Scarecrow. Dorothy Fielding. Читать онлайн. Newlib. NEWLIB.NET

Автор: Dorothy Fielding
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4064066309619
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his strong teeth. "That's too much in Laroche's line for me." Laroche was a Frenchman, a writer of psychological studies, who was also staying at the Golden Goat.

      "What I mean is that I think only ugly thoughts can make faces so plain. The Rackstraws look mean and malicious—and I think they are both those things."

      She spoke with her eyes on the incredible blue of the sea in front of her. Inskipp altered his position to face her more directly. He was a young man, and Florence Rackstraw' had made a dead set at him when he had first come to the farm two months ago. He had drifted into a quasi intimacy with her before he saw his danger and struck out for safety.

      "They're very intelligent," said Inskipp a trifle awkwardly. "Very clever."

      "They are," agreed Elsie in a tone that said that that quality counted for little. "But they could be very dangerous, both of them."

      "In what way?" he asked.

      "I haven't the faintest idea," was the prompt reply. "I don't reason about people. I feel them. And never, never make a mistake," he finished with mock solemnity.

      "Never when I dislike people. It sounds cynical, but it's true. It's only when I like people that I may be all wrong."

      They were lounging on the Promenade du Midi, that broad walk that runs along the sea at Menton, sometimes with neither parapet nor railing to protect it from the water. A grand walk when the sea is rough, and the green waves come roaring in over the foundations of the wall. White wings were wheeling and circling over their heads. One gull, more adventurous than his mates, nipped the bread from Inskipp's fingers in his swift glide past, banked—a lovely flash of silver—and came back for more. The hot sun flooded everything. The air was cool and fresh. The sea ran in broad washes of deep blue and bright green. The sky was the true sky of Menton, high, and blue, and soft, and deep. The donkey and ponies, kept at a corner of the casino for children to ride, stamped a little. They were as bored as Inskipp felt. A few notes from the orchestra playing outside the casino reached them. It was all like a scene at a theatre, Inskipp thought, something which he watched, but in which he had no part. As for Elsie, she was at grips with a curious, a quite contrary feeling to his. It was as though something were trying to rouse her to a sense of the moment's importance. She got up, ostensibly the better to watch the gulls whirl overhead, in reality to give herself room. What was this sudden impulse which was sweeping through her as the gulls swept through the air around her—an impulse to fight and win the man beside her, a sudden awareness of powers within her which, if used—of qualities which, if shown—would draw John Inskipp to her side and keep him there. He was a lonely man. She knew herself to be his complement. Should she make him realise this? She could. She knew that she could. What she did not know was that the fate of Inskipp depended on that moment—that Atropos with her shears paused for a second to wait for her. Had she obeyed her innermost craving Inskipp would have been saved. But, unfortunately, Elsie came of a race of women who were won, not who did the winning. She told herself the truth, that she cared for him much more than he did for her. She flung off the odd feeling that the moment held some opportunity which would never come again—and turned to see a man hurrying towards them along the promenade.

      "Here's Du-Métri," she said in a welcoming voice.

      "Two-Yards" was the nickname of the Norburys' factotum. A tall wiry figure, he came swinging along the Promenade from the nearby Halles. "Ohé!" he hailed, and waved a long, lean arm. Elsie liked the man. Two-Yards was a character. She sat smiling as he strode up and made a jerky little bow. "Il padrone sends this message," he said, drawing himself erect. "Not to wait for him here, as he must go to Gorbio. He will have to pick you up at the old Carnoles Olive Mill."

      Two-Yards looked as though carved from pliable teak, his features were so salient, his colouring so uniform and dark a brown. His lean, clean-shaven face was good looking, with regular features, and dark eyes that were at once keen and veiled. He knew every star that hung in the Menton heavens, and he knew their courses, the hour of their rising and the time of their setting. He knew all the flowers of the fields, and the birds in the woods, as he knew his own herds. Born in the hills behind Hyères, Two-Yards was steeped in Provençal legends and folk-lore. It was from him that Inskipp had first heard the legend of Haroun, the Moslem Corsair who had turned Christian for love of a captive maid.

      "Are you coming up to the Mill, too?" Inskipp asked.

      Two-Yards threw up his chin in sign of negation. He had still some purchases to make for the farm, and would follow later in the day in the farm cart. His eyes on the horizon, he stood a minute looking out to sea.

      Leaning far out of a boat painted green and yellow, a fisherman was beating the waves with all his strength, and at the full stretch of his long arms.

      "To drive the fish into the net," Two-Yards said in reply to Elsie's inquiring look.

      "Is there anything you don't know, Du-Métri?" she asked him.

      "Yes. I don't know who gives my Sabé her silk handkerchiefs," he said suddenly.

      Sabé—short for Isabella—was his daughter. She was a flirt, and Du-Mari was a Spartan parent.

      "Well, I must be off." And he took his cap off again, while Elsie laughed silently.

      The two caught the next Gorbio bus and were whirled along to the old mill at its opening.

      Green and cool and very lovely, the road wound past gardens where geraniums hung in thick mounds the size of cartwheels on the stone walls, or climbed half-way up the trunks of the palms, where roses and carnations filled the air with fragrance, where the bougainvillea covered walls and roofs with its magnificent purple. They got out at the Old Mill and sat down to wait for Norbury on the rocks which dot the entrance to the little hamlet. The ruined Maulesséna Castle was to one side, the great new sanatorium was hidden by a group of olive trees fifty feet high. Where they were sitting, they had pines on one side and palms on the other. It was typical of this corner of the world. The rustle of the palm fronds sounded like heavy rain in the breeze. Below them lay Menton looking what architecturally, as well as historically, it was—pure Italian, as it curved around the Gulf of Peace, a horseshoe of emerald and cobalt. Eastward, two lines of lavender and violet mountains carried the eye to Bordighera, whose houses glittered like dice on the farthermost spur of land. Up here, one even caught a glimpse of the Gulf of Genoa on the other side of the first line of purple hills, like a stroke of sapphire. To the west, the green ridge of Cap Martin ran an arm into the sea with one white hotel catching the light.

      Elsie drew a deep breath. Things must surely come right between her and Inskipp in such a world. And if that was not to be, then beauty such as this can fill the heart like love. The sunshine flooded all her being, luminous and strong and vital.

      She crumbled some of the earth between her fingers. "It's wonderful soil. You've heard, of course, of the man who, by an oversight, left his umbrella sticking in the ground hereabouts. When he went to look for it a week later, he found it a small tree in full bloom."

      Inskipp laughed outright.

      "Did Two-Yards tell you that one?"

      "No. Mr. Norbury." Getting to her feet, she looked about her, her felt hat in her hand.

      "I don't think there's anything in the world more beautiful, in its own way, than is this region." Her eyes were shining, her whole little face alight and glowing. It was a whimsical, irregular face under a mop of tawny hair that had streaks of red, like flames, in it.

      "I suppose not." After a pause Inskipp added. "But it doesn't mean anything to me. Does it to you?"

      "Mean." She was puzzled, and her transparent, candid face showed it.

      He made a vague gesture. "It's lovely—as a set scene at a theatre is lovely. But it's not real—to me. Palms—they can't take the place of beeches. I'd rather look at an oak than an olive, any day—"

      "And you'd rather watch rain than sunshine—is that it." she laughed. "Nothing like patriotism!"

      But he was not laughing.

      Inskipp's sallow face was a melancholy one.