Bulfinch's Mythology. Bulfinch Thomas. Читать онлайн. Newlib. NEWLIB.NET

Автор: Bulfinch Thomas
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cast into the ground lies there concealed—that is, she is carried off by the god of the underworld. It reappears—that is, Proserpine is restored to her mother. Spring leads her back to the light of day.

      Milton alludes to the story of Proserpine in "Paradise Lost," Book

       IV.:

      " … Not that fair field

       Of Enna where Proserpine gathering flowers,

       Herself a fairer flower, by gloomy Dis

       Was gathered, which cost Ceres all that pain

       To seek her through the world—

      … might with this Paradise

       Of Eden strive."

      Hood, in his "Ode to Melancholy," uses the same allusion very beautifully:

      "Forgive, if somewhile I forget,

       In woe to come the present bliss;

       As frighted Proserpine let fall

       Her flowers at the sight of Dis."

      The River Alpheus does in fact disappear underground, in part of its course, finding its way through subterranean channels till it again appears on the surface. It was said that the Sicilian fountain Arethusa was the same stream, which, after passing under the sea, came up again in Sicily. Hence the story ran that a cup thrown into the Alpheus appeared again in Arethusa. It is this fable of the underground course of Alpheus that Coleridge alludes to in his poem of "Kubla Khan":

      "In Xanadu did Kubla Khan

       A stately pleasure-dome decree,

       Where Alph, the sacred river, ran

       Through caverns measureless to man,

       Down to a sunless sea."

      In one of Moore's juvenile poems he thus alludes to the same story, and to the practice of throwing garlands or other light objects on his stream to be carried downward by it, and afterwards reproduced at its emerging:

      "O my beloved, how divinely sweet

       Is the pure joy when kindred spirits meet!

       Like him the river god, whose waters flow,

       With love their only light, through caves below,

       Wafting in triumph all the flowery braids

       And festal rings, with which Olympic maids

       Have decked his current, as an offering meet

       To lay at Arethusa's shining feet.

       Think, when he meets at last his fountain bride,

       What perfect love must thrill the blended tide!

       Each lost in each, till mingling into one,

       Their lot the same for shadow or for sun,

       A type of true love, to the deep they run."

      The following extract from Moore's "Rhymes on the Road" gives an account of a celebrated picture by Albano, at Milan, called a Dance of Loves:

      "'Tis for the theft ef Enna's flower from earth

       These urchins celebrate their dance of mirth,

       Round the green tree, like fays upon a heath;—

       Those that are nearest linked in order bright,

       Cheek after cheek, like rosebuds in a wreath;

       And those more distant showing from beneath

       The others' wings their little eyes of light.

       While see! among the clouds, their eldest brother,

       But just flown up, tells with a smile of bliss,

       This prank of Pluto to his charmed mother,

       Who turns to greet the tidings with a kiss."

      GLAUCUS AND SCYLLA

      Glaucus was a fisherman. One day he had drawn his nets to land, and had taken a great many fishes of various kinds. So he emptied his net, and proceeded to sort the fishes on the grass. The place where he stood was a beautiful island in the river, a solitary spot, uninhabited, and not used for pasturage of cattle, nor ever visited by any but himself. On a sudden, the fishes, which had been laid on the grass, began to revive and move their fins as if they were in the water; and while he looked on astonished, they one and all moved off to the water, plunged in, and swam away. He did not know what to make of this, whether some god had done it or some secret power in the herbage. "What herb has such a power?" he exclaimed; and gathering some of it, he tasted it. Scarce had the juices of the plant reached his palate when he found himself agitated with a longing desire for the water. He could no longer restrain himself, but bidding farewell to earth, he plunged into the stream. The gods of the water received him graciously, and admitted him to the honor of their society. They obtained the consent of Oceanus and Tethys, the sovereigns of the sea, that all that was mortal in him should be washed away. A hundred rivers poured their waters over him. Then he lost all sense of his former nature and all consciousness. When he recovered, he found himself changed in form and mind. His hair was sea-green, and trailed behind him on the water; his shoulders grew broad, and what had been thighs and legs assumed the form of a fish's tail. The sea- gods complimented him on the change of his appearance, and he fancied himself rather a good-looking personage.

      One day Glaucus saw the beautiful maiden Scylla, the favorite of the water-nymphs, rambling on the shore, and when she had found a sheltered nook, laving her limbs in the clear water. He fell in love with her, and showing himself on the surface, spoke to her, saying such things as he thought most likely to win her to stay; for she turned to run immediately on the sight of him, and ran till she had gained a cliff overlooking the sea. Here she stopped and turned round to see whether it was a god or a sea animal, and observed with wonder his shape and color. Glaucus partly emerging from the water, and supporting himself against a rock, said, "Maiden, I am no monster, nor a sea animal, but a god; and neither Proteus nor Triton ranks higher than I. Once I was a mortal, and followed the sea for a living; but now I belong wholly to it." Then he told the story of his metamorphosis, and how he had been promoted to his present dignity, and added, "But what avails all this if it fails to move your heart?" He was going on in this strain, but Scylla turned and hastened away.

      Glaucus was in despair, but it occurred to him to consult the enchantress Circe. Accordingly he repaired to her island—the same where afterwards Ulysses landed, as we shall see in one of our later stories. After mutual salutations, he said, "Goddess, I entreat your pity; you alone can relieve the pain I suffer. The power of herbs I know as well as any one, for it is to them I owe my change of form. I love Scylla. I am ashamed to tell you how I have sued and promised to her, and how scornfully she has treated me. I beseech you to use your incantations, or potent herbs, if they are more prevailing, not to cure me of my love—for that I do not wish—but to make her share it and yield me a like return." To which Circe replied, for she was not insensible to the attractions of the sea-green deity, "You had better pursue a willing object; you are worthy to be sought, instead of having to seek in vain. Be not diffident, know your own worth. I protest to you that even I, goddess though I be, and learned in the virtues of plants and spells, should not know how to refuse you. If she scorns you scorn her; meet one who is ready to meet you half way, and thus make a due return to both at once." To these words Glaucus replied, "Sooner shall trees grow at the bottom of the ocean, and sea-weed on the top of the mountains, than I will cease to love Scylla, and her alone."

      The goddess was indignant, but she could not punish him, neither did she wish to do so, for she liked him too well; so she turned all her wrath against her rival, poor Scylla. She took plants of poisonous powers and mixed them together, with incantations and charms. Then she passed through the crowd of gambolling beasts, the victims of her art, and proceeded to the coast of Sicily, where Scylla lived. There was a little bay on the shore to which Scylla used to resort, in the heat of the day, to breathe the air of the sea, and to bathe in its waters. Here the goddess poured her poisonous mixture, and muttered over it incantations of mighty power. Scylla came as usual and plunged into the water up to her waist.