Clelia Alba, moreover, had lost her youth earlier even than others: lost it for ever when her husband at five-and-twenty years of age had been killed by falling from an olive-tree of which the branch sustaining him had cracked and broken under his weight. His neck had been broken in the fall. She had been dancing and shouting with her two-year-old child on the grassland not far off, romping and playing ball with some dropped chestnuts; and when their play was over she had lifted her boy on to her shoulder and run with him to find his father. Under one of the great, gnarled, wide-spreading olives she had seen him, lying asleep as she thought.
"Oh, lazy one, awake! The sun is only two hours old!" she had cried merrily, and the child on her shoulder had cooed and shouted in imitation, "Wake—wake—wake!" and she, laughing, had cast a chestnut she had carried in her hand upon the motionless figure. Then, as the prostrate form did not stir, a sudden terror had seized her, and she had set the baby down upon the grass and run to the olive-tree. There she had seen that this was death, for when she had raised him his head had dropped, and seemed to hang like a poppy broken in a blast of wind, and his eyes had no sight, and his mouth had no breath.
From that dread hour Clelia Alba had never laughed again. Her hair grew white, and her youth went away from her for ever.
She lived for the sake of her son, but she and joy had parted company for ever.
His death had made her sole ruler of the Terra Vergine; she had both the knowledge and the strength necessary for culture of the land, and she taught her boy to value and respect the soil.
"As you treat the ground ill or well, so will your ground treat you," she said to him.
She always wore the costume of the province, which was similar to that of the Abruzzo villages, and suited her cast of features and her strong and haughty carriage. On feast-days she wore three strings of fine pearls round her throat, and bracelets of massive gold and of fine workmanship, so many in number that her arms were stiff with them; they had been her mother's and grandmother's and great-grandmother's, and had been in her dower. To sell or pawn them under stress of need, had such occurred, would never have seemed to any of her race to be possible. It would have seemed as sacrilegious as to take the chalice off the church altar, and melt its silver and jewels in the fire. When she should go to her grave these ornaments would pass to Adone as heirlooms; none of her family were living. </>
"Never talk of death, mother," he said, whenever she spoke of these things. "Death is always listening; and if he hear his name he taps the talker on the shoulder, just to show that he is there and must be reckoned with."
"Not so, my son!" replied Clelia Alba, with a sigh. "He has every soul of us written down in his books from the time we are born; we all have our hour to go and none of us can alter it."
"I do not believe that," said Adone. "We kill ourselves oftentimes; or we hasten our end, as drunkards do."
"Did your father hasten his end?" said his mother. "Did not some one break that olive branch? It was not the tree itself, though the Ruscino folks would have it cut down because they called it a felon."
"Was it not the devil?" said Adone.
He believed in the devil, of course, as he had been taught to do; and had he not as a child met the infernal effigy everywhere—in marble, in stone, in wood, in colour, in the church and outside it, on water-spout and lamp-iron, and even on the leaves of his primer? But it seemed to him that the devil had "troppo braccia" given him, was allowed too long a tether, too free a hand; if indeed he it were that made everything go wrong, and Adone did not see who else it could be. Here, in the vale of Edera, all the world believed in Satan as in holy water, or in daily bread.
Clelia Alba crossed herself hastily, for she was a pious woman.
"We are talking blasphemy, my son," she said gravely. "Of course there is the good God who orders the number of our days for each of us, and is over us all."
Adone was silent. To him it seemed doubtful. Did the good God kill the pretty little children as the butcher in a city killed his lambs? But he never contradicted or vexed his mother; he loved her with a great and tender affection. He was less ignorant than she was, and saw many things she could not see; he was, as it were, on a hilltop and she down in a valley, but he had a profound respect for her; he obeyed her implicitly, as if he were still a child, and he thought the world held no woman equal to her.
When he went back to his house that evening, with his great net on his shoulder and swinging in one hand some fresh-water fish, he looked at the stone bench, which was empty of all except some fallen rose-leaves, and then anxiously, questioningly, in the face of his mother.
So he answered the regard.
"The girl is gone to Gianna's custody," she said rather harshly. "Gianna will give her her supper, and will let her sleep in the loft. With the morning we will see what we can do for her, and how she can be sped upon her way."
Adone kissed her hands.
"You are always good," he said simply.
"I am weak," answered his mother, "I am weak, Adone; when you wish anything I consent to it against my judgment."
But she was not weak; or at least only weak in the way in which all generous natures are so.
On the morrow Nerina was not sped on her way. The old woman, Gianna, thought well of her.
"She is as clean as a stone in the water," she said; "she has foul-smelling rags, but her flesh is clean. She woke at dawn, and asked for something to do. She knows nought, but she is willing and teachable. We can make her of use. She has nowhere to go. She is a stray little puppy. Her people were miserable, but they seem to have been pious folks. She has a cross pricked on her shoulder. She says her mother did it when she was a babe to scare the devil off her. I do not know what to say; she is a poor, forlorn little wretch; if you like to keep her, I for my part will see to her. I am old: it is well to do a good work before one dies."
Gianna was an old woman, half house-servant, half farm-servant, wholly friend; she had lived at the Terra Vergine all her life; big, gaunt, and very strong, she could do the work of a man, although she was over seventy years of age; burnt black by the sun, and with a pile of grey hair like the hank of flax on her distaff, she was feared by the whole district for her penetrating glance and her untiring energy. When Gianna was satisfied the stars had changed their courses, said the people, so rare was the event; therefore, that this little wanderer contented her was at once a miracle and a voucher indisputable.
So the child remained there; but her presence troubled Adone's mother, though Nerina was humble as a homeless dog, was noiseless and seldom seen, was obedient, agile, and became useful in many manners, and learned with equal eagerness the farm work taught her by Gianna, and the doctrine taught her by Don Silverio, for she was intelligent and willing in every way. Only Clelia Alba thought, "Perhaps Gianna's good heart misleads her. Gianna is rough; but she has a heart as tender at bottom as a ripe melon's flesh."
Anyhow, she took her old servant's word and allowed the child to remain. She could not bring herself to turn adrift a female thing to stray about homeless and hungry, and end in some bottomless pit. The child might be the devil's spawn. No one could be sure. But she had eyes which looked up straight and true, and were as clear as the river water where it flowed over pebbles in the shade. When the devil is in a soul he always