Serpent-Worship, and Other Essays, with a Chapter on Totemism. C. Staniland Wake

Hemisphere. A species of the fig-tree is planted by the New Zealanders close to the temples of their gods. The superstition is traceable, according to Mr. Earle, even among the aborigines of Northern Australia, certain peculiar notions connected with the banyan tree being common to the inhabitants of the Coburg Peninsula and of the Indian Islands.25 Mr. Marsden met with this superstition among the Sumatrans, and we learn from Mr. Wallace that in one of the towns of Eastern Java the market is held under the branches of a tree allied to the sacred fig-tree.26 If we turn to India, we find that while the banyan is venerated by the Brahmans, it is the bo-tree which is held sacred by many of the followers of Gautama Buddha. This may be because, under the name of the Pilpel, it was the peculiar tree of the first recorded Buddha, of whom Gautama was supposed by his disciples to be an incarnation. Both of these trees belong to the genus ficus, and it is curious that, although probably in consequence of Semitic influence, the ficus sycamorus was the sacred tree in ancient Egypt, of which it was the symbol, its place appears ultimately to have been taken by the banyan (ficus indica),27 so highly venerated in other parts of Africa. Now, what is the explanation of the peculiar character ascribed to these trees by peoples who must, on any hypothesis, have been separated for thousands of years? The bo-tree of the Buddhists itself derived a more sacred character from its encircling the palm—the Palmyra Palm being the kalpa-tree, or “tree of life,” of the Hindu paradise.28 The Buddhists term this connection “the bo-tree united in marriage with the palm.” The Phallic significance of the palm is well known, and in its connection with the bo-tree we have the perfect idea of generative activity, the combining of the male and female organs, a combination intended by the Hebrew legend when it speaks of the tree of life, and also of “the knowledge of good and evil.”29 “The palm-tree,” says Dr. Inman, “is figured on ancient coins alone, or associated with some feminine emblem. It typified the male creator, who was represented as an upright stone, a pillar, a round tower, a tree stump, an oak-tree, a pine-tree, a maypole, a spire, an obelisk, a minaret, and the like.”30 As we have just seen, the Palmyra Palm is the kalpa-tree, or the “tree of life” of the Hindu paradise, and this was not the only kind of tree with which the idea of life was thus associated.

      In the mythologies of more northern peoples the place of the palm is supplied by the more stately, if less upright, oak. The patriarch Jacob hid the idols of his household under the oak near Shechem,31 and his descendants afterwards made burnt offerings under every thick oak.32 Among the Greeks and Romans this tree was sacred to Zeus, or Jupiter, the Father of Gods and men. With the Russians, the Prussians, and the Germans, the oak was equally sacred. The sacred oak was the form under which the Druids worshipped the Supreme Being Hæsus, or Mighty. According to Davies,33 it was symbolised by the letter D, which forms the consonantal sound of the word denoting God in many languages, as it does of the name of the mythical father Ad, of the Adamic stock of mankind. In Teutonic mythology the great oak forms the roof-tree of the Volsung’s hall, spreading its branches far and wide in the upper air, being the counterpart, says Mr. Cox, of the mighty Yggdrasil.34 This is the gigantic ash-tree, whose branches embrace the whole world, and which is thought to be only another form of the colossal Irminsul. Mr. Cox observes on this: “The tree and pillar are thus alike seen in the columns, whether of Herakles or of Roland; while the cosmogonic character of the myth is manifest in the legend of the primeval Askr, the offspring of the ash-tree, of which Virgil, from the characteristic which probably led to its selection, speaks as stretching its roots as far down into earth as its branches soar towards heaven.”35 The name of the Teutonic Askr is also that of the Iranian Meschia,36 and the ash, therefore, must be identified with the tree from which springs the primeval man of the Zarathustrian cosmogony.37 So Sigmund of the Volsung Tale is drawn from the trunk of a poplar tree,38 which thus occupies the same position as the ash and the oak as a “tree of life.” The poplar was, indeed, a sacred tree among many nations of antiquity. This may, doubtless, be explained by reference to its “habit,” which much resembles that of the sacred Indian fig-tree, with which the trembling movement, as well as the shape, of its leaves have caused it to be thus compared.

      That the ideas symbolised by the various sacred trees of antiquity originated, however, with the fig-tree is extremely probable. No other tree has been so widely venerated as this. The sycamore (ficus sycamorus) was sacred to Netpe, the mother of Osiris, whose statue was generally made of its wood. In relation to that subject, Sir Gardner Wilkinson says:39 “The Athenians had a holy fig-tree, which grew on the ‘sacred road,’ where, during the celebration of the Eleusinian mysteries, the procession which went from Athens to Eleusis halted. This was on the sixth day of the ceremony, called Jacchus, in honour of the son of Jupiter and Ceres, who accompanied his mother in search of Proserpine; but the fig-tree of Athens does not appear to have been borrowed from the sycamore of Egypt, unless it were in consequence of its connection with the mother of Osiris and Isis, whom they supposed to correspond to Ceres and Bacchus.”40 According to Plutarch, a basket of figs formed one of the chief things carried in the processions in honour of Bacchus, and the sacred phallus, like the statue of Priapus, appears to have been generally made of the wood of the fig-tree.41 These facts well show the nature of the ideas which had come to be connected with that tree. To what has been already said may, however, be added the testimony of a French writer, who, after speaking of the lotus as one of the many symbols anciently used to represent the productive forces of nature, continues: “Il faut y joindre, pour le règne végétal, le figuier indien, ou l’arbre des Banians, le figuier sacré ou religieux (ficus indica, bengalensis, ficus religiosa, &c.), vata, aswatha, pipala, et bien d’autres, idéalisés de bonne heure, dans le mythologie des Hindous, sous la figure de l’arbre de vie, arbre immense, colonne de feu, énorme et orgueilleux phallus, l’abord unique, mais depuis devisé et dispersé, et qui n’est peut-être pas sans rapport, soit avec l’arbre de la connaissance du bien et du mal, soit avec d’autres symboles non moins fameux.”42

      That the ficus was the symbolical tree “in the midst of the garden” of the Hebrew legend of the fall is extremely probable. That notion would seem, indeed, to be required by reference to the fig leaves43 as the covering used by Adam and Eve when, after eating the forbidden fruit, they found themselves to be naked. The fig-tree, moreover, meets the difficulty in distinguishing between the tree of life and the tree of knowledge. These, according to the opinion above expressed, as to the meaning of the “fall,” would represent the male and female principles, as do the bo-tree and palm, “united in marriage,” of the Buddhists, the palm deriving more sacredness from being encircled by the ficus. Probably, however, the double symbol was of later introduction. The banyan of itself would be sufficient to represent the dual idea, when to the primitive one of “knowledge” was added that of “life.” The stately trunk would answer to the “tree of life,” while its fruit was the symbol of that which was more especially affected by the act of disobedience. This was the eating of the fruit, which, as conveying the forbidden wisdom, is evidently the essential feature of the legend, and the fig had anciently just that symbolical meaning which would be required for the purpose.44 Throughout the East, from the earliest historical period, the fruit of the fig-tree was the emblem of virginity. Dr. Inman says: “The fruit of the tree resembles in shape the virgin uterus; with its stem attached, it symbolises the sistrum of Isis. Its form led to the idea that it would promote fertility. To this day, in Oriental countries, the hidden meaning of the fig is almost as well known as its commercial value.”45

      That we have in the Mosaic account of the “fall” a Phallic legend, is evident also from the introduction of the serpent on the scene, and the position it takes as the inciting cause of the sinful act. We are here reminded of the passage already quoted from Clemens Alexandrinus, who tells us that the serpent was the special symbol of the worship of Bacchus. Now this animal holds a very curious place in the religions of the civilised peoples of antiquity. Although, in consequence of the influence of later thought, it came to be treated as the personification of evil, and as such appears in the Hebrew legend of the fall, yet originally the serpent was the special symbol of wisdom and healing. In the latter capacity it appears even in connection with the Exodus from Egypt. It is, however, in its character as a symbol of wisdom that it more especially claims our attention, although these ideas are intimately connected—the power of healing being merely a phase of wisdom. From the earliest times of which we have any historical notice the serpent has been connected