It went well, and I wasn't surprised. I couldn't quite follow some of it, but anybody could see that it was real ripe stuff, and I was amazed that even the course of treatment he had been taking could have rendered so normally tongue-tied a dumb brick as Gussie capable of it.
It just shows, what any member of Parliament will tell you, that if you want real oratory, the preliminary noggin is essential. Unless pie-eyed, you cannot hope to grip.
"Gentlemen," said Gussie, "I mean ladies and gentlemen and, of course, boys, what a beautiful world this is. A beautiful world, full of happiness on every side. Let me tell you a little story. Two Irishmen, Pat and Mike, were walking along Broadway, and one said to the other, 'Begorrah, the race is not always to the swift,' and the other replied, 'Faith and begob, education is a drawing out, not a putting in.'"
I must say it seemed to me the rottenest story I had ever heard, and I was surprised that Jeeves should have considered it worth while shoving into a speech. However, when I taxed him with this later, he said that Gussie had altered the plot a good deal, and I dare say that accounts for it.
At any rate, that was the conte as Gussie told it, and when I say that it got a very fair laugh, you will understand what a popular favourite he had become with the multitude. There might be a bearded bloke or so on the platform and a small section in the second row who were wishing the speaker would conclude his remarks and resume his seat, but the audience as a whole was for him solidly.
There was applause, and a voice cried: "Hear, hear!"
"Yes," said Gussie, "it is a beautiful world. The sky is blue, the birds are singing, there is optimism everywhere. And why not, boys and ladies and gentlemen? I'm happy, you're happy, we're all happy, even the meanest Irishman that walks along Broadway. Though, as I say, there were two of them—Pat and Mike, one drawing out, the other putting in. I should like you boys, taking the time from me, to give three cheers for this beautiful world. All together now."
Presently the dust settled down and the plaster stopped falling from the ceiling, and he went on.
"People who say it isn't a beautiful world don't know what they are talking about. Driving here in the car today to award the kind prizes, I was reluctantly compelled to tick off my host on this very point. Old Tom Travers. You will see him sitting there in the second row next to the large lady in beige."
He pointed helpfully, and the hundred or so Market Snods-buryians who craned their necks in the direction indicated were able to observe Uncle Tom blushing prettily.
"I ticked him off properly, the poor fish. He expressed the opinion that the world was in a deplorable state. I said, 'Don't talk rot, old Tom Travers.' 'I am not accustomed to talk rot,' he said. 'Then, for a beginner,' I said, 'you do it dashed well.' And I think you will admit, boys and ladies and gentlemen, that that was telling him."
The audience seemed to agree with him. The point went big. The voice that had said, "Hear, hear" said "Hear, hear" again, and my corn chandler hammered the floor vigorously with a large-size walking stick.
"Well, boys," resumed Gussie, having shot his cuffs and smirked horribly, "this is the end of the summer term, and many of you, no doubt, are leaving the school. And I don't blame you, because there's a frost in here you could cut with a knife. You are going out into the great world. Soon many of you will be walking along Broadway. And what I want to impress upon you is that, however much you may suffer from adenoids, you must all use every effort to prevent yourselves becoming pessimists and talking rot like old Tom Travers. There in the second row. The fellow with a face rather like a walnut."
He paused to allow those wishing to do so to refresh themselves with another look at Uncle Tom, and I found myself musing in some little perplexity. Long association with the members of the Drones has put me pretty well in touch with the various ways in which an overdose of the blushful Hippocrene can take the individual, but I had never seen anyone react quite as Gussie was doing.
There was a snap about his work which I had never witnessed before, even in Barmy Fotheringay-Phipps on New Year's Eve.
Jeeves, when I discussed the matter with him later, said it was something to do with inhibitions, if I caught the word correctly, and the suppression of, I think he said, the ego. What he meant, I gathered, was that, owing to the fact that Gussie had just completed a five years' stretch of blameless seclusion among the newts, all the goofiness which ought to have been spread out thin over those five years and had been bottled up during that period came to the surface on this occasion in a lump—or, if you prefer to put it that way, like a tidal wave.
There may be something in this. Jeeves generally knows.
Anyway, be that as it may, I was dashed glad I had had the shrewdness to keep out of that second row. It might be unworthy of the prestige of a Wooster to squash in among the proletariat in the standing-room-only section, but at least, I felt, I was out of the danger zone. So thoroughly had Gussie got it up his nose by now that it seemed to me that had he sighted me he might have become personal about even an old school friend.
"If there's one thing in the world I can't stand," proceeded Gussie, "it's a pessimist. Be optimists, boys. You all know the difference between an optimist and a pessimist. An optimist is a man who—well, take the case of two Irishmen walking along Broadway. One is an optimist and one is a pessimist, just as one's name is Pat and the other's Mike.... Why, hullo, Bertie; I didn't know you were here."
Too late, I endeavoured to go to earth behind the chandler, only to discover that there was no chandler there. Some appointment, suddenly remembered—possibly a promise to his wife that he would be home to tea—had caused him to ooze away while my attention was elsewhere, leaving me right out in the open.
Between me and Gussie, who was now pointing in an offensive manner, there was nothing but a sea of interested faces looking up at me.
"Now, there," boomed Gussie, continuing to point, "is an instance of what I mean. Boys and ladies and gentlemen, take a good look at that object standing up there at the back—morning coat, trousers as worn, quiet grey tie, and carnation in buttonhole—you can't miss him. Bertie Wooster, that is, and as foul a pessimist as ever bit a tiger. I tell you I despise that man. And why do I despise him? Because, boys and ladies and gentlemen, he is a pessimist. His attitude is defeatist. When I told him I was going to address you this afternoon, he tried to dissuade me. And do you know why he tried to dissuade me? Because he said my trousers would split up the back."
The cheers that greeted this were the loudest yet. Anything about splitting trousers went straight to the simple hearts of the young scholars of Market Snodsbury Grammar School. Two in the row in front of me turned purple, and a small lad with freckles seated beside them asked me for my autograph.
"Let me tell you a story about Bertie Wooster."
A Wooster can stand a good deal, but he cannot stand having his name bandied in a public place. Picking my feet up softly, I was in the very process of executing a quiet sneak for the door, when I perceived that the bearded bloke had at last decided to apply the closure.
Why he hadn't done so before is beyond me. Spell-bound, I take it. And, of course, when a chap is going like a breeze with the public, as Gussie had been, it's not so dashed easy to chip in. However, the prospect of hearing another of Gussie's anecdotes seemed to have done the trick. Rising rather as I had risen from my bench at the beginning of that painful scene with Tuppy in the twilight, he made a leap for the table, snatched up a book and came bearing down on the speaker.
He touched Gussie on the arm, and Gussie, turning sharply and seeing a large bloke with a beard apparently about to