Rags consented to buy the dress for his sister if it fitted and didn't cost a million pounds. The dryads thought this adorably generous, for the stewardess, who knew all about Lord Raygan, said that the "family had become impoverished; they were not what they had once been except in name, which was of the best and oldest in Ireland." Stewardesses can tell all the things that Marconi does not mention.
When the sale was settled Miss Devereux turned to Peter Rolls. "And you, sir?" she asked, slightly coquettish because he was a man, though not of the Four Hundred. "I suppose there's nothing we can do for you?"
"I suppose not," Peter was echoing, when something occurred to him. "Unless," he amended, "my sister would like to buy a dress. She's on board."
"Would she care to look at Mme. Nadine's designs?" suggested Miss Devereux. "We have wardrobes full of marvellous inspirations."
"The trouble is, she feels queer if she walks around much," said Peter.
"Perhaps she would trust you to pick out something she might see in her own room? Is she tall or short?"
"Not so tall as any of you."
"Things which would fit this young lady would be the best, then. Miss Child, Miss Vedrine will help you out of 'First Love' behind the screen and put you into the 'Young Moon.' What"—sotto voce—"are you laughing at this time?"
"Nothing," said the smallest dryad meekly, though she gurgled under her breath.
"We'd better go now, and I'll come back," hastily suggested Peter. "Don't bother to change behind the screen for us, please. I must ask my sister about the dress."
He got the others out, which was not difficult as far as Eileen was concerned. She could hardly wait to try "First Love."
Rags was determined to ask Miss Rolls if he shouldn't choose a frock for her. But she said no, she didn't want one. This would have seemed to settle the matter, and did for Lord Raygan, who sat down beside her, abandoning further thought of the dryads. Peter, however, returned in due course to the room of the mirrors, because Miss Child could not be allowed to get into the "Young Moon" in such weather for nothing.
She was in it when he arrived. And pluck, mingled with excitement, having had a truly bracing effect on the girls, in the absence of the peer they were nice to the plebeian. The girl in the "Young Moon," to be sure, had scarcely anything to say, but she had a peculiarly fascinating way of not saying it.
By the time Mr. Rolls had bought the "Moon" for his sister, he had become quite friendly with the other dryads, on the strength of a few simple jokes about green cheese and blue moons and never having dreamed he could obtain one by crying for it.
"I was wondering," he said at last, when he was about to go, "whether you'd care for me to bring you some Balm of Gilead?"
"Balm of Gilead?" all five, even the girl in the "Moon," exclaimed.
"Yes. Stuff for seasickness. Not that you are seasick of course. But the balm's a good preventive. Did you never hear of it?"
They shook their heads.
"It's the great thing our side of the water. I don't need it myself, but I know it's all right, because it's making my father a fortune."
"Did he invent it?" inquired Miss Carroll.
"No. But he named it and he sells it. It's the men who name things and sell things, not the ones who invent them, that get the money. My father is Peter Rolls, and I––"
"I hope you spell Rolls with an 'e,'" broke in Miss Vedrine. "Else it would remind me of something I want to forget."
"Something you—But maybe I can guess! What the ship does now?"
"Don't speak of it!" they groaned.
"I won't! Or my name, either, if you'd rather not, especially as only my sister spells it with an 'e.' I mentioned the name on account of the balm. The barber has no end of bottles. I'll go and buy you one now. It tastes good. Back in ten minutes." And he was gone.
"His father must be a chemist," sniffed Miss Devereux, as she unhooked the "Young Moon."
When Peter returned Miss Child was wearing a robe like an illuminated cobweb on a background of violets. This was the "Yielding Heart." Peter had brought a bottle and a clean napkin and five teaspoons. "I got these things off a dining-room steward," he explained.
"Sounds like a conjurer," murmured the girl who laughed.
"How rude of you!" Miss Devereux scolded in a whisper. "Don't mind her, Mr. Rolls. She isn't a bit like the rest of us."
Peter had noticed that.
"She's always laughing at everything, and everybody, too," went on Miss Devereux.
"She's welcome to laugh at me," said Peter. "I enjoy it."
"Ladies don't. She'd never do for a permanence with Mme. Nadine. Clients wouldn't stand being grinned at by models."
"I don't laugh at people. I laugh at the world," the model defended herself.
"Why?" inquired Peter, with a straight look at the queer, arresting face.
"To keep it from laughing at me first. And to make it laugh with me—if I can."
"Do you think you can?"
"I shall try hard—against the biggest odds. And whatever it does to me, I shan't cry."
"I shouldn't wonder if that wasn't the whole secret of life!" said Peter Rolls, continuing to look at the face.
Suddenly it flashed a smile at him. "Shouldn't you? Give me the Balm of Gilead, and the rest would be easy!"
Peter was not stupid as a rule, yet he could not be quite sure what she meant. If he guessed right, the rest wasn't as easy as she thought. Yet the words made him wish that he could give the girl who laughed—the girl who was not to be a "permanence" with Nadine—more than a teaspoonful of balm.
CHAPTER III
AN ILL WIND
While the storm held, Peter Rolls went several times each dreadful day to the room of the mirrors and dosed his dryads with Balm of Gilead. The medicine—or something else—sustained them marvellously. And it occurred to Peter that they would make a magnificent advertisement, if there were any way of using them—the kind of advertisement his father loved.
It was well that Peter senior was not on board, or he would certainly propose a new feature for the balm department: scene, richly furnished salon on a yacht; five fair effects in ball dresses sipping Balm of Gilead; the whole arrangement on a rocking platform, with mechanism hidden by realistically painted waves. But the dryads were previously engaged by the prostrate Nadine—all except one.
When they were sufficiently restored to take an interest, Peter smuggled grapefruit, chocolates, and novels into the nursery. The novels his sister had brought with her to kill time during the voyage; but as it happened, she was killing it with Lord Raygan instead and never missed the books.
Nadine had been obliged to take first-class tickets for her models; otherwise the rules of the ship would not have allowed them past the barrier, even in the pursuit of business. But they sardined in one cabin, near the bow, on the deepest down deck allotted to first-classhood, and their private lives