Clang, clang, clang! went the bell.
Gordon's last hope vanished. No mistaking the hollow clangour of a bell echoing through an empty house. He seized the handle again and gave it a wrench that almost broke the wire. A frightful, clamorous peal answered him. But it was useless, quite useless. Not a foot stirred within. Even the servants were out. At this moment he became aware of a lace cap, some dark hair and a pair of youthful eyes regarding him furtively from the basement of the house next door. It was a servant-girl who had come out to see what all the noise was about. She caught his eye and gazed into the middle distance. He looked a fool and knew it. One always does look a fool when one rings the bell of an empty house. And suddenly it came to him that that girl knew all about him—knew that the party had been put off and that everyone except Gordon had been told of it—knew that it was because he had no money that he wasn't worth the trouble of telling. She knew. Servants always know.
He turned and made for the gate. Under the servant's eye he had to stroll casually away, as though this were a small disappointment that scarcely mattered. But he was trembling so with anger that it was difficult to control his movements. The sods! The bloody sods! To have played a trick like that on him! To have invited him, and then changed the day and not even bothered to tell him! There might be other explanations—he just refused to think of them. The sods, the bloody sods! His eye fell upon one of the Rackhamesque chunks of stone. How he'd love to pick that thing up and bash it through the window! He grasped the rusty gate-bar so hard that he hurt his hand and almost tore it. The physical pain did him good. It counteracted the agony at his heart. It was not merely that he had been cheated of an evening spent in human company, though that was much. It was the feeling of helplessness, of insignificance, of being set aside, ignored—a creature not worth worrying about. They'd changed the day and hadn't even bothered to tell him. Told everybody else, but not him. That's how people treat you when you've no money! Just wantonly, cold-bloodedly insult you. It was likely enough, indeed, that the Dorings had honestly forgotten, meaning no harm; it was even possible that he himself had mistaken the date. But no! He wouldn't think of it. The Dorings had done it on purpose. Of course they had done it on purpose! Just hadn't troubled to tell him, because he had no money and consequently didn't matter. The sods!
He walked rapidly away. There was a sharp pain in his breast. Human contact, human voices! But what was the good of wishing? He'd have to spend the evening alone, as usual. His friends were so few and lived so far away. Rosemary would still be at work; besides, she lived at the back of beyond, in West Kensington, in a women's hostel guarded by female dragons. Ravelston lived nearer, in the Regent's Park district. But Ravelston was a rich man and had many engagements; the chances were always against his being at home. Gordon could not even ring him up, because he hadn't the necessary two pennies; only three halfpence and the Joey. Besides, how could he go and see Ravelston when he had no money? Ravelston would be sure to say 'Let's go to a pub,' or something! He couldn't let Ravelston pay for his drinks. His friendship with Ravelston was only possible on the understanding that he paid his share of everything.
He took out his single cigarette and lighted it. It gave him no pleasure to smoke, walking fast; it was a mere reckless gesture. He did not take much notice of where he was going. All he wanted was to tire himself, to walk and walk till the stupid physical fatigue had obliterated the Dorings' snub. He moved roughly southward—through the wastes of Camden Town, down Tottenham Court Road. It had been dark for some time now. He crossed Oxford Street, threaded through Covent Garden, found himself in the Strand and crossed the river by Waterloo Bridge. With night the cold had descended. As he walked his anger grew less violent, but his mood could not fundamentally improve. There was a thought that kept haunting him—a thought from which he fled, but which was not to be escaped. It was the thought of his poems. His empty, silly, futile poems! How could he ever have believed in them? To think that actually he had imagined, so short a time ago, that even London Pleasures might one day come to something! It made him sick to think of his poems now. It was like remembering last night's debauch. He knew in his bones that he was no good and his poems were no good. London Pleasures would never be finished. If he lived to be a thousand he would never write a line worth reading. Over and over, in self-hatred, he repeated those four stanzas of the poem he had been making up. Christ, what tripe! Rhyme to rhyme—tinkle, tinkle, tinkle! Hollow as an empty biscuit tin. That was the kind of muck he had wasted his life on.
He had walked a long way, five or seven miles perhaps. His feet were hot and swollen from the pavements. He was somewhere in Lambeth, in a slummy quarter where the narrow, puddled streets plunged into blackness at fifty yards' distance. The few lamps, mist-ringed, hung like isolated stars, illumining nothing save themselves. He was getting devilishly hungry. The coffee-shops tempted him with their steamy windows and their chalked signs: 'Good Cup of Tea, 2d. No Urns Used.' But it was no use, he couldn't spend his Joey. He went under some echoing railway arches and up the alley on to Hungerford Bridge. On the miry water, lit by the glare of skysigns, the muck of East London was racing inland. Corks, lemons, barrel-staves, a dead dog, hunks of bread. Gordon walked along the Embankment to Westminster. The wind made the plane trees rattle. Sharply the menacing wind sweeps over. He winced. That tripe again! Even now, though it was December, a few poor draggled old wrecks were settling down on the benches, tucking themselves up in sort of parcels of newspaper. Gordon looked at them callously. On the bum, they called it. He would come to it himself some day. Better so, perhaps? He never felt any pity for the genuine poor. It is the black-coated poor, the middle-middle class, who need pitying.
He walked up to Trafalgar Square. Hours and hours to kill. The National Gallery? Ah, shut long ago, of course. It would be. It was a quarter past seven. Three, four, five hours before he could sleep. He walked seven times round the square, slowly. Four times clockwise, three times widdershins. His feet were sore and most of the benches were empty, but he would not sit down. If he halted for an instant the longing for tobacco would come upon him. In the Charing Cross Road the tea-shops called like sirens. Once the glass door of a Lyons swung open, letting out a wave of hot cake-scented air. It almost overcame him. After all, why not go in? You could sit there for nearly an hour. A cup of tea twopence, two buns a penny each. He had fourpence halfpenny, counting the Joey. But no! That bloody Joey! The girl at the cash desk would titter. In a vivid vision he saw the girl at the cash desk, as she handled his threepenny-bit, grin sidelong at the girl behind the cake-counter. They'd know it was your last threepence. No use. Shove on. Keep moving.
In the deadly glare of the Neon lights the pavements were densely crowded. Gordon threaded his way, a small shabby figure, with pale face and unkempt hair. The crowd slid past him; he avoided and was avoided. There is something horrible about London at night; the coldness, the anonymity, the aloofness. Seven million people, sliding to and fro, avoiding contact, barely aware of one another's existence, like fish in an aquarium tank. The street swarmed with pretty girls. By scores they streamed past him, their faces averted or unseeing; cold nymph-creatures, dreading the eyes of the male. It was queer how many of them seemed to be alone, or with another girl. Far more women alone than women with men, he noted. That too was money. How many girls alive wouldn't be manless sooner than take a man who's moneyless?
The pubs were open, oozing sour whiffs of beer. People were trickling by ones and twos into the picture-houses. Gordon halted outside a great garish picture-house, under the weary eye of the commissionaire, to examine the photographs. Greta Garbo in The Painted Veil. He yearned to go inside, not for Greta's sake, but just for the warmth and the softness of the velvet seat. He hated the pictures, of course, seldom went there even when he could afford it. Why encourage the art that is destined to replace literature? But still, there is a kind of soggy attraction about it. To sit on the padded seat in the warm smoke-scented darkness, letting the flickering drivel on the screen gradually