—and whitened his neck by having it shaved (continued the Baital, speaking quickly, as if determined not to be interrupted), and reddened the tips of his ears by squeezing them, and made his teeth shine by rubbing copper powder into the roots, and set off the delicacy of his fingers by staining the tips with henna. He had not been less careful with his dress: he wore a well-arranged turband, which had taken him at least two hours to bind, and a rich suit of brown stuff chosen for the adventure he was about to attempt, and he hung about his person a number of various weapons, so as to appear a hero—which young damsels admire.
Vajramukut asked his friend how he looked, and smiled happily when the other replied “Admirable!” His happiness was so great that he feared it might not last, and he asked the minister’s son how best to conduct himself?
“As a conqueror, my prince!” answered that astute young man, “if it so be that you would be one. When you wish to win a woman, always impose upon her. Tell her that you are her master, and she will forthwith believe herself to be your servant. Inform her that she loves you, and forthwith she will adore you. Show her that you care nothing for her, and she will think of nothing but you. Prove to her by your demeanour that you consider her a slave, and she will become your pariah. But above all things—excuse me if I repeat myself too often—beware of the fatal virtue which men call modesty and women sheepishness. Recollect the trouble it has given us, and the danger which we have incurred: all this might have been managed at a tank within fifteen miles of your royal father’s palace. And allow me to say that you may still thank your stars: in love a lost opportunity is seldom if ever recovered. The time to woo a woman is the moment you meet her, before she has had time to think; allow her the use of reflection and she may escape the net. And after avoiding the rock of Modesty, fall not, I conjure you, into the gulf of Security. I fear the lady Padmavati, she is too clever and too prudent. When damsels of her age draw the sword of Love, they throw away the scabbard of Precaution. But you yawn—I weary you—it is time for us to move.”
Two watches of the night had passed, and there was profound stillness on earth. The young men then walked quietly through the shadows, till they reached the western gate of the palace, and found the wicket ajar. The minister’s son peeped in and saw the porter dozing, stately as a Brahman deep in the Vedas, and behind him stood a veiled woman seemingly waiting for somebody. He then returned on tiptoe to the place where he had left his master, and with a parting caution against modesty and security, bade him fearlessly glide through the wicket. Then having stayed a short time at the gate listening with anxious ear, he went back to the old woman’s house.
Vajramukut penetrating to the staircase, felt his hand grasped by the veiled figure, who motioning him to tread lightly, led him quickly forwards. They passed under several arches, through dim passages and dark doorways, till at last running up a flight of stone steps they reached the apartments of the princess.
Vajramukut was nearly fainting as the flood of splendour broke upon him. Recovering himself he gazed around the rooms, and presently a tumult of delight invaded his soul, and his body bristled with joy. [62] The scene was that of fairyland. Golden censers exhaled the most costly perfumes, and gemmed vases bore the most beautiful flowers; silver lamps containing fragrant oil illuminated doors whose panels were wonderfully decorated, and walls adorned with pictures in which such figures were formed that on seeing them the beholder was enchanted. On one side of the room stood a bed of flowers and a couch covered with brocade of gold, and strewed with freshly-culled jasmine flowers. On the other side, arranged in proper order, were attar holders, betel-boxes, rose-water bottles, trays, and silver cases with four partitions for essences compounded of rose leaves, sugar, and spices, prepared sandal wood, saffron, and pods of musk. Scattered about a stuccoed floor white as crystal, were coloured caddies of exquisite confections, and in others sweetmeats of various kinds.[63] Female attendants clothed in dresses of various colours were standing each according to her rank, with hands respectfully joined. Some were reading plays and beautiful poems, others danced and others performed with glittering fingers and flashing arms on various instruments—the ivory lute, the ebony pipe and the silver kettledrum. In short, all the means and appliances of pleasure and enjoyment were there; and any description of the appearance of the apartments, which were the wonder of the age, is impossible.
Then another veiled figure, the beautiful Princess Padmavati, came up and disclosed herself, and dazzled the eyes of her delighted Vajramukut. She led him into an alcove, made him sit down, rubbed sandal powder upon his body, hung a garland of jasmine flowers round his neck, sprinkled rose-water over his dress, and began to wave over his head a fan of peacock feathers with a golden handle.
Said the prince, who despite all efforts could not entirely shake off his unhappy habit of being modest, “Those very delicate hands of yours are not fit to ply the pankha.[64] Why do you take so much trouble? I am cool and refreshed by the sight of you. Do give the fan to me and sit down.”
“Nay, great king!” replied Padmavati, with the most fascinating of smiles, “you have taken so much trouble for my sake in coming here, it is right that I perform service for you.”
Upon which her favourite slave, taking the pankha from the hand of the princess, exclaimed, “This is my duty. I will perform the service; do you two enjoy yourselves!”
The lovers then began to chew betel, which, by the bye, they disposed of in little agate boxes which they drew from their pockets, and they were soon engaged in the tenderest conversation.
Here the Baital paused for a while, probably to take breath. Then he resumed his tale as follows:
In the meantime, it became dawn; the princess concealed him; and when night returned they again engaged in the same innocent pleasures. Thus day after day sped rapidly by. Imagine, if you can, the youth’s felicity; he was of an ardent temperament, deeply enamoured, barely a score of years old, and he had been strictly brought up by serious parents. He therefore resigned himself entirely to the siren for whom he willingly forgot the world, and he wondered at his good fortune, which had thrown in his way a conquest richer than all the mines of Meru.[65] He could not sufficiently admire his Padmavati’s grace, beauty, bright wit, and numberless accomplishments. Every morning, for vanity’s sake, he learned from her a little useless knowledge in verse as well as prose, for instance, the saying of the poet—
Enjoy the present hour, ’tis thine; be this, O man, thy law;
Who e’er resew the yester? Who the morrow e’er foresaw?
And this highly philosophical axiom—
Eat, drink, and love—the rest’s not worth a fillip.
“By means of which he hoped, Raja Vikram!” said the demon, not heeding his royal carrier’s “ughs” and “poohs,” “to become in course of time almost as clever as his mistress.”
Padmavati, being, as you have seen, a maiden of superior mind, was naturally more smitten by her lover’s dulness than by any other of his qualities; she adored it, it was such a contrast to herself.[66] At first she did what many clever women do—she invested him with the brightness of her own imagination. Still water, she pondered, runs deep; certainly under this disguise must lurk a brilliant fancy, a penetrating but a mature and ready judgment—are they not written by nature’s hand on that broad high brow? With such lovely mustachios can he be aught but generous, noble-minded, magnanimous? Can such eyes belong to any but a hero? And she fed the delusion. She would smile upon him with intense fondness, when, after wasting hours over a few lines of poetry, he would misplace all the adjectives and barbarously entreat the metre. She laughed with gratification, when, excited by the bright sayings that fell from her lips, the youth put forth some platitude, dim as the lamp in the expiring fire-fly. When he slipped in grammar she saw malice under it, when he retailed a borrowed jest she called it a good one, and when he used—as princes sometimes will—bad language, she discovered in it a charming simplicity.
At first she suspected that the stratagems which had won her heart were the results of a deep-laid plot proceeding from her lover. But