‘I recognise,’ said Ernest, ‘that the works of art, of poetry, or of music, which we possess are a grand inheritance from the past; and I would do all I could to preserve them intact for those that come after us.’
‘I’m sure you would. No restoration or tinkering in you, I’m certain. Well, then, would you give anything for a world which hadn’t got this aesthetic side to its corporate existence? Would you give anything for a world which didn’t care at all for painting, sculpture, music, poetry? I wouldn’t. I don’t want such a world. I won’t countenance such a world. I’ll do nothing to further or advance such a world. It’s utterly repugnant to me, and I banish it, as Themistocles banished the Athenians.’
‘But consider,’ said Ernest, ‘we live in a world where men and women are actually starving. How can we reconcile to our consciences the spending of one penny on one useless thing when others are dying of sheer want, and cold, and nakedness? That’s the great question that’s always oppressing my poor dissatisfied conscience.’
‘So it does everybody’s—except Herbert’s: he explains it all on biological grounds as the beautiful discriminative action of natural selection. Simple, but not consolatory. Still, look at the other side of the question. Suppose you and everybody else were to give up all superfluities, and confine all your energies to the unlimited production of bare necessaries. Suppose you occupy every acre of land with your corn-fields, or your piggeries; and sweep away all the parks, and woods, and heaths, and moorlands in England. Suppose you keep on letting your population multiply as fast as it chooses—and it WILL multiply, you know, in that ugly, reckless, anti-Malthusian fashion of its own—till every rood of ground maintains its man, and only just maintains him; and what will you have got then?’
‘A dead level of abject pauperism,’ put in Herbert blandly; ‘a reductio ad absurdum of all your visionary Schurzian philosophy, my dear Ernest. Look at it another way, now, and just consider. Which really and truly matters most to you and me, a great work of art or a highly respectable horny-handed son of toil, whose acquaintance we have never had the pleasure of personally making? Suppose you read in the Times that the respectable horny-handed one has fallen off a scaffolding and broken his neck; and that the Dresden Madonna has been burnt by an unexpected accident; which of the two items of intelligence affects you the most acutely? My dear fellow, you may push your humanitarian enthusiasm as far as ever you like; but in your heart of hearts you know as well as I do that you’ll deeply regret the loss of the Madonna, and you’ll never think again about the fate of the respectable horny-handed, his wife or children.’
Ernest’s answer, if he had any to make, was effectually nipped in the bud by the entrance of the scout, who came in to announce Mr. and Miss Oswald and Mrs. Martindale. Edie wore the grey dress, her brother’s present, and flitted into the room after her joyous fashion, full of her first fresh delight at the cloistered quad of Magdalen.
‘What a delicious college, Mr. Berkeley!’ she said, holding out her hand to him brightly. ‘Good-morning, Mr. Le Breton; this is your brother, I know by the likeness. I thought New College very beautiful, but nothing I’ve seen is quite as beautiful as Magdalen. What a privilege to live always in such a place! And what an exquisite view from your window here!’
‘Yes,’ said Berkeley, moving a few music-books from the seat in the window-sill; ‘come and sit by it, Miss Oswald. Mrs. Martindale, won’t you put your shawl down? How’s the Professor to-day? So sorry he couldn’t come.’
‘Ah, he had to go to sit on one of his Boards,’ said the old lady, seating herself. ‘But you know I’m quite accustomed to going out without him.’
Arthur Berkeley knew as much; indeed, being a person of minute strategical intellect, he had purposely looked out a day on which the Professor had to attend a meeting of the delegates of something or other, so as to secure Mrs. Martindale’s services without the supplementary drawback of that prodigious bore. Not that he was particularly anxious for Mrs. Martindale’s own society, which was of the most strictly negative character; but he didn’t wish Edie to be the one lady in a party of four men, and he invited the Professor’s wife as an excellent neutral figure-head, to keep her in countenance. Ladies were scarcer then in Oxford than they are nowadays. The married fellow was still a tentative problematical experiment in those years, and the invasion of the Parks by young couples had hardly yet begun in earnest. So female society was still at a considerable local premium, and Berkeley was glad enough to secure even colourless old Mrs. Martindale to square his party at any price.
‘And how do you like Oxford, Miss Oswald?’ asked Ernest, making his way towards the window.
‘My dear Le Breton, what a question to put to her!’ said Berkeley, smiling. ‘As if Oxford were a place to be appraised offhand, on three days’ acquaintance. You remind me of the American who went to look at Niagara, and made an approving note in his memorandum book to say that he found it really a very elegant cataract.’
‘Oh, but you MUST form some opinion of it at least, at first sight,’ cried Edie; ‘you can’t help having an impression of a place from the first moment, even if you haven’t a judgment on it, can you now? I think it really surpasses my expectations, Mr. Le Breton, which is always a pleasant surprise. Venice fell below them; Florence just came up to them; but Oxford, I think, really surpasses them.’
‘We have three beautiful towns in Britain,’ Berkeley said. (‘As if he were a Welsh Triad,’ suggested Herbert Le Breton, parenthetically.) ‘Torquay, Oxford, Edinburgh. Torquay is all nature, spoilt by what I won’t call art; Oxford is all art, superimposed on a swamp that I won’t call nature; Edinburgh is both nature and art, working pretty harmoniously together, to make up a unique and exquisite picture.’
‘Just like Naples, Venice, and Heidelberg,’ said Edie, half to herself; but Berkeley caught at the words quickly as she said them. ‘Yes,’ he answered; ‘a very good parallel, only Oxford has a trifle more nature about it than Venice. The lagoon, without the palaces, would be simply hideous; the Oseney flats, without the colleges, would be nothing worse than merely dull.’
‘We owe a great deal,’ said Ernest, gazing out towards the quadrangle, ‘to the forgotten mass of labouring humanity who piled all those blocks of shapeless stone into beautiful forms for us who come after to admire and worship. I often wonder, when I sit here in Berkeley’s window-seat, and look across the quad to the carved pinnacles on the Founder’s Tower there, whether any of us can ever hope to leave behind to our successors any legacy at all comparable to the one left us by those nameless old mediaeval masons. It’s a very saddening thought that we for whom all these beautiful things have been put together—we whom labouring humanity has pampered and petted from our cradles upward, feeding us on its whitest bread, and toiling for us with all its weary sinews—that we probably will never do anything at all for it and for the world in return, but will simply eat our way through life aimlessly, and die forgotten in the end like the beasts that perish. It ought to make us, as a class, terribly ashamed of our own utter and abject inutility.’
Edie looked at him with a sort of hushed surprise; she was accustomed to hear Harry talk radical talk enough after his own fashion, but radicalism of this particular pensive tinge she was not accustomed to. It interested her, and made her wonder what sort of man Mr. Le Breton might really be.
‘Well, you know, Mr. Le Breton,’ said old Mrs. Martindale, complacently, ‘we must remember that Providence has wisely ordained that we shouldn’t all of us be masons or carpenters. Some of us are clergymen, now, and look what a useful, valuable life a clergyman’s is, after all, isn’t it, Mr. Berkeley?’ Berkeley smiled a faint smile of amusement, but said nothing. ‘Others are squires and landed gentry; and I’m sure the landed gentry are very desirable in keeping up the tone of the country districts, and setting a pattern of virtue and refinement to their poorer neighbours. What would the country villages be, for example, if it weren’t for the centres of culture afforded by the rectory and the hall, eh, Miss Oswald.’ Edith thought of quavering old Miss Catherine Luttrell gossiping with the rector’s wife,