“But I want you to be happy,” she said pathetically.
“Eh, my dear—say rather you want me to live.”
Mrs. Morel felt as if her heart would break for him. At this rate she knew he would not live. He had that poignant carelessness about himself, his own suffering, his own life, which is a form of slow suicide. It almost broke her heart. With all the passion of her strong nature she hated Miriam for having in this subtle way undermined his joy. It did not matter to her that Miriam could not help it. Miriam did it, and she hated her.
She wished so much he would fall in love with a girl equal to be his mate—educated and strong. But he would not look at anybody above him in station. He seemed to like Mrs. Dawes. At any rate that feeling was wholesome. His mother prayed and prayed for him, that he might not be wasted. That was all her prayer—not for his soul or his righteousness, but that he might not be wasted. And while he slept, for hours and hours she thought and prayed for him.
He drifted away from Miriam imperceptibly, without knowing he was going. Arthur only left the army to be married. The baby was born six months after his wedding. Mrs. Morel got him a job under the firm again, at twenty-one shillings a week. She furnished for him, with the help of Beatrice's mother, a little cottage of two rooms. He was caught now. It did not matter how he kicked and struggled, he was fast. For a time he chafed, was irritable with his young wife, who loved him; he went almost distracted when the baby, which was delicate, cried or gave trouble. He grumbled for hours to his mother. She only said: “Well, my lad, you did it yourself, now you must make the best of it.” And then the grit came out in him. He buckled to work, undertook his responsibilities, acknowledged that he belonged to his wife and child, and did make a good best of it. He had never been very closely inbound into the family. Now he was gone altogether.
The months went slowly along. Paul had more or less got into connection with the Socialist, Suffragette, Unitarian people in Nottingham, owing to his acquaintance with Clara. One day a friend of his and of Clara's, in Bestwood, asked him to take a message to Mrs. Dawes. He went in the evening across Sneinton Market to Bluebell Hill. He found the house in a mean little street paved with granite cobbles and having causeways of dark blue, grooved bricks. The front door went up a step from off this rough pavement, where the feet of the passersby rasped and clattered. The brown paint on the door was so old that the naked wood showed between the rents. He stood on the street below and knocked. There came a heavy footstep; a large, stout woman of about sixty towered above him. He looked up at her from the pavement. She had a rather severe face.
She admitted him into the parlour, which opened on to the street. It was a small, stuffy, defunct room, of mahogany, and deathly enlargements of photographs of departed people done in carbon. Mrs. Radford left him. She was stately, almost martial. In a moment Clara appeared. She flushed deeply, and he was covered with confusion. It seemed as if she did not like being discovered in her home circumstances.
“I thought it couldn't be your voice,” she said.
But she might as well be hung for a sheep as for a lamb. She invited him out of the mausoleum of a parlour into the kitchen.
That was a little, darkish room too, but it was smothered in white lace. The mother had seated herself again by the cupboard, and was drawing thread from a vast web of lace. A clump of fluff and ravelled cotton was at her right hand, a heap of three-quarter-inch lace lay on her left, whilst in front of her was the mountain of lace web, piling the hearthrug. Threads of curly cotton, pulled out from between the lengths of lace, strewed over the fender and the fireplace. Paul dared not go forward, for fear of treading on piles of white stuff.
On the table was a jenny for carding the lace. There was a pack of brown cardboard squares, a pack of cards of lace, a little box of pins, and on the sofa lay a heap of drawn lace.
The room was all lace, and it was so dark and warm that the white, snowy stuff seemed the more distinct.
“If you're coming in you won't have to mind the work,” said Mrs. Radford. “I know we're about blocked up. But sit you down.”
Clara, much embarrassed, gave him a chair against the wall opposite the white heaps. Then she herself took her place on the sofa, shamedly.
“Will you drink a bottle of stout?” Mrs. Radford asked. “Clara, get him a bottle of stout.”
He protested, but Mrs. Radford insisted.
“You look as if you could do with it,” she said. “Haven't you never any more colour than that?”
“It's only a thick skin I've got that doesn't show the blood through,” he answered.
Clara, ashamed and chagrined, brought him a bottle of stout and a glass. He poured out some of the black stuff.
“Well,” he said, lifting the glass, “here's health!”
“And thank you,” said Mrs. Radford.
He took a drink of stout.
“And light yourself a cigarette, so long as you don't set the house on fire,” said Mrs. Radford.
“Thank you,” he replied.
“Nay, you needn't thank me,” she answered. “I s'll be glad to smell a bit of smoke in th' 'ouse again. A house o' women is as dead as a house wi' no fire, to my thinkin'. I'm not a spider as likes a corner to myself. I like a man about, if he's only something to snap at.”
Clara began to work. Her jenny spun with a subdued buzz; the white lace hopped from between her fingers on to the card. It was filled; she snipped off the length, and pinned the end down to the banded lace. Then she put a new card in her jenny. Paul watched her. She sat square and magnificent. Her throat and arms were bare. The blood still mantled below her ears; she bent her head in shame of her humility. Her face was set on her work. Her arms were creamy and full of life beside the white lace; her large, well-kept hands worked with a balanced movement, as if nothing would hurry them. He, not knowing, watched her all the time. He saw the arch of her neck from the shoulder, as she bent her head; he saw the coil of dun hair; he watched her moving, gleaming arms.
“I've heard a bit about you from Clara,” continued the mother. “You're in Jordan's, aren't you?” She drew her lace unceasing.
“Yes.”
“Ay, well, and I can remember when Thomas Jordan used to ask ME for one of my toffies.”
“Did he?” laughed Paul. “And did he get it?”
“Sometimes he did, sometimes he didn't—which was latterly. For he's the sort that takes all and gives naught, he is—or used to be.”
“I think he's very decent,” said Paul.
“Yes; well, I'm glad to hear it.”
Mrs. Radford looked across at him steadily. There was something determined about her that he liked. Her face was falling loose, but her eyes were calm, and there was something strong in her that made it seem she was not old; merely her wrinkles and loose cheeks were an anachronism. She had the strength and sang-froid of a woman in the prime of life. She continued drawing the lace with slow, dignified movements. The big web came up inevitably over her apron; the length of lace fell away at her side. Her arms were finely shapen, but glossy and yellow as old ivory. They had not the peculiar dull gleam that made Clara's so fascinating to him.
“And you've been going with Miriam Leivers?” the mother asked him.
“Well—” he answered.
“Yes, she's a nice girl,” she continued. “She's very nice, but she's a bit too much above this world to suit my fancy.”
“She is a bit like that,” he agreed.
“She'll never be satisfied till she's got wings and can fly over everybody's head, she won't,” she said.
Clara broke in, and he told her his message. She spoke humbly to him. He had surprised her in her drudgery. To have her humble made him feel as if he were lifting his head in expectation.