‘There you are, poking fun at your poor old Progenitor again,’ said the old cobbler, with a merry twinkle in the corner of his eye. ‘If it weren’t for the jelly, and the natural affections always engendered by shoemaking, I think I should almost feel inclined to cut you off with a shilling, Artie, my boy—to cut you off with a shilling. Well, Artie, I’m quite convalescent now (don’t you call it? I’m afraid of my long shoemaker’s words before you, nowadays, you’ve grown so literary; for I suppose parsons are more literary than even shoemakers). I’m quite convalescent now, and I think, my boy, I must get to work again this week, and have no more of your expensive soups and jellies. If I didn’t keep a sharp look-out upon you, Artie, lad, I believe you’d starve yourself outright up there at Oxford to pamper your poor old useless father here with luxuries he’s never been accustomed to in his whole life.’
‘My dear simple old Progenitor, you don’t know how utterly you’re mistaken,’ cried Arthur, eagerly. ‘I believe I’m really the most selfish and unnatural son in all Christendom. I’m positively rolling in wealth up there at Magdalen; I’ve had my room papered again since you saw it last long vacation; and I live like a prince, absolutely like a Russian prince, upon my present income. I assure you on my solemn word of honour, Father, that I eat meat for lunch—that’s my dinner—every day; and an egg for tea as regular as clockwork. I often think when I look around my palatial rooms in college, what a shame it is that I should let you, who are worth ten of me, any day, live any longer in a back street up here in London; and I won’t allow it, Daddy, I really won’t allow it from this day forth, I’m determined. I’ve come up especially to speak to you about it this afternoon, for I’ve made up my mind that this abnormal state of things can’t continue.’—‘Very good word, abnormal,’ murmured his father.—‘And I’ve also made up my mind,’ Arthur said, almost firmly, for him, ‘that you shall come up and live at Oxford. I can’t bear having you so far away from me, now that you’re weaker than you used to be, Father dear, and so often ailing.’
The old shoemaker laughed aloud. ‘Oh no, Artie, my boy,’ he said cheerily, shaking his head with a continuous series of merry chuckles. ‘It won’t do at all, it won’t do, I assure you. I may be a terrible free-thinker and all that kind of thing, as the neighbours say I am—poor bodies, they never read a word of modern criticism in their lives, heaven bless ’em—stragglers from the march of intellect, mere stragglers—but I’ve too much respect for the cloth to bring a curate of St. Fredegond’s into such disgrace as that would mean for you, Artie. You shan’t have your career at Oxford spoiled by its being said of you that your father was a working shoemaker. What with the ready-closed uppers, and what with your ten shillings a week, and what with all the presents you give me, and what with the hire of the piano, I’m as comfortable as ever I want to be, growing into a gentleman in my old age, Artie, and I even begin to have my doubts as to whether it’s quite consistent in me as a good Radical to continue my own acquaintance with myself—I’m getting to be such a regular idle do-nothing aristocrat! Go to Oxford and mend shoes, indeed, with you living there as a full-fledged parson in your own rooms at Magdalen! No, no, I won’t hear of it. I’ll come up for a day or two in long vacation, my boy, as I’ve always done hitherto, and take a room in Holywell, and look in upon you a bit, accidentally, so as not to shame you before the scouts (who are a servile set of flunkeys, incapable of understanding the elevated feelings of a journeyman shoemaker); but I wouldn’t dream of going to live in the place, any more than I’d dream of asking to be presented at court on the occasion of my receiving a commission for a pair of evening shoes for the Queen’s head footman.’
‘Father,’ said Arthur, smiling, ‘you’re absolutely incorrigible. Such a dreadful old rebel against all constituted authority, human and divine, I never did meet in the course of my existence, I believe you’re really capable of arguing a point of theology against an archbishop. But I don’t want you to come up to Oxford as a shoemaker; I mean you to come up and live with me in rooms of our own, out of college. Whenever I think of you, dear Father—you, who are so infinitely nobler, and better, and truer, and more really a gentleman than any other than I ever knew in my life—whenever I think of you, coming secretly up to Oxford as if you were ashamed of yourself, and visiting your own son by stealth in his rooms in college as if you were a dun coming to ask him for money, instead of the person whom he delights to honour—whenever I think of it, Father, it makes my cheeks burn with shame, and I loathe myself for ever allowing you so to bemean your own frank, true, noble nature. I oughtn’t to permit it, Father, I oughtn’t to permit it; and I won’t permit it any longer.’
‘Well, you never would have permitted it, Artie, if I hadn’t compelled you; for I’ve got all the prudence and common sense of the family bottled up here in my own forehead,’ said the old man, tapping his bulging brow significantly. ‘I don’t deny that Oxford may be an excellent school for Greek and Latin, and philosophy, and so forth; but if you want prudence and sagacity and common-sense it’s a well-known fact that there’s nothing like the practice of making ready-closed uppers, sir, to develop ’em. If I’d taken your advice, my boy, I’d have come up to visit you when you were an undergraduate, and ruined your prospects at the very outset. No, no, Artie, I shall stop here, and stick to my last, my dear boy, stick to my last, to the end of all things.’
‘You shall do nothing of the sort, Daddy; that I’m determined upon,’ Arthur cried vehemently. ‘I’m not going to let you do any more shoemaking. The time has come when you must retire, and devote all your undivided energies to the constant study of modern criticism. Whether you come to Oxford or stop in London, I’ve made up my mind that you shan’t do another stroke of work as long as you live. Look here, dear old Daddy, I’m getting to be a perfect millionaire, I assure you. Do you see this fiver? well, I got that for knocking out that last trashy little song for Fradelli; and it cost me no more trouble to compose it than to sit down and write the score out on a sheet of ruled paper. I’m as rich as Croesus—made a hundred and eighty pounds last year, and expect to make over two hundred this one. Now, if a man with that perfectly prodigious fortune can’t afford to keep his own father in comfort and affluence, what an absolute Sybarite and gourmand of a fellow he must be himself.’
‘It’s a lot of money, certainly, Artie,’ said the old shoemaker, turning it over thoughtfully: ‘two hundred pounds is a lot of money; but I doubt very much whether it’s more than enough to keep you up to the standard of your own society, up there at Oxford. As John Stuart Mill says, these things are all comparative to the standard of comfort of your class. Now, Artie, I believe you have to stint yourself of things that everybody else about you has at Oxford, to keep me in luxuries I was never used to.’
‘My dear Dad, it’s only of the nature of a repayment,’ cried Arthur, earnestly. ‘You slaved and sacrificed and denied yourself when I was a boy to send me to school, without which I would never have got to Oxford at all; and you taught me music in your spare hours (when you had any); and I owe everything I have or am or ever will be to your unceasing and indefatigable kindness. So now you’ve got to take repayment whether you will or not, for I insist upon it. And if you won’t come up to Oxford, which perhaps would be an uncongenial place for you in many ways, I’ll tell you what I’ll do, Daddy; I’ll look out for a curacy somewhere in London, and we’ll take a little house together, and I’ll furnish it nicely, and there we shall live, sir, whatever you say, so not another word about it. And now I want you to listen to the very best thing I’ve ever composed, and tell me what you think of it.’
He sat down to the little hired cottage piano that occupied the corner of the neat small room, and began to run his deft fingers lightly over the keys. It was the Butterfly fantasia. The father sat back in his red easy-chair, listening with all his ears, first critically, then admiringly, at last enthusiastically. As Arthur’s closing notes died away softly towards the end, the old shoemaker’s delight could be restrained no longer. ‘Artie,’ he cried, gloating over it, ‘that’s music! That’s real music! You’re quite right, my boy; that’s far and away