They were left alone. He came up to her and put his arms round her, as she stood with her elbow on the mantelpiece.
“You do want me,” he pleaded softly.
“Yes,” she murmured.
He held her in his arms and kissed her repeatedly, again and again, till she was out of breath, and put up her hand, and gently pushed her face away.
“You are a cold little lover — you are a shy bird,” he said, laughing into her eyes. He saw her tears rise, swimming on her lids, but not falling.
“Why, my love, my darling — why!”— he put his face to her’s and took the tear on his cheek:
“I know you love me,” he said, gently, all tenderness.
“Do you know,” he murmured. “I can positively feel the tears rising up from my heart and throat. They are quite painful gathering, my love. There — you can do anything with me.”
They were silent for some time. After a while, a rather long while, she came upstairs and found Mother — and at the end of some minutes I heard my mother go to him.
I sat by my window and watched the low clouds reel and stagger past. It seemed as if everything were being swept along — I myself seemed to have lost my substance, to have become detached from concrete things and the firm trodden pavement of everyday life. Onward, always onward, not knowing where, nor why, the wind, the clouds, the rain and the birds and the leaves, everything whirling along — why?
All this time the old crow sat motionless, though the clouds tumbled, and were rent and piled, though the trees bent, and the window-pane shivered with running water. Then I found it had ceased to rain; that there was a sickly yellow sunlight, brightening on some great elm leaves near at hand till they looked like ripe lemons hanging. The crow looked at me — I was certain he looked at me.
“What do you think of it all?” I asked him.
He eyed me with contempt: great featherless, half-winged bird as I was, incomprehensible, contemptible, but awful. I believe he hated me.
“But,” said I, “if a raven could answer, why won’t you?” He looked wearily away. Nevertheless my gaze disquieted him. He turned uneasily; he rose, waved his wings as if for flight, poised, then settled defiantly down again.
“You are no good,” said I, “you won’t help even with a word.”
He sat stolidly unconcerned. Then I heard the lapwings in the meadow crying, crying. They seemed to seek the storm, yet to rail at it. They wheeled in the wind, yet never ceased to complain of it. They enjoyed the struggle, and lamented it in wild lament, through which came a sound of exultation. All the lapwings cried, cried the same tale, “Bitter, bitter, the struggle — for nothing, nothing, nothing”— and all the time they swung about on their broad wings, revelling.
“There,” said I to the crow, “they try it, and find it bitter, but they wouldn’t like to miss it, to sit still like you, you old corpse.”
He could not endure this. He rose in defiance, flapped his wings, and launched off, uttering one “Caw” of sinister foreboding. He was soon whirled away.
I discovered that I was very cold, so I went downstairs.
Twisting a curl round his finger, one of those loose curls that always dance free from the captured hair, Leslie said:
“Look how fond your hair is of me; look how it twines round my finger. Do you know, your hair — the light in it is like — oh — buttercups in the sun.”
“It is like me — it won’t be kept in bounds,” she replied. “Shame if it were — like this, it brushes my face — so — and sets me tingling like music.”
“Behave! Now be still, and I’ll tell you what sort of music you make.”
“Oh — well — tell me.”
“Like the calling of throstles and blackies, in the evening, frightening the pale little wood-anemones, till they run panting and swaying right up to our wall. Like the ringing of bluebells when the bees are at them; like Hippomenes, out-of-breath, laughing because he’d won.”
He kissed her with rapturous admiration.
“Marriage music, sir,” she added.
“What golden apples did I throw?” he asked lightly. “What!” she exclaimed, half mocking.
“This Atalanta,” he replied, looking lovingly upon her, “this Atalanta — I believe she just lagged at last on purpose.”
“You have it,” she cried, laughing, submitting to his caresses. “It was you — the apples of your firm heels — the apples of your eyes — the apples Eve bit — that won me — hein!”
“That was it — you are clever, you are rare. And I’ve won, won the ripe apples of your cheeks, and your breasts, and your very fists — they can’t stop me — and — and — all your roundness and warmness and softness — I’ve won you, Lettie.”
She nodded wickedly, saying:
“All those — those — yes.”
“All — she admits it — everything!”
“Oh! — but let me breathe. Did you claim everything?”
“Yes, and you gave it me.”
“Not yet. Everything though?”
“Every atom.”
“But — now you look —”
“Did I look aside?”
“With the inward eye. Suppose now we were two angels —”
“Oh, dear — a sloppy angel!”
“Well — don’t interrupt now — suppose I were one — like the ‘Blessed Damosel’.”
“With a warm bosom —!”
“Don’t be foolish, now — I a ‘Blessed Damosel’ and you kicking the brown beech leaves below thinking —”
“What are you driving at?”
“Would you be thinking — thoughts like prayers?”
“What on earth do you ask that for? Oh — I think I’d be cursing — eh?”
“No — saying fragrant prayers — that your thin soul might mount up —”
“Hang thin souls, Lettie! I’m not one of your souly sort. I can’t stand Pre-Raphaelities. You — You’re not a Burne-Jonesess — you’re an Albert Moore. I think there’s more in the warm touch of a soft body than in a prayer. I’ll pray with kisses.”
“And when you can’t?”
“I’ll wait till prayer-time again. By. Jove, I’d rather feel my arms full of you; I’d rather touch that red mouth — you grudger! — than sing hymns with you in any heaven.”
“I’m afraid you’ll never sing hymns with me in heaven.”
“Well — I have you here — yes, I have you now.”
“Our life is but a fading dawn?”
“Liar! — Well, you called me! Besides, I don’t care; ‘Carpe diem’, my rosebud, my fawn. There’s a nice Carmen about a fawn. ‘Time to leave its mother, and venture into a warm embrace.’ Poor old Horace — I’ve forgotten him.”
“Then poor old Horace.”
“Ha! Ha! — Well, I shan’t forget you. What’s that queer look in your eyes?”
“What is it?”
“Nay — you tell me. You are such a tease, there’s no getting