There would seem to have been no one of more importance in Domremy than Jacques d'Arc himself and his wife, respectable peasants, with a little money, a considerable rural property in flocks and herds and pastures, and a good reputation among their kind. He had three sons working with their father in the peaceful routine of the fields; and two daughters, of whom some authorities indicate Jeanne as the younger, and some as the elder. The cottage interior, however, appears more clearly to us than the outward aspect of the family life. The daughters were not, like the children of poorer peasants, brought up to the rude outdoor labours of the little farm. Painters have represented Jeanne as keeping her father's sheep, and even the early witnesses say the same; but it is contradicted by herself, who ought to know best—(except in taking her turn to herd them into a place of safety on an alarm). If she followed the flocks to the fields, it must have been, she says, in her childhood, and she has no recollection of it. Hers was a more sheltered and safer lot. The girls were brought up by their mother indoors in all the labours of housewifery, but also in the delicate art of needlework, so much more exquisite in those days than now. Perhaps Isabeau, the mistress of the house, was of convent training, perhaps some ancient privilege in respect to the manufacture of ornaments for the altar, and church vestments, was still retained by the tenants of what had been Church lands. At all events this, and other kindred works of the needle, seems to have been the chief occupation to which Jeanne was brought up.
The education of this humble house seems to have come entirely from the mother. It was natural that the children should not know A from B, as Jeanne afterward said; but no one did, probably, in the village nor even on much higher levels than that occupied by the family of Jacques d'Arc. But the children at their mother's knee learned the Credo, they learned the simple universal prayers which are common to the wisest and simplest, which no great savant or poet could improve, and no child fail to understand: "Our Father, which art in Heaven," and that "Hail, Mary, full of grace," which the world in that day put next. These were the alphabet of life to the little Champagnards in their rough woollen frocks and clattering sabots; and when the house had been set in order—a house not without comfort, with its big wooden presses full of linen, and the pot au feu hung over the cheerful fire—came the real work, perhaps embroideries for the Church, perhaps only good stout shirts made of flax spun by their own hands for the father and the boys, and the fine distinctive coif of the village for the women. "Asked if she had learned any art or trade, said: Yes, that her mother had taught her to sew and spin, and so well, that she did not think any woman in Rouen could teach her anything." When the lady in the ballad makes her conditions with the peasant woman who is to bring up her boy, her "gay goss hawk," and have him trained in the use of sword and lance, she undertakes to teach the "turtle-doo," the woman child substituted for him, "to lay gold with her hand." No doubt Isabeau's child learned this difficult and dainty art, and how to do the beautiful and delicate embroidery which fills the treasuries of the old churches.
And while they sat by the table in the window, with their shining silks and gold thread, the mother made the quiet hours go by with tale and legend—of the saints first of all—and stories from Scripture, quaintly interpreted into the costume and manners of their own time, as one may still hear them in the primitive corners of Italy: mingled with incidents of the war, of the wounded man tended in the village, and the victors all flushed with triumph, and the defeated with trailing arms and bowed heads, riding for their lives: perhaps little epics and tragedies of the young knight riding by to do his devoir with his handful of followers all spruce and gay, and the battered and diminished remnant that would come back. And then the Black Burgundians, the horrible English ogres, whose names would make the children shudder! No God-den[2] had got so far as Domremy; there was no personal knowledge to soften the picture of the invader. He was unspeakable as the Turk to the imagination of the French peasant, diabolical as every invader is.
This was the earliest training of the little maid before whom so strange and so great a fortune lay. Autre personne que sadite mère ne lui apprint—any lore whatsoever; and she so little—yet everything that was wanted—her prayers, her belief, the happiness of serving God, and also man; for when any one was sick in the village, either a little child with the measles, or a wounded soldier from the wars, Isabeau's modest child—no doubt the mother too—was always ready to help. It must have been a family de bien, in the simple phrase of the country, helpful, serviceable, with charity and aid for all. An honest labourer, who came to speak for Jeanne at the second trial, held long after her death, gave his incontestable evidence to this. "I was then a child," he said, "and it was she who nursed me in my illness." They were all more or less devout in those days, when faith was without question, and the routine of church ceremonial was followed as a matter of course; but few so much as Jeanne, whose chief pleasure it was to say her prayers in the little dark church, where perhaps in the morning sunshine, as she made her early devotions, there would blaze out upon her from a window, a Holy Michael in shining armour, transfixing the dragon with his spear, or a St. Margaret dominating the same emblem of evil with her cross in her hand. So, at least, the historians conjecture, anxious to find out some reason for her visions; and there is nothing in the suggestion which is unpleasing. The little country church was in the gift of St. Remy, and some benefactor of the rural curé might well have given a painted window to make glad the hearts of the simple people. St. Margaret was no warrior-saint, but she overcame the dragon with her cross, and was thus a kind of sister spirit to the great archangel.
Sitting much of her time at or outside the cottage door with her needlework, in itself an occupation so apt to encourage musing and dreams, the bells were one of Jeanne's great pleasures. We know a traveller, of the calmest English temperament and sobriety of Protestant fancy, to whom the midday Angelus always brings, he says, a touching reminder—which he never neglects wherever he may be—to uncover the head and lift up the heart; how much more the devout peasant girl softly startled in the midst of her dreaming by that call to prayer. She was so fond of those bells that she bribed the careless bell-ringer with simple presents to be more attentive to his duty. From the garden where she sat with her work, the cloudy foliage of the bois de chêne, the oak wood, where were legends of fairies and a magic well, to which her imagination, better inspired, seems to have given no great heed, filled up the prospect on one side. At a later period, her accusers attempted to make out that she had been a devotee of these nameless woodland spirits, but in vain. No doubt she was one of the procession on the holy day once a year, when the curé of the parish went out through the wood to the Fairies' Well to say his mass, and exorcise what evil enchantment might be there. But Jeanne's imagination was not of the kind to require such stimulus. The saints were enough for her; and indeed they supplied to a great extent the fairy tales of the age, though it was not of love and fame and living happy ever after, but of sacrifice and suffering and valorous martyrdom that their glory was made up.