MINUTE WRITING.
The Iliad of Homer in a nutshell, which Pliny says that Cicero once saw, it is pretended might have been a fact, however to some it may appear impossible. Ælian notices an artist who wrote a distich in letters of gold, which he enclosed in the rind of a grain of corn.
Antiquity and modern times record many such penmen, whose glory consisted in writing in so small a hand that the writing could not be legible to the naked eye. Menage mentions, he saw whole sentences which were not perceptible to the eye without the microscope; pictures and portraits which appeared at first to be lines and scratches thrown down at random; one formed the face of the Dauphiness with the most correct resemblance. He read an Italian poem, in praise of this princess, containing some thousand verses, written by an officer, in a space of a foot and a half. This species of curious idleness has not been lost in our own country, where this minute writing has equalled any on record. Peter Bales, a celebrated caligrapher in the reign of Elizabeth, astonished the eyes of beholders by showing them what they could not see; for in the Harleian MSS. 530, we have a narrative of "a rare piece of work brought to pass by Peter Bales, an Englishman, and a clerk of the chancery;" it seems by the description to have been the whole Bible "in an English walnut no bigger than a hen's egg. The nut holdeth the book: there are as many leaves in his little book as the great Bible, and he hath written as much in one of his little leaves as a great leaf of the Bible." We are told that this wonderfully unreadable copy of the Bible was "seen by many thousands." There is a drawing of the head of Charles I. in the library of St. John's College, at Oxford, wholly composed of minute written characters, which, at a small distance, resemble the lines of an engraving. The lines of the head, and the ruff, are said to contain the book of Psalms, the Creed, and the Lord's Prayer. In the British Museum we find a drawing representing the portrait of Queen Anne, not much above the size of the hand. On this drawing appears a number of lines and scratches, which the librarian assures the marvelling spectator includes the entire contents of a thin folio, which on this occasion is carried in the hand.
The learned Huet asserts that, like the rest of the world, he considered as a fiction the story of that indefatigable trifler who is said to have enclosed the Iliad in a nutshell. Examining the matter more closely, he thought it possible. One day this learned man trifled half an hour in demonstrating it. A piece of vellum, about ten inches in length and eight in width, pliant and firm, can be folded up, and enclosed in the shell of a large walnut. It can hold in its breadth one line, which can contain 30 verses, and in its length 250 lines. With a crow-quill the writing can be perfect. A page of this piece of vellum will then contain 7500 verses, and the reverse as much; the whole 15,000 verses of the Iliad. And this he proved by using a piece of paper, and with a common pen. The thing is possible to be effected; and if on any occasion paper should be most excessively rare, it may be useful to know that a volume of matter may be contained in a single leaf.
NUMERICAL FIGURES.
The learned, after many contests, have at length agreed that the numerical figures 1, 2, 3, 4, 5, 6, 7, 8, 9, usually called Arabic, are of Indian origin. The Arabians do not pretend to have been the inventors of them, but borrowed them from the Indian nations. The numeral characters of the Bramins, the Persians, the Arabians, and other eastern nations, are similar. They appear afterwards to have been introduced into several European nations by their respective travellers, who returned from the East. They were admitted into calendars and chronicles, but they were not introduced into charters, says Mr. Astle, before the sixteenth century. The Spaniards, no doubt, derived their use from the Moors who invaded them. In 1210, the Alphonsean astronomical tables were made by the order of Alphonsus X. by a Jew, and an Arabian; they used these numerals, from whence the Spaniards contend that they were first introduced by them.
They were not generally used in Germany until the beginning of the fourteenth century; but in general the forms of the ciphers were not permanently fixed there till after the year 1531. The Russians were strangers to them, before Peter the Great had finished his travels in the beginning of the last century.
The origin of these useful characters with the Indians and Arabians is attributed to their great skill in the arts of astronomy and of arithmetic, which required more convenient characters than alphabetic letters for the expressing of numbers.
Before the introduction into Europe of these Arabic numerals, they used alphabetical characters, or Roman numerals. The learned authors of the Nouveau Traité Diplomatique, the most valuable work on everything concerning the arts and progress of writing, have given some curious notices on the origin of the Roman numerals. Originally men counted by their fingers; thus, to mark the first four numbers they used an I, which naturally represents them. To mark the fifth, they chose a V, which is made out by bending inwards the three middle fingers, and stretching out only the thumb and the little finger; and for the tenth they used an X, which is a double V, one placed topsy-turvy under the other. From this the progression of these numbers is always from one to five, and from five to ten. The hundred was signified by the capital letter of that word in Latin, C—centum. The other letters, D for 500, and M for a 1000, were afterwards added. They subsequently abbreviated their characters, by placing one of these figures before another; and the figure of less value before a higher number, denotes that so much may be deducted from a greater number; for instance, IV signifies five less one, that is four; IX ten less one, that is nine; but these abbreviations are not found amongst the ancient monuments.77 These numerical letters are still continued by us in the accounts of our Exchequer.
That men counted originally by their fingers, is no improbable supposition; it is still naturally practised by the people. In semi-civilized states small stones have been used, and the etymologists derive the words calculate and calculations from calculus, the Latin term for a pebble-stone, and by which they denominated their counters used for arithmetical computations.
Professor Ward, in a learned dissertation on this subject in the Philosophical Transactions, concludes that it is easier to falsify the Arabic ciphers than the Roman alphabetical numerals; when 1375 is dated in Arabic ciphers, if the 3 is only changed into an 0, three centuries are taken away; if the 3 is made into a 9 and take away the 1, four hundred years are lost. Such accidents have assuredly produced much confusion among our ancient manuscripts, and still do in our printed books; which is the reason that Dr. Robertson in his histories has also preferred writing his dates in words, rather than confide them to the care of a negligent printer. Gibbon observes, that some remarkable mistakes have happened by the word mil. in MSS., which is an abbreviation for soldiers, or for thousands; and to this blunder he attributes the incredible numbers of martyrdoms, which cannot otherwise be accounted for by historical records.
ENGLISH ASTROLOGERS.
A belief in judicial astrology can now only exist in the people, who may be said to have no belief at all; for mere traditional sentiments can hardly be said to amount to a belief. But a faith in this ridiculous system in our country is of late existence; and was a favourite superstition with the learned.
When Charles the First was confined, Lilly the astrologer was consulted for the hour which would favour his escape.
A story, which strongly proves how greatly Charles the Second was bigoted to judicial astrology, is recorded is Burnet's History of his Own Times.
The most respectable characters of the age, Sir William Dugdale, Ellas Ashmole, Dr. Grew, and others, were members of an astrological club. Congreve's character of Foresight, in Love for Love, was then no uncommon person, though the humour now is scarcely intelligible.
Dryden cast the nativities of his sons; and, what