For some time all talk of the country's cause has been dropped. Our conversation nowadays has become full of modern sex-problems, and various other matters, with a sprinkling of poetry, both old Vaishnava and modern English, accompanied by a running undertone of melody, low down in the bass, such as I have never in my life heard before, which seems to me to sound the true manly note, the note of power.
The day had come when all cover was gone. There was no longer even the pretence of a reason why Sandip Babu should linger on, or why I should have confidential talks with him every now and then. I felt thoroughly vexed with myself, with my sister-in-law, with the ways of the world, and I vowed I would never again go to the outer apartments, not if I were to die for it.
For two whole days I did not stir out. Then, for the first time, I discovered how far I had travelled. My life felt utterly tasteless. Whatever I touched I wanted to thrust away. I felt myself waiting,—from the crown of my head to the tips of my toes,—waiting for something, somebody; my blood kept tingling with some expectation.
I tried busying myself with extra work. The bedroom floor was clean enough but I insisted on its being scrubbed over again under my eyes. Things were arranged in the cabinets in one kind of order; I pulled them all out and rearranged them in a different way. I found no time that afternoon even to do up my hair; I hurriedly tied it into a loose knot, and went and worried everybody, fussing about the store-room. The stores seemed short, and pilfering must have been going on of late, but I could not muster up the courage to take any particular person to task,—for might not the thought have crossed somebody's mind: 'Where were your eyes all these days!'
In short, I behaved that day as one possessed. The next day I tried to do some reading. What I read I have no idea, but after a spell of absentmindedness I found I had wandered away, book in hand, along the passage leading towards the outer apartments, and was standing by a window looking out upon the verandah running along the row of rooms on the opposite side of the quadrangle. One of these rooms, I felt, had crossed over to another shore, and the ferry had ceased to ply. I felt like the ghost of myself of two days ago, doomed to remain where I was, and yet not really there, blankly looking out for ever.
As I stood there, I saw Sandip come out of his room into the verandah, a newspaper in his hand. I could see that he looked extraordinarily disturbed. The courtyard, the railings, in front, seemed to rouse his wrath. He flung away his newspaper with a gesture which seemed to want to rend the space before him.
I felt I could no longer keep my vow. I was about to move on towards the sitting-room, when I found my sister-in-law behind me. 'O Lord, this beats everything!' she ejaculated, as she glided away. I could not proceed to the outer apartments.
The next morning when my maid came calling, 'Rani Mother, it is getting late for giving out the stores,' I flung the keys to her, saying, 'Tell Harimati to see to it,' and went on with some embroidery of English pattern on which I was engaged, seated near the window.
Then came a servant with a letter. 'From Sandip Babu,' said he. What unbounded boldness! What must the messenger have thought? There was a tremor within my breast as I opened the envelope. There was no address on the letter, only the words: An urgent matter—touching the Cause. Sandip.
I flung aside the embroidery. I was up on my feet in a moment, giving a touch or two to my hair by the mirror. I kept the sari I had on, changing only my jacket,—for one of my jackets had its associations.
I had to pass through one of the verandahs, where my sister-in-law used to sit in the morning slicing betel-nut. I refused to feel awkward. 'Whither away, Chota Rani?' she cried.
'To the sitting-room outside.'
'So early! A matinée, eh?'
And, as I passed on without further reply, she hummed after me a flippant song.
IX
When I was about to enter the sitting-room, I saw Sandip immersed in an illustrated catalogue of British Academy pictures, with his back to the door. He has a great notion of himself as an expert in matters of Art.
One day my husband said to him: 'If the artists ever want a teacher, they need never lack for one so long as you are there.' It had not been my husband's habit to speak cuttingly, but latterly there has been a change and he never spares Sandip.
'What makes you suppose that artists need no teachers?' Sandip retorted.
'Art is a creation,' my husband replied. 'So we should humbly be content to receive our lessons about Art from the work of the artist.'
Sandip laughed at this modesty, saying: 'You think that meekness is a kind of capital which increases your wealth the more you use it. It is my conviction that those who lack pride only float about like water reeds which have no roots in the soil.'
My mind used to be full of contradictions when they talked thus. On the one hand I was eager that my husband should win in argument and that Sandip's pride should be shamed. Yet, on the other, it was Sandip's unabashed pride which attracted me so. It shone like a precious diamond, which knows no diffidence, and sparkles in the face of the sun itself.
I entered the room. I knew Sandip could hear my footsteps as I went forward, but he pretended not to, and kept his eyes on the book.
I dreaded his Art talks, for I could not overcome my delicacy about the pictures he talked of, and the things he said, and had much ado in putting on an air of overdone insensibility to hide my qualms. So, I was almost on the point of retracing my steps, when, with a deep sigh, Sandip raised his eyes, and affected to be startled at the sight of me. 'Ah, you have come!' he said.
In his words, in his tone, in his eyes, there was a world of suppressed reproach, as if the claims he had acquired over me made my absence, even for these two or three days, a grievous wrong. I knew this attitude was an insult to me, but, alas, I had not the power to resent it.
I made no reply, but though I was looking another way, I could not help feeling that Sandip's plaintive gaze had planted itself right on my face, and would take no denial. I did so wish he would say something, so that I could shelter myself behind his words. I cannot tell how long this went on, but at last I could stand it no longer. 'What is this matter,' I asked, 'you are wanting to tell me about?'
Sandip again affected surprise as he said: 'Must there always be some matter? Is friendship by itself a crime? Oh, Queen Bee, to think that you should make so light of the greatest thing on earth! Is the heart's worship to be shut out like a stray cur?'
There was again that tremor within me. I could feel the crisis coming, too importunate to be put off. Joy and fear struggled for the mastery. Would my shoulders, I wondered, be broad enough to stand its shock, or would it not leave me overthrown, with my face in the dust?
I was trembling all over. Steadying myself with an effort I repeated: 'You summoned me for something touching the Cause, so I have left my household duties to attend to it.'
'That is just what I was trying to explain,' he said, with a dry laugh. 'Do you not know that I come to worship? Have I not told you that, in you, I visualize the Shakti of our country? The Geography of a country is not the whole truth. No one can give up his life for a map! When I see you before me, then only do I realize how lovely my country is. When you have anointed me with your own hands, then shall I know I have the sanction of my country; and if, with that in my heart, I fall fighting, it shall not be on the dust of some map-made land, but on a lovingly spread skirt—do you know what kind of skirt?—like that of the earthen-red sari you wore the other day, with a broad blood-red border. Can I ever forget it? Such are the visions which give vigour to life, and joy to death!'
Sandip's eyes took fire as he went on, but whether it was the fire of worship, or of passion, I could not tell. I was reminded of the day on which