"There is a formal garden at the back, full of box-borders and cypresses—only they are really red cedars," said Mrs. Colfax. "From the terrace there is a good view of the river, and lower down Angelica has made an old-fashioned garden, with grass walks and rose arbours and mixed flower beds. I never saw such Canterbury bells as she had last summer."
As they entered the circular drive, a touring car passed them slowly on the way out, and a man leaned forward and bowed to Mrs. Colfax. From her casual glance Caroline received an impression of a strong, sunburned face, with heavy brows and dark hair going a little grey on the temples.
"What searching eyes that man has," she observed carelessly, and added immediately, "You know him?"
"Why, that was David Blackburn. I forgot you had never seen him."
"He isn't at all what I expected him to be." While Caroline spoke she felt an inexplicable sense of disappointment. She scarcely knew what she had expected; yet she realized that he was different from some vague image she had had in her mind.
"His face looked so set I'm afraid he has been quarrelling with Angelica," said the old lady. "Poor child, I feel so distressed."
They had reached the house, and as they were about to alight, the door opened, and a girl in a riding habit, with two Airedale terriers at her heels, strolled out on the porch. At sight of Mrs. Colfax, she came quickly forward, and held out her hand. She had a splendid figure, which the riding habit showed to advantage, and though her face was plain, her expression was pleasant and attractive. Without the harsh collar and the severe arrangement of her hair, which was braided and tied up with a black ribbon, Caroline imagined that she might be handsome.
Mrs. Colfax greeted her as "Miss Blackburn" and explained immediately that she lived at Briarlay with her brother. "She is a great lover of dogs," added the old lady, "and it is a pity that Angelica doesn't like to have them about."
"Oh, they don't mind, they're such jolly beggars," replied the girl in a cheerful, slangy manner, "and besides they get all they want of me. I'm so sorry you didn't come in time for tea. Now I'm just starting for a ride with Alan."
While she was speaking a man on horseback turned from the lane into the drive, and Caroline saw her face change and brighten until it became almost pretty. "There he is now!" she exclaimed, and then she called out impulsively, "Oh, Alan, I've waited for ever!"
He shouted back some words in a gay voice, but Caroline did not catch them, and before he dismounted, Mrs. Colfax led her through the open door into the hall.
"That's Alan Wythe," said the old lady in a whisper, and she resumed a moment later when they stood within the pink silk walls of Angelica's drawing-room, "Mary has been engaged to him for a year, and I never in my life saw a girl so much in love. I suppose it's natural enough—he's charming—but in my day young ladies were more reserved. And now we'll go straight upstairs to Angelica. She is sure to be lying down at this hour."
As they passed through the wide hall, and up the beautiful Colonial staircase, Caroline felt that the luxury of the place bewildered her. Though the house, except in size, was not unlike country homes she had seen in southside Virginia, there was nothing in her memory, unless she summoned back stray recollections of photographs in Sunday newspapers, that could compare with the decoration of the drawing-room. "It is beautiful, but there is too much of it," she thought, for her eyes, accustomed to bare surfaces and the formal purity of Sheraton and Chippendale, were beginning to discriminate.
"I want you to notice everything when you have time," said Mrs. Colfax. "I tell Angelica that it is a liberal education just to come inside of this house."
"It would take weeks to see it," responded Caroline; and then, as she moved toward a long mirror in the hall upstairs, it seemed to her that her reflection, in her severe blue serge suit, with the little round blue hat Diana had trimmed, looked as grotesquely out of place as if she had been one of the slender Sheraton chairs at The Cedars. "If I appear a lady I suppose it is as much as I can hope for," she thought, "and besides nobody will notice me."
The humour leaped to her eyes, while Mrs. Colfax, watching her with a side-long glance, reflected that Carrie Warwick's daughter had distinction. Her grace was not merely the grace of a slender body with flowing lines; it was the grace of word, of glance, of smile, of gesture, that indefinable and intangible quality which is shed by a lovely soul as fragrance is shed by a flower. "Even if she lives to be as old as I am, she will still keep her poise and her charm of appearance," thought the old lady, "she will never lose it because it isn't a matter of feature—it isn't dependent on outward beauty. Years ago she was prettier than she is to-day, but she wasn't nearly so distinguished." Aloud she said presently, "Your hair grows in such a nice line on your forehead, my dear, just like your mother's. I remember we always made her brush hers straight back as you do, so she could show her 'widow's peak' in the centre. But yours is much darker, isn't it?"
"Yes, it is almost black. Mother's was the loveliest shade of chestnut. I have a lock of it in an old breast-pin."
A door at the end of the hall opened, and a thin woman, in rusty black alpaca, came to meet them.
"That's the housekeeper—Matty Timberlake, the very salt of the earth," whispered Mrs. Colfax. "She is Angelica's cousin."
When the housekeeper reached them, she stooped and kissed Mrs. Colfax before she spoke to Caroline. She was a long, narrow, neuralgic woman, with near-sighted eyes, thin grey hair which hung in wisps on her forehead, and a look which seemed to complain always that she was poor and dependent and nobody noticed her.
"Angelica is lying down," she said, "but she would like to speak to Miss Meade before I take her to her room."
Caroline's heart gave a bound. "At last I shall see her," she thought, while she followed Mrs. Timberlake down the hall and across the threshold of Angelica's room. The influence that she had felt first in the twilight at The Cedars and again in the drive out from Richmond, welcomed her like a caress.
Her first impression was one of blue and ivory and gold. There was a bed, painted in garlands, with a scalloped canopy of blue silk; and Caroline, who was accustomed to mahogany testers or the little iron beds in the hospital, was conscious of a thrill of delight as she looked at it. Then her eyes fell on the white bear-skin rug before the fire, and from the rug they passed to the couch on which Mrs. Blackburn was lying. The woman and the room harmonized so perfectly that one might almost have mistaken Angelica for a piece of hand-painted furniture. At first she appeared all blue silk and pale gold hair and small delicate features. Then she sat up and held out her hand, and Caroline saw that she looked not only human, but really tired and frail. There were faint shadows under her eyes, which were like grey velvet, and her hair, parted softly in golden wings over her forehead, showed several barely perceptible creases between her eyebrows. She was so thin that the bones of her face and neck were visible beneath the exquisite texture of her flesh, yet the modelling was as perfect as if her head and shoulders had been chiselled in marble.
"You are Caroline Meade," she said sweetly. "I am so glad you have come."
"I am glad, too. I wanted to come." The vibrant voice, full of warmth and sympathy, trembled with pleasure. For once the reality was fairer than the dream; the woman before her was lovelier than the veiled figure of Caroline's imagination. It was one of those unforgettable moments when the mind pauses, with a sensation