The Dreamer. Mary Newton Stanard. Читать онлайн. Newlib. NEWLIB.NET

Автор: Mary Newton Stanard
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4064066163532
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the quiet and unassuming mien with which he bore his superiority—not seeming in the least to despise the weakest or most backward of his competitors, and good-humoredly initiating them all into the little secrets of his success in performing apparently difficult feats.

      It was the same way with his lessons. Without apparent effort he distanced all of his class-mates and instead of pluming himself upon it, was always ready to help them with their Latin or their sums, whose answers he seemed to find by magic, almost.

       Table of Contents

      During the winter before Edgar went to Stoke-Newington, he had attended an "infant school," in Richmond, taught by a somewhat gaunt, but mild-mannered spinster, with big spectacles over her amiable blue eyes, a starchy cap and a little bunch of frosty cork-screw curls on each side of her face. As a child, she had played with Mr. Allan's father on their native heath, in Ayrshire, and to her, little Edgar was always her "ain wee laddie." She had spoiled him inordinately and unblushingly. Also, as she contentedly drew at the pipe filled with the offerings of choice smoking-tobacco which he frequently turned out of his pockets into her lap, she had taught him to read in her own broad Scottish accent, and to cypher.

      She had furthermore drilled him in making "pothooks and hangers," with which he covered his slate in neat rows, daily. But it was at the Manor House, in Stoke-Newington, that he was initiated into the mysteries of writing. His hands were as shapely as a girl's, with deft, taper fingers that seemed made to hold a pen or brush, and he soon developed a neat, small, but beautifully clear and graceful hand-writing.

      This new accomplishment became at once a delight to him, and as time went on opened a new world to Edgar the Dreamer, who now began, when he could snatch an opportunity to do so unobserved, to put down upon paper the visions of his awakening soul. Sometimes these scribblings took the form of little stories—crudely conceived and incoherently expressed, but rich in the picturesque thought and language of an exceptionably imaginative and precocious child. Sometimes they were in verse. For subjects these infant effusions had generally to do with the lonely grave in the churchyard in Richmond and the sad joy of the heart that mourns evermore; with the beauty of flowers—the more beautiful because doomed to a brief life; with the Gothic steeple, asleep in the still, blue air, and the bell in whose deep iron throat dwelt a note that was hollow and ghostly; with the great wall around the Manor House grounds and with the mighty gate that swung upon hinges in which the voice of a soul in torment seemed to be imprisoned, and with other things which filled him with a terror that

      "was not fright,

       But a tremulous delight."

      His learning to write bore still another fruit.

      When Mrs. Allan had first adopted him and set apart a room in her home for him, she had placed in a little cabinet therein the packet of letters his dying mother had given him. She had not opened the packet, for she felt that the letters were for the actress's child's eye alone. He, when he looked at it, did so with a feeling of mixed reverence and fascination which was deepened by his inability to decipher the secrets bound together by the bit of blue ribbon tied around it. How the sight of the packet recalled to him that sad, that solemn hour in which it had been given into his hands! When getting him ready for boarding-school, Mrs. Allan had packed the letters with his other belongings, for she was a woman of sentiment, and she felt the child should not be parted from this gift of his dying mother. But at length, when a knowledge of writing made it possible for him to read the letters, he was possessed with a feeling of shrinking from doing so, as one might shrink from opening a message from the grave.

      What grim, what terrible secrets, might not the little bundle of letters reveal!

      It was not until his fifth and last year at Stoke-Newington that Edgar decided one day to look into the packet. He was confined to his bed by slight indisposition and so had the dormitory to himself and could risk opening the letters without fear of interruption. He untied the blue ribbon and the thin, yellowed papers, with fragments of their broken seals still sticking to them, fell apart. He picked up the one bearing the earliest date and began to read. It was from his father to his mother immediately after their betrothal. His interest was at once intensely aroused and in the order in which the letters came, he read, and read, and read, with the absorption with which he might have read his first novel. They were a revelation to him—a revelation of a world he had not known existed, though it seemed, it lay roundabout him—these love-letters of his parents, literally throbbing with the exalted passion of two young, ardent, poetic spirits. The boy had not dreamed that anything so beautiful could be as this undying love of which they wrote and the language in which they made their sweet vows to each other. His own heart throbbed in answer to what he read. His imagination was violently wrought upon and exquisite feelings such as he had never known before awakened in his breast.

      Under the spell of the letters the child-poet fell in love—not with any creature of flesh and blood, for his entire acquaintance and association was with boys—but with the ideal of his inner vision. From that time, his poetic outbursts came to be filled with—more than aught else—the surpassing beauty, the worshipful goodness, the divine love of woman. He was a naturally reverent boy, but for these more than mortal beings, as they appeared to his fancy, was reserved the supreme worship of his romantic soul. Indeed, the adoration of his ideal woman—perfect in body, in mind and in soul, became, and was to be always, a religion to him.

      To imagine himself rescuing from a dark prison tower, hid in a deep wood, or from a watery grave in a black and rock-bound lake, at midnight, some lovely maiden whose every thought and heart-beat would thenceforth be for him alone—this became the entrancing inward vision of Edgar the Dreamer—the poet—the lover, at whom Edgar Goodfellow with whisper as insistent as the voice of Conscience, scoffed and sneered, seeking to make him ashamed; but all in vain.

      Of course it was to follow, as the night the day, that the boy would find someone in whom to dress his ideal. Upon a Sunday soon after his falling in love, he saw the very maiden of his dreams in the flesh. It was in the Gothic church. From the remote pew in the gallery where he sat with his school-mates, he looked down upon a wonderful vision of white and gold in one of the principal pews of the main aisle. Clad all in white and with a shower of golden tresses falling over her shoulders, she was like a glorious lily or a holy angel. Her eyes, uplifted in the rapture of worship, he divined, rather than saw, were of the hue of heaven itself. He loved her at once, with all his soul's might. Her name? Her home? These were mysteries—sacred mysteries—whose unfathomableness but added to her charm.

      After that, service in the Gothic church was a much more important event to The Dreamer than before—an event looked forward to with trembling from Sunday to Sunday. After that too, upon his periodical week-day walks with the school, he would look up at the quaint old homesteads they passed, with their hedged gardens, ivied walls and sweet-scented shrubberies, and try to guess which was the house-wonderful in which she dwelt. Then suddenly, one sweet May afternoon, he discovered it.

      It was, as was fitting, the most antique, the most distinguished mansion of them all. He saw her through the bars of the stately entrance gate as she sat beside her mother, on a garden-seat, tying into nosegays the flowers that filled her lap. Stupified by the shock of the discovery, he stood rooted to the ground, letting his school-mates go on ahead of him. She was much nearer him than she had been in the dusky church, and upon closer view, she seemed even more lovely, more flower-like, more angelic than ever before. He stared upon her face with a gaze so compelling that she looked up and smiled at him; then, with sudden impulse, gathered her flowers in her apron, and running forward, handed him through the gate, a fragrant, creamy bud that she happened at the moment to have in her hand.

      As in a dream, he stretched his fingers for it. He tried to frame an expression of thanks, but his lips were dry and though they moved, no sound came. She had returned at once to her seat beside her mother, and the voice of the usher (who had just missed him) sharply calling to him to "Come on!" was in his ears. He hurried forward, trembling in all his limbs. Twice he stumbled and nearly fell. The bud, he had quickly