In 1799 the second brother, Andre, a widower, and Madame Hulot’s father, left his daughter to the care of his elder brother, Pierre Fischer, disabled from service by a wound received in 1797, and made a small private venture in the military transport service, an opening he owed to the favor of Hulot d’Ervy, who was high in the commissariat. By a very obvious chance Hulot, coming to Strasbourg, saw the Fischer family. Adeline’s father and his younger brother were at that time contractors for forage in the province of Alsace.
Adeline, then sixteen years of age, might be compared with the famous Madame du Barry, like her, a daughter of Lorraine. She was one of those perfect and striking beauties—a woman like Madame Tallien, finished with peculiar care by Nature, who bestows on them all her choicest gifts—distinction, dignity, grace, refinement, elegance, flesh of a superior texture, and a complexion mingled in the unknown laboratory where good luck presides. These beautiful creatures all have something in common: Bianca Capella, whose portrait is one of Bronzino’s masterpieces; Jean Goujon’s Venus, painted from the famous Diane de Poitiers; Signora Olympia, whose picture adorns the Doria gallery; Ninon, Madame du Barry, Madame Tallien, Mademoiselle Georges, Madame Recamier.—all these women who preserved their beauty in spite of years, of passion, and of their life of excess and pleasure, have in figure, frame, and in the character of their beauty certain striking resemblances, enough to make one believe that there is in the ocean of generations an Aphrodisian current whence every such Venus is born, all daughters of the same salt wave.
Adeline Fischer, one of the loveliest of this race of goddesses, had the splendid type, the flowing lines, the exquisite texture of a woman born a queen. The fair hair that our mother Eve received from the hand of God, the form of an Empress, an air of grandeur, and an august line of profile, with her rural modesty, made every man pause in delight as she passed, like amateurs in front of a Raphael; in short, having once seen her, the Commissariat officer made Mademoiselle Adeline Fischer his wife as quickly as the law would permit, to the great astonishment of the Fischers, who had all been brought up in the fear of their betters.
The eldest, a soldier of 1792, severely wounded in the attack on the lines at Wissembourg, adored the Emperor Napoleon and everything that had to do with the Grande Armee. Andre and Johann spoke with respect of Commissary Hulot, the Emperor’s protege, to whom indeed they owed their prosperity; for Hulot d’Ervy, finding them intelligent and honest, had taken them from the army provision wagons to place them in charge of a government contract needing despatch. The brothers Fischer had done further service during the campaign of 1804. At the peace Hulot had secured for them the contract for forage from Alsace, not knowing that he would presently be sent to Strasbourg to prepare for the campaign of 1806.
This marriage was like an Assumption to the young peasant girl. The beautiful Adeline was translated at once from the mire of her village to the paradise of the Imperial Court; for the contractor, one of the most conscientious and hard-working of the Commissariat staff, was made a Baron, obtained a place near the Emperor, and was attached to the Imperial Guard. The handsome rustic bravely set to work to educate herself for love of her husband, for she was simply crazy about him; and, indeed, the Commissariat office was as a man a perfect match for Adeline as a woman. He was one of the picked corps of fine men. Tall, well-built, fair, with beautiful blue eyes full of irresistible fire and life, his elegant appearance made him remarkable by the side of d’Orsay, Forbin, Ouvrard; in short, in the battalion of fine men that surrounded the Emperor. A conquering “buck,” and holding the ideas of the Directoire with regard to women, his career of gallantry was interrupted for some long time by his conjugal affection.
To Adeline the Baron was from the first a sort of god who could do no wrong. To him she owed everything: fortune—she had a carriage, a fine house, every luxury of the day; happiness—he was devoted to her in the face of the world; a title, for she was a Baroness; fame, for she was spoken of as the beautiful Madame Hulot—and in Paris! Finally, she had the honor of refusing the Emperor’s advances, for Napoleon made her a present of a diamond necklace, and always remembered her, asking now and again, “And is the beautiful Madame Hulot still a model of virtue?” in the tone of a man who might have taken his revenge on one who should have triumphed where he had failed.
So it needs no great intuition to discern what were the motives in a simple, guileless, and noble soul for the fanaticism of Madame Hulot’s love. Having fully persuaded herself that her husband could do her no wrong, she made herself in the depths of her heart the humble, abject, and blindfold slave of the man who had made her. It must be noted, too, that she was gifted with great good sense—the good sense of the people, which made her education sound. In society she spoke little, and never spoke evil of any one; she did not try to shine; she thought out many things, listened well, and formed herself on the model of the best-conducted women of good birth.
In 1815 Hulot followed the lead of the Prince de Wissembourg, his intimate friend, and became one of the officers who organized the improvised troops whose rout brought the Napoleonic cycle to a close at Waterloo. In 1816 the Baron was one of the men best hated by the Feltre administration, and was not reinstated in the Commissariat till 1823, when he was needed for the Spanish war. In 1830 he took office as the fourth wheel of the coach, at the time of the levies, a sort of conscription made by Louis Philippe on the old Napoleonic soldiery. From the time when the younger branch ascended the throne, having taken an active part in bringing that about, he was regarded as an indispensable authority at the War Office. He had already won his Marshal’s baton, and the King could do no more for him unless by making him minister or a peer of France.
From 1818 till 1823, having no official occupation, Baron Hulot had gone on active service to womankind. Madame Hulot dated her Hector’s first infidelities from the grand finale of the Empire. Thus, for twelve years the Baroness had filled the part in her household of prima donna assoluta, without a rival. She still could boast of the old-fashioned, inveterate affection which husbands feel for wives who are resigned to be gentle and virtuous helpmates; she knew that if she had a rival, that rival would not subsist for two hours under a word of reproof from herself; but she shut her eyes, she stopped her ears, she would know nothing of her husband’s proceedings outside his home. In short, she treated her Hector as a mother treats a spoilt child.
Three years before the conversation reported above, Hortense, at the Theatre des Varietes, had recognized her father in a lower tier stage-box with Jenny Cadine, and had exclaimed:
“There is papa!”
“You are mistaken, my darling; he is at the Marshal’s,” the Baroness replied.
She too had seen Jenny Cadine; but instead of feeling a pang when she saw how pretty she was, she said to herself, “That rascal Hector must think himself very lucky.”
She suffered nevertheless; she gave herself up in secret to rages of torment; but as soon as she saw Hector, she always remembered her twelve years of perfect happiness, and could not find it in her to utter a word of complaint. She would have been glad if the Baron would have taken her into his confidence; but she never dared to let him see that she knew of his kicking over the traces, out of respect for her husband. Such an excess of delicacy is never met with but in those grand creatures, daughters of the soil, whose instinct it is to take blows without ever returning them; the blood of the early martyrs still lives in their veins. Well-born women, their husbands’ equals, feel the impulse to annoy them, to mark the points of their tolerance, like points at billiards, by some stinging word, partly in the spirit of diabolical malice, and to secure the upper hand or the right of turning the tables.
The Baroness had an ardent admirer in her brother-in-law, Lieutenant-General Hulot, the venerable Colonel of the Grenadiers of the Imperial Infantry Guard, who was to have a Marshal’s baton in his old age. This veteran, after having served from 1830 to 1834 as Commandant of the military division, including the departments of Brittany, the scene of his exploits in 1799 and 1800, had come to settle in Paris near his brother, for whom he had a fatherly affection.
This old soldier’s