"Me bring Wangee girl to cache," replied the Indian, pointing to the wood. "Honest Injin."
Another bright idea struck Mr. Fairley; but it required some elaboration. Hurrying the squaw with him through the pelting rain, he reached the shelter of the corral. Vainly the shivering aborigine drew her tightly bandaged papoose closer to her square, flat breast, and looked longingly toward the cabin; the old man backed her against the palisade. Here he cautiously imparted his dark intentions to employ her to keep watch and ward over the ranch, and especially over its young mistress—"clear out all the tramps 'ceptin' yourself, and I'll keep ye in grub and rum." Many and deliberate repetitions of this offer in various forms at last seemed to affect the squaw; she nodded violently, and echoed the last word "rum." "Now," she added. The old man hesitated; she was in possession of his secret; he groaned, and, promising an immediate installment of liquor, led her to the cabin.
The door was so securely fastened against the impact of the storm that some moments elapsed before the bar was drawn, and the old man had become impatient and profane. When it was partly opened by Flip he hastily slipped in, dragging the squaw after him, and cast one single suspicious glance around the rude apartment which served as a sitting-room. Flip had apparently been writing. A small inkstand was still on the board table, but her paper had evidently been concealed before she allowed them to enter. The squaw instantly squatted before the adobe hearth, warmed her bundled baby, and left the ceremony of introduction to her companion. Flip regarded the two with calm preoccupation and indifference. The only thing that touched her interest was the old squaw's draggled skirt and limp neckerchief. They were Flip's own, long since abandoned and cast off in the Gin and Ginger Woods. "Secrets again," whined Fairley, still eying Flip furtively. "Secrets again, in course—in course—jiss so. Secrets that must be kep from the ole man. Dark doin's by one's own flesh and blood. Go on! go on! Don't mind me." Flip did not reply. She had even lost the interest in her old dress. Perhaps it had only touched some note in unison with her revery.
"Can't ye get the poor critter some whiskey?" he queried, fretfully. "Ye used to be peart enuff before." As Flip turned to the corner to lift the demijohn, Fairley took occasion to kick the squaw with his foot, and indicate by extravagant pantomime that the bargain was not to be alluded to before the girl. Flip poured out some whiskey in a tin cup, and, approaching the squaw, handed it to her. "It's like ez not," continued Fairley to his daughter, but looking at the squaw, "that she'll be huntin' the woods off and on, and kinder looking after the last pit near the Madroños; ye'll give her grub and licker ez she likes. Well, d'ye hear, Flip? Are ye moonin' agin with yer secrets? What's gone with ye?"
If the child were dreaming, it was a delicious dream. Her magnetic eyes were suffused by a strange light, as though the eye itself had blushed; her full pulse showed itself more in the rounding outline of her cheek than in any deepening of color; indeed, if there was any heightening of tint, it was in her freckles, which fairly glistened like tiny spangles. Her eyes were downcast, her shoulders slightly bent, but her voice was low and clear and thoughtful as ever.
"One o' the big pines above the Madroño pit has blown over into the run," she said. "It's choked up the water, and it's risin' fast. Like ez not it's pourin' over into the pit by this time."
The old man rose with a fretful cry. "And why in blazes didn't you say so first?" he screamed, catching up his axe and rushing to the door.
"Ye didn't give me a chance," said Flip, raising her eyes for the first time. With an impatient imprecation, Fairley darted by her and rushed into the wood. In an instant she had shut the door and bolted it. In the same instant the squaw arose, dashed the long hair not only from her eyes but from her head, tore away her shawl and blanket, and revealed the square shoulders of Lance Harriott! Flip remained leaning against the door; but the young man in rising dropped the bandaged papoose, which rolled from his lap into the fire. Flip, with a cry, sprang toward it; but Lance caught her by the waist with one arm, as with the other he dragged the bundle from the flames.
"Don't be alarmed," he said, gayly, "it's only"—
"What?" said Flip, trying to disengage herself.
"My coat and trousers."
Flip laughed, which encouraged Lance to another attempt to kiss her. She evaded it by diving her head into his waistcoat, and saying, "There's father."
"But he's gone to clear away that tree," suggested Lance.
One of Flip's significant silences followed.
"Oh, I see," he laughed. "That was a plan to get him away! Ah!" She had released herself.
"Why did you come like that?" she said, pointing to his wig and blanket.
"To see if you'd know me," he responded.
"No," said Flip, dropping her eyes. "It's to keep other people from knowing you. You're hidin' agin."
"I am," returned Lance; "but," he interrupted, "it's only the same old thing."
"But you wrote from Monterey that it was all over," she persisted.
"So it would have been," he said gloomily, "but for some dog down here who is hunting up an old scent. I'll spot him yet, and"—He stopped suddenly, with such utter abstraction of hatred in his fixed and glittering eyes that she almost feared him. She laid her hand quite unconsciously on his arm. He grasped it; his face changed.
"I couldn't wait any longer to see you, Flip, so I came here anyway," he went on. "I thought to hang round and get a chance to speak to you first, when I fell afoul of the old man. He didn't know me, and tumbled right in my little game. Why, do you believe he wants to hire me for my grub and liquor, to act as a sort of sentry over you and the ranch?" And here he related with great gusto the substance of his interview. "I reckon as he's that suspicious," he concluded, "I'd better play it out now as I've begun, only it's mighty hard I can't see you here before the fire in your fancy toggery, Flip, but must dodge in and out of the wet underbrush in these yer duds of yours that I picked up in the old place in the Gin and Ginger Woods."
"Then you came here just to see me?" asked Flip.
"I did."
"For only that?"
"Only that."
Flip dropped her eyes. Lance had got his other arm around her waist, but her resisting little hand was still potent.
"Listen," she said at last without looking up, but apparently talking to the intruding arm, "when Dad comes I'll get him to send you to watch the diamond pit. It isn't far; it's warm, and"—
"What?"
"I'll come, after a bit, and see you. Quit foolin' now. If you'd only have come here like yourself—like—like—a white man."
"The old man," interrupted Lance, "would have just passed me on to the summit. I couldn't have played the lost fisherman on him at this time of year."
"Ye could have been stopped at the Crossing by high water, you silly," said the girl. "It was." This grammatical obscurity referred to the stage-coach.
"Yes, but I might have been tracked to this cabin. And look here, Flip," he said, suddenly straightening himself, and lifting the girl's face to a level with his own, "I don't want you to lie any more for me. It ain't right."
"All right. Ye needn't go to the pit, then, and I won't come."
"Flip!"
"And here's Dad coming. Quick!"
Lance chose to put his own interpretation on this last adjuration. The resisting little hand was now lying quite limp on his shoulder. He drew her brown, bright face near his own, felt her spiced breath on his lips, his cheeks, his hot eyelids, his swimming eyes, kissed her, hurriedly replaced his wig and blanket, and dropped beside the fire with the tremulous laugh of youth and innocent first passion. Flip had withdrawn to the window, and was looking out upon the rocking pines.
"He