Caricature and Other Comic Art in All Times and Many Lands. James Parton. Читать онлайн. Newlib. NEWLIB.NET

Автор: James Parton
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isbn: 4064066120665
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in which "a foule" is weighing the transitory things of this world against things everlasting, one being represented by a scale full of castles and towers, and the other by a scale full of stars—the earthly castles outweighing the heavenly bodies in the balance of this "foule."

      Heaven and Earth weighed in the Balance. (From "The Ship of Fools.")

      One of the quaint poems of the gentle priest descants upon the bad behavior of people at church. This poem has an historical interest, for it throws light upon the manners of the time, over which poetry, tradition, and romance have thrown a very delusive charm. We learn from it that while the Christian people of Europe were on their knees praying in church they were liable to be disturbed by the "mad noise and shout" of a loitering crowd; by knights coming in from the field, falcon upon wrist, with their dogs yelping at their heels; by men chaffering and bargaining as they walked up and down; by the wanton laughter of girls ogled by young men; by lawyers conferring with clients; and by all the usual noises of a crowd at a fair. The author wonders

       "That the false paynyms within theyr Temples be To theyr ydols moche more devout than we."

      The worthy Brandt was not the only satirist of Church manners. The "Usurer's Paternoster," given by M. Champfleury, is more incisive than Brandt's amiable remonstrance. The usurer, hurrying away to church, tells his wife that if any one comes to borrow money while he is gone, some one must be sent in all haste for him. On his way he says his paternoster thus:

      "Our Father. Blessed Lord God [Beau Sire Dieu], be favorable to me, and give me grace to prosper exceedingly. Let me become the richest money-lender in the world. Who art in heaven. I am sorry I wasn't at home the day that woman came to borrow. Really I am a fool to go to church, where I can gain nothing. Hallowed be thy name. It's too bad I have a servant so expert in pilfering my money. Thy kingdom come. I have a mind to go home to see what my wife is about. I'll bet she sells a chicken while I am away, and keeps the money. Thy will be done. It pops into my mind that the chevalier who owed me fifty francs paid me only half. In heaven. Those damned Jews do a rushing business in lending to every one. I should like very much to do as they do. As on earth. The king plagues me to death in raising taxes so often."

      Arrived at church, the money-lender goes through part of the service as best he may; but as soon as sermon time comes, off he goes, saying to himself, "I must get away home: the priest is going to preach a sermon to draw money out of our purses." Doubtless the priest in those times of ignorance had to deal with many most profane and unspiritual people, who could only be restrained by fear, and to whose "puerility" much had to be conceded. In touching upon the Church manners of the Middle Ages, M. Champfleury makes a remark that startles a Protestant mind accustomed only to the most exact decorum in churches. "Old men of to-day" (1850), he says, speaking of France, "will recall to mind the gayety of the midnight masses, when buffoons from the country waited impatiently to send down showers of small torpedoes upon the pavement of the nave, to barricade the alcoves with mountains of chairs, to fill with ink the holy-water basins, and to steal kisses in out-of-the-way corners from girls who would not give them." These proceedings, which M. Champfleury styles "the pleasantries of our fathers," were among the concessions made by a worldly-wise old Church to the "puerility" of the people, or rather to the absolute necessity of occasional hilarious fun to healthy existence.

      Amusing and even valuable caricatures six and seven centuries old have been discovered upon parchment documents in the English record offices, executed apparently by idle clerks for their amusement when they had nothing else to do. One of these, copied by Mr. Wright, gives us the popular English conception of an Irish warrior of the thirteenth century.

      English Caricature of an Irishman, A.D. 1280.

       The broad-axes of the Irish were held in great terror by the English. An historian of Edward I.'s time, while discoursing on that supreme perplexity of British kings and ministers, how Ireland should be governed after being quite reduced to subjection, expresses the opinion that the Irish ought not to be allowed in time of peace to use "that detestable instrument of destruction which by an ancient but accursed custom they constantly carry in their hands instead of a staff." The modern Irish shillalah, then, is only the residuum of the ancient Irish broad-axe—the broad-axe with its head taken off. The humanized Irishman of to-day is content with the handle of "the detestable instrument." Other pen-and-ink sketches of England's dreaded foes, the Irish and the Welsh, have been found upon ancient vellum rolls, but none better than the specimen given has yet been copied.

      The last object of caricature which can be mentioned in the present chapter is the Jew—the odious Jew—accursed by the clergy as a Jew, despised by good citizens as a usurer, and dreaded by many a profligate Christian as the holder of mortgages upon his estate. When the ruling class of a country loses its hold upon virtue, becomes profuse in expenditure, ceases to comply with natural law, comes to regard licentious living as something to be expected of young blood, and makes a jest of a decorous and moral conversation, then there is usually in that country a less refined, stronger class, who do comply with natural law, who do live in that virtuous, frugal, and orderly manner by which alone families can be perpetuated and states established. In several communities during the centuries preceding the Reformation, when the nobles and great merchants wasted their substance in riotous living or in insensate pilgrimages and crusades, the Jew was the virtuous, sensible, and solvent man. He did not escape the evil influence wrought into the texture of the character by living in an atmosphere of hatred and contempt, nor the narrowness of mind caused by his being excluded from all the more generous and high avocations. But he remained through all those dismal ages temperate, chaste, industrious, and saving, as well as heroically faithful to the best light on high things that he had. Hence he always had money to lend, and he could only lend it to men who were too glad to think he had no rights which they were bound to respect.

      The caricature on the next page was also discovered upon a vellum roll in the Public Record Office in London, the work of some idle clerk 642 years ago, and recently transferred to an English work[7] of much interest, in which it serves as a frontispiece.

      Caricature of the Jews in England, A.D. 1233.

       The ridicule is aimed at the famous Jew, Isaac of Norwich, a rich money-lender and merchant, to whom abbots, bishops, and wealthy vicars were heavily indebted. At Norwich he had a wharf at which his vessels could receive and discharge their freights, and whole districts were mortgaged to him at once. He lent money to the king's exchequer. He was the Rothschild of his day. In the picture, which represents the outside of a castle—his own castle, wrested from some lavish Christian by a money-lender's wiles—the Jew Isaac stands above all the other figures, and is blessed with four faces and a crown, which imply, as Mr. Pike conjectures, that, let him look whichever way he will, he beholds possessions over which he holds kingly sway. Lower down, and nearer the centre, are Mosse Mokke, another Jewish money-lender of Norwich, and Madame Avegay, one of many Jewesses who lent money, between whom is a horned devil pointing to their noses. The Jewish nose was a peculiarly offensive feature to Christians, and was usually exaggerated by caricaturists. The figure holding up scales heaped with coin is, so far as we can guess, merely a taunt; and the seating of Dagon, the god of the Philistines, upon the turret seems to be an intimation that the Jews, in their dispersion, had abandoned the God of their fathers, and taken up with the deity of his inveterate foes.

      So far as the records of those ages disclose, there was no one enlightened enough to judge the long-suffering Jews with just allowance. Luther's aversion to them was morbid and violent. He confesses, in his Table-talk, that if it had fallen to his lot to have much to do with Jews, his patience would have given way; and when, one day, Dr. Menius asked him how a Jew ought to be baptized, he replied, "You must fill a large tub with water, and, having divested a Jew of his clothes, cover him with a white garment. He must then sit down in the tub, and you must baptize