The Collected Works of W. Somerset Maugham (33 Works in One Edition). Уильям Сомерсет Моэм. Читать онлайн. Newlib. NEWLIB.NET

Автор: Уильям Сомерсет Моэм
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Жанр произведения: Языкознание
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isbn: 9788027202065
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How dangerous to the moth is the candle; and in this case the candle is twain.'

      'But they say the moth as it flutters in the flame enjoys a perfection of ecstasy.'

      'Ah, but I am a very sensible moth,' I answered in a matter-of-fact tone, 'and I am afraid of burning my wings.'

      'How prosaic!' she murmured.

      'The muse,' I said politely, 'loses her force when you are present.'

      She evidently did not quite understand what I meant, for there was a look of slight bewilderment in her eyes; and I was not surprised, for I had not myself the faintest notion of my meaning. Still she saw it was a compliment.

      'Ah, you are very polite!'

      We paused a moment, during which we both looked unutterable things at one another. Then she gave a deep sigh.

      'Why so sad, sweet lady?' I asked.

      'Messer Filippo,' she answered, 'I am an unhappy woman.' She hit her breast with her hand.

      'You are too beautiful,' I remarked gallantly.

      'Ah no! ah no! I am unhappy.'

      I glanced at her husband, who was stalking grimly about the room, looking like a retired soldier with the gout; and I thought that to be in the society of such a person was enough to make anyone miserable.

      'You are right,' she said, following my eyes; 'it is my husband. He is so unsympathetic.'

      I condoled with her.

      'He is so jealous of me, and, as you know, I am a pattern of virtue to Forli!'

      I had never heard her character so described, but, of course, I said,—

      'To look at you would be enough to reassure the most violent of husbands.'

      'Oh, I have temptation enough, I assure you,' she answered quickly.

      'I can well believe that.'

      'But I am as faithful to him as if I were old and ugly; and yet he is jealous.'

      'We all have our crosses in this life,' I remarked sententiously.

      'Heaven knows I have mine; but I have my consolations.'

      So I supposed, and answered,—

      'Oh!'

      'I pour out my soul in a series of sonnets.'

      'A second Petrarch!'

      'My friends say some of them are not unworthy of that great name.'

      'I can well believe it.'

      Here relief came, and like the tired sentinel, I left the post of duty. I thought of my sweet Giulia, and wondered at her beauty and charm; it was all so much clearer and cleaner than the dross I saw around me. I came away, for I was pining for solitude, and then I gave myself up to the exquisite dreams of my love.

      At last the time came, the long day had at last worn away, and the night, the friend of lovers, gave me leave to go to Giulia.

      XI

       Table of Contents

       I was so happy. The world went on; things happened in Forli, the rival parties agitated and met together and discussed; there was a general ferment—and to it all I was profoundly indifferent. What matter all the petty little affairs of life? I said. People work and struggle, plot, scheme, make money, lose it, conspire for place and honour; they have their ambitions and hopes; but what is it all beside love? I had entered into the excitement of politics in Forli; I was behind the veil and knew the intricacies, the ambitions, the emotions of the actors; but now I withdrew myself. What did I care about the prospects of Forli, whether taxes were put on or taken off, or whether A killed B or B killed A, it really seemed so unimportant. I looked upon them as puppets performing on a stage, and I could not treat their acts with seriousness. Giulia! That was the great fact in life. Nothing mattered to me but Giulia. When I thought of Giulia my heart was filled with ecstasy, and I spat with scorn on all the silly details of events.

      I would willingly have kept myself out of the stream which was carrying along the others; but I could not help knowing what happened. And it was indeed ridiculous. After the great scene at the Palace people had begun to take steps as if for big events. Checco had sent a large sum of money to Florence for the Medici to take care of; Bartolomeo Moratini had made preparations; there were generally a stir and unrest. Girolamo was supposed to be going to take some step; people were prepared for everything; when they woke up in the morning they asked if aught had taken place in the night; and Checco wore a coat of mail. On the Count's side people were asking what Checco meant to do, whether the ovation he had received would encourage him to any violent step. All the world was agog for great events—and nothing happened. It reminded me of a mystery play in which, after great preparation of dialogue, some great stage effect is going to be produced—a saint is going to ascend to heaven, or a mountain is to open and the devil spring out. The spectators are sitting open-mouthed; the moment has come, everything is ready, the signal is given; the mob have already drawn their breath for a cry of astonishment—and something goes wrong and nothing happens.

      The good Forlivesi could not understand it: they were looking for signs and miracles, and behold! they came not. Each day they said to themselves that this would be one to be remembered in the history of the town; that to-day Girolamo would surely leave his hesitations; but the day wore on quite calmly. Everyone took his dinner and supper as usual, the sun journeyed from east to west as it had done on the previous day, the night came, and the worthy citizen went to his bed at his usual hour, and slept in peace till the following sunrise. Nothing happened, and it seemed that nothing was going to happen. The troubled spirits gradually came to the conclusion that there was nothing to be troubled about, and the old quiet came over the town; there was no talk of new taxes, and the world wagged on.... Checco and Matteo and the Moratini resigned themselves to the fact that the sky was serene, and that they had better pursue their way without troubling their little heads about conspiracies and midnight daggers.

      Meanwhile, I laughed, and admired their folly and my own wisdom. For I worried myself about none of these things; I lived in Giulia, for Giulia, by Giulia.... I had never enjoyed such happiness before; she was a little cold, perhaps, but I did not mind. I had passion that lived by its own flame, and I cared for nothing as long as she let me love her. And I argued with myself that it is an obvious thing that love is not the same on both sides. There is always one who loves and one who lets himself be loved. Perhaps it is a special decree of Nature; for the man loves actively, caresses and is passionate; while the woman gives herself to him, and is in his embrace like some sweet, helpless animal. I did not ask for such love as I gave; all I asked was that my love should let herself be loved. That was all I cared for; that was all I wanted. My love for Giulia was wonderful even to me. I felt I had lost myself in her. I had given my whole being into her hand. Samson and Delilah! But this was no faithless Philistine. I would have given my honour into her keeping and felt it as sure as in my own. In my great love I felt such devotion, such reverence, that sometimes I hardly dared touch her; it seemed to me I must kneel and worship at her feet. I learnt the great delight of abasing myself to the beloved. I could make myself so small and mean in my humility; but nothing satisfied my wish to show my abject slavery.... Oh, Giulia! Giulia!

      But this inaction on the part of Girolamo Riario had the effect of persuading his subjects of his weakness. They had given over expecting reprisals on his part, and the only conclusion they could come to was that he dared do nothing against Checco. It was inconceivable that he should leave unavenged the insults he had received; that he should bear without remark the signs of popularity which greeted Checco, not only on the day of the Council meeting, but since, every time he appeared in the streets. They began to despise their ruler as well as hate him, and they told one another stories of violent disputes in the Palace between the Count and Caterina. Everyone knew the pride and passion which came to the Countess with her Sforza blood, and they felt sure that she would not patiently bear the insults which her husband