The most important innovation suggested by Joseph Warton was an outspoken assertion that this was by no means the object or the proper theme of poetry. His verses and those of his brother, the Essay on Pope of the elder, the critical and historical writings of the younger, may be searched in vain for the slightest evidence of moral or didactic sentiment. The instructive and ethical mannerisms of the later classicists had produced some beautiful and more accomplished verse, especially of a descriptive order, but its very essence had excluded self-revelation. Dennis, at whom Pope taught the world to laugh, but who was in several respects a better critic than either Addison or himself, had come close to the truth sometimes, but was for ever edged away from it by the intrusion of the moral consideration. Dennis feels things æsthetically, but he blunders into ethical definition. The result was that the range of poetry was narrowed to the sphere of didactic reflection, a blunt description of scenery or objects being the only relief, since
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