Along the northern coast of France, where the Confessor had passed his early life, lay the lands of one of the most powerful of the French king's vassals, the Duke of Normandy. He and his people, who constitute one of the most picturesque and curious elements in European history, are confused for most of us by irrelevant controversies which would have been entirely unintelligible to them. The worst of these is the inane fiction which gives the name of Norman to the English aristocracy during its great period of the last three hundred years. Tennyson informed a lady of the name of Vere de Vere that simple faith was more valuable than Norman blood. But the historical student who can believe in Lady Clara as the possessor of the Norman blood must be himself a large possessor of the simple faith. As a matter of fact, as we shall see also when we come to the political scheme of the Normans, the notion is the negation of their real importance in history. The fashionable fancy misses what was best in the Normans, exactly as we have found it missing what was best in the Saxons. One does not know whether to thank the Normans more for appearing or for disappearing. Few philanthropists ever became so rapidly anonymous. It is the great glory of the Norman adventurer that he threw himself heartily into his chance position; and had faith not only in his comrades, but in his subjects, and even in his enemies. He was loyal to the kingdom he had not yet made. Thus the Norman Bruce becomes a Scot; thus the descendant of the Norman Strongbow becomes an Irishman. No men less than Normans can be conceived as remaining as a superior caste until the present time. But this alien and adventurous loyalty in the Norman, which appears in these other national histories, appears most strongly of all in the history we have here to follow. The Duke of Normandy does become a real King of England; his claim through the Confessor, his election by the Council, even his symbolic handfuls of the soil of Sussex, these are not altogether empty forms. And though both phrases would be inaccurate, it is very much nearer the truth to call William the first of the English than to call Harold the last of them.
An indeterminate debate touching the dim races that mixed without record in that dim epoch, has made much of the fact that the Norman edges of France, like the East Anglian edges of England, were deeply penetrated by the Norse invasions of the ninth century; and that the ducal house of Normandy, with what other families we know not, can be traced back to a Scandinavian seed. The unquestionable power of captaincy and creative legislation which belonged to the Normans, whoever they were, may be connected reasonably enough with some infusion of fresh blood. But if the racial theorists press the point to a comparison of races, it can obviously only be answered by a study of the two types in separation. And it must surely be manifest that more civilizing power has since been shown by the French when untouched by Scandinavian blood than by the Scandinavians when untouched by French blood. As much fighting (and more ruling) was done by the Crusaders who were never Vikings as by the Vikings who were never Crusaders. But in truth there is no need of such invidious analysis; we may willingly allow a real value to the Scandinavian contribution to the French as to the English nationality, so long as we firmly understand the ultimate historic fact that the duchy of Normandy was about as Scandinavian as the town of Norwich. But the debate has another danger, in that it tends to exaggerate even the personal importance of the Norman. Many as were his talents as a master, he is in history the servant of other and wider things. The landing of Lanfranc is perhaps more of a date than the landing of William. And Lanfranc was an Italian—like Julius Caesar. The Norman is not in history a mere wall, the rather brutal boundary of a mere empire. The Norman is a gate. He is like one of those gates which still remain as he made them, with round arch and rude pattern and stout supporting columns; and what entered by that gate was civilization. William of Falaise has in history a title much higher than that of Duke of Normandy or King of England. He was what Julius Cæsar was, and what St. Augustine was: he was the ambassador of Europe to Britain.
William asserted that the Confessor, in the course of that connection which followed naturally from his Norman education, had promised the English crown to the holder of the Norman dukedom. Whether he did or not we shall probably never know: it is not intrinsically impossible or even improbable. To blame the promise as unpatriotic, even if it was given, is to read duties defined at a much later date into the first feudal chaos; to make such blame positive and personal is like expecting the Ancient Britons to sing "Rule Britannia." William further clinched his case by declaring that Harold, the principal Saxon noble and the most probable Saxon claimant, had, while enjoying the Duke's hospitality after a shipwreck, sworn upon sacred relics not to dispute the Duke's claim. About this episode also we must agree that we do not know; yet we shall be quite out of touch with the time if we say that we do not care. The element of sacrilege in the alleged perjury of Harold probably affected the Pope when he blessed a banner for William's army; but it did not affect the Pope much more than it would have affected the people; and Harold's people quite as much as William's. Harold's people presumably denied the fact; and their denial is probably the motive of the very marked and almost eager emphasis with which the Bayeux Tapestry asserts and reasserts the reality of the personal betrayal. There is here a rather arresting fact to be noted. A great part of this celebrated pictorial record is not concerned at all with the well-known historical events which we have only to note rapidly here. It does, indeed, dwell a little on the death of Edward; it depicts the difficulties of William's enterprise in the felling of forests for shipbuilding, in the crossing of the Channel, and especially in the charge up the hill at Hastings, in which full justice is done to the destructive resistance of Harold's army. But it was really after Duke William had disembarked and defeated Harold on the Sussex coast, that he did what is historically worthy to be called the Conquest. It is not until these later operations that we have the note of the new and scientific militarism from the Continent. Instead of marching upon London he marched round it; and crossing the Thames at Wallingford cut off the city from the rest of the country and compelled its surrender. He had himself elected king with all the forms that would have accompanied a peaceful succession to the Confessor, and after a brief return to Normandy took up the work of war again to bring all England under his crown. Marching through the snow, he laid waste the northern counties, seized Chester, and made rather than won a kingdom. These things are the foundations of historical England; but of these things the pictures woven in honour of his house tell us nothing. The Bayeux. Tapestry may almost be said to stop before the Norman Conquest. But it tells in great detail the tale of some trivial raid into Brittany solely that Harold and William may appear as brothers in arms; and especially that William may be depicted in the very act of giving arms to Harold. And here again there is much more significance than a modern reader may fancy, in its bearing upon the new birth of that time and the ancient symbolism of arms. I have said that Duke William was a vassal of the King of France; and that phrase in its use and abuse is the key to the secular side of this epoch. William was indeed a most mutinous vassal, and a vein of such mutiny runs through his family fortunes: his sons Rufus and Henry I. disturbed him with internal ambitions antagonistic to his own. But it would be a blunder to allow such personal broils to obscure the system, which had indeed existed here before the Conquest, which clarified and confirmed it. That system we call Feudalism.
That Feudalism was the main mark of the Middle Ages is a commonplace of fashionable information; but it is of the sort