't far."
To see a rabbit hole in the ground, Lorraine consented to mount and ride while Lone walked beside her, agreeing with everything she said that needed agreement. When she had gone a few rods, however, she began to call him Charlie and to criticize the direction of the picture. They should not, she declared, mix murders and thunderstorms in the same scene. While the storm effect was perfectly wonderful, she thought it rather detracted from the killing. She did not believe in lumping big stuff together like that. Why not have the killing done by moonlight, and use the storm when the murderer was getting away, or something like that? And as for taking them out on location and making all those storm scenes without telling them in advance so that they could have dry clothes afterwards, she thought it a perfect outrage! If it were not for spoiling the picture, she would quit, she asserted indignantly. She thought the director had better go back to driving a laundry wagon, which was probably where he came from.
Lone agreed with her, even though he did not know what she was talking about. He