The Collected Works of Algernon Blackwood (10 Novels & 80+ Short Stories in One Edition). Algernon Blackwood. Читать онлайн. Newlib. NEWLIB.NET

Автор: Algernon Blackwood
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 9788027201334
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man of some discrimination at least, he rarely let himself go completely. Of these wilder, simpler instincts he was afraid. They might flood all else. If he yielded entirely, something he dreaded, without being able to define, would happen; the structure of his being would suffer a nameless violence, so that he would have to break with the world. These cravings stood for that loot of the soul which he must deny himself. Complete surrender would involve somehow a disintegration, a dissociation of his personality that carried with it the loss of personal identity.

      When the feeling of revolt became sometimes so urgent in him that it threatened to become unmanageable, he would go out into solitude, calling it to heel; but this attempt to restore order, while easing his nature, was never radical; the accumulation merely increased on the rebound; the yearnings grew and multiplied, and the point of saturation was often dangerously near. "Some day," his friends would say, "there'll be a bursting of the dam." And, though their meaning might be variously interpreted, they spoke the truth. O'Malley knew it, too.

      A man he was, in a word, of deep and ever-shifting moods, and with more difficulty than most in recognizing the underlying self of which these outer aspects were projections masquerading as complete personalities.

      The underlying ego that unified these projections was of the type touched with so sure a hand in the opening pages of an inspired little book: The Plea of Pan. O'Malley was useless as a citizen and knew it. Sometimes—he was ashamed of it as well.

      Occasionally, and at the time of this particular "memorable adventure," aged thirty, he acted as foreign correspondent; but even as such he was the kind of newspaper man that not merely collects news, but discovers, reveals, creates it. Wise in their generation, the editors who commissioned him remembered when his copy came in that they were editors. A roving commission among the tribes of the Caucasus was his assignment at the moment, and a better man for the purpose would have been hard to find, since he knew beauty, had a keen eye for human nature, divined what was vital and picturesque, and had, further, the power to set it down in brief terms born directly of his vivid emotions.

      When first I knew him he lived—nowhere, being always on the move. He kept, however, a dingy little room near Paddington where his books and papers accumulated, undusted but safe, and where the manuscripts of his adventures were found when his death made me the executor of his few belongings. The key was in his pocket, carefully ticketed with a bone label. And this, the only evidence of practical forethought I ever discovered in him, was proof that something in that room was deemed by him of value—to others. It certainly was not the heterogeneous collection of second-hand books, nor the hundreds of unlabeled photographs and sketches. Can it have been the MSS. of stories, notes, and episodes I found, almost carefully piled and tabulated with titles, in a dirty kitbag of green Willesden canvas?

      Some of these he had told me (with a greater vividness than he could command by pen); others were new; many unfinished. All were unusual, to say the least. All, too, had obviously happened to himself at some period of his roving career, though here and there he had disguised his own part in them by Hoffmann's device of throwing the action into the third person. Those told to me by word of mouth I could only feel were true, true for himself at least. In no sense were they mere inventions, but arose in moments of vision upon a structure of solid events. Ten men will describe in as many different ways a snake crossing their path; but, besides these, there exists an eleventh man who sees more than the snake, the path, the movement. O'Malley was some such eleventh man. He saw the thing whole, from some kind of inner bird's-eye view, while the ten saw only limited aspects of it from various angles. He was accused of adding details, therefore, because he had divined their presence while still below the horizon. Before they emerged the others had already left.

      By which I mean that he saw in commonplace events the movement of greater tides than others saw. At one remove of time or distance—a minute or a mile—he perceived all. While the ten chattered volubly about the name of the snake, he was caught beyond by the beauty of the path, the glory of the running glide, the nature of the forces that drove, hindered, modified.

      The others reasoned where the snake was going, its length in inches and its speed per second, while he, ignoring such superficial details, plunged as it were into the very nature of the creature's being. And in this idiosyncrasy, which he shared with all persons of mystical temperament, is exemplified a certain curious contempt for Reason that he had. For him mere intellectuality, by which the modern world sets such store, was a valley of dry bones. Its worship was a worship of the form. It missed the essential inner truth because such inner truth could be known only by being it, feeling it. The intellectual attitude of mind, in a word, was critical, not creative, and to be unimaginative seemed to him, therefore, the worst form of unintelligence.

      "The arid, sterile minds!" he would cry in a burst of his Celtic enthusiasm. "Where, I ask ye, did the philosophies and sciences of the world assist the progress of any single soul a blessed inch?"

      Any little Dreamer in his top-floor back, spinning by rushlight his web of beauty, was greater than the finest critical intelligence that ever lived. The one, for all his poor technique, was stammering over something God had whispered to him, the other merely destroying thoughts invented by the brain of man.

      And this attitude of mind, because of its interpretative effect upon what follows, justifies mention. For to O'Malley, in some way difficult to explain, Reason and Intellect, as such, had come to be worshipped by men today out of all proportion to their real value. Consciousness, focused too exclusively upon them, had exalted them out of due proportion in the spiritual economy. To make a god of them was to make an empty and inadequate god. Reason should be the guardian of the soul's advance, but not the object. Its function was that of a great sandpaper which should clear the way of excrescences, but its worship was to allow a detail to assume a disproportionate importance.

      Not that he was fool enough to despise Reason in what he called its proper place, but that he was "wise" enough—not that he was "intellectual" enough!—to recognize its futility in measuring the things of the soul. For him there existed a more fundamental understanding than Reason, and it was, apparently, an inner and natural understanding.

      "The greatest Teacher we ever had," I once heard him say, "ignored the intellect, and who, will ye tell me, can by searching find out God? And yet what else is worth finding out…? Isn't it only by becoming as a little child—a child that feels and never reasons things—that any one shall enter the kingdom…? Where will the giant intellects be before the Great White Throne when a simple man with the heart of a child will top the lot of 'em?"

      "Nature, I'm convinced," he said another time, though he said it with puzzled eyes and a mind obviously groping, "is our next step. Reason has done its best for centuries, and gets no further. It can get no further, for it can do nothing for the inner life which is the sole reality. We must return to Nature and a purified intuition, to a greater reliance upon what is now subconscious, back to that sweet, grave guidance of the Universe which we've discarded with the primitive state—a spiritual intelligence, really, divorced from mere intellectuality."

      And by Nature he did not mean a return to savagery. There was no idea of going backwards in his wild words. Rather he looked forwards, in some way hard to understand, to a state when Man, with the best results of Reason in his pocket, might return to the instinctive life—to feeling with—to the sinking down of the modern, exaggerated intellectual personality into its rightful place as guide instead of leader. He called it a Return to Nature, but what he meant, I always felt, was back to a sense of kinship with the Universe which men, through worshipping the intellect alone, had lost. Men today prided themselves upon their superiority to Nature as beings separate and apart. O'Malley sought, on the contrary, a development, if not a revival, of some faultless instinct, due to kinship with her, which—to take extremes—shall direct alike the animal and the inspired man, guiding the wild bee and the homing pigeon, and—the soul toward its God.

      This clue, as he called it, crystallized so neatly and so conclusively his own mental struggles, that he had called a halt, as it were, to his own intellectual development…. The name and family of the snake, hence, meant to him the least important things about it. He caught, wildly yet consistently, at the psychic links that bound the snake and Nature and himself together with all creation. Troops