In Petty Troubles we have the sardonic vein fully developed. The whole edifice of romance seems but a card house, and all virtue merely a question of utility. We must not err, however, in taking sentiments at their apparent value, for the real Balzac lies deeper; and here and there a glimpse of his true spirit and greater power becomes apparent. The bitter satire yields place to a vein of feeling true and fine, and gleaming like rich gold amid baser metal. Note "Another Glimpse of Adolphus" with its splendid vein of reverie and quiet inspiration to higher living. It is touches like this which save the book and reveal the author.
Petty Troubles of Married Life is a pendant or sequel to Physiology of Marriage. It is, as Balzac says, to the Physiology "what Fact is to Theory, or History to Philosophy, and has its logic, as life, viewed as a whole, has its logic also." We must then say with the author, that "if literature is the reflection of manners, we must admit that our manners recognize the defects pointed out by the Physiology of Marriage in this fundamental institution;" and we must concede for Petty Troubles one of those "terrible blows dealt this social basis."
The Physiologie du Mariage, ou Meditations de philosophie eclectique sur le bonheur et le malheur conjugal is dated at Paris, 1824–29. It first appeared anonymously, December, 1829, dated 1830, from the press of Charles Gosselin and Urbain Canel, in two octavo volumes with its present introduction and a note of correction now omitted. Its next appearance was signed, in 1834, in a two-volume edition of Ollivier. In 1846 it was entered, with its dedication to the reader, in the first edition of Etudes Analytiques—the first edition also of the Comedie Humaine—as Volume XVI. All the subsequent editions have retained the original small division heads, called Meditations.
Petites Miseres de la Vie Conjugale is not dated. Its composition was achieved piecemeal, beginning shortly after its predecessor appeared. But it was not till long after—in 1845–46—that its present two-part form was published in a single octavo volume by Chlendowski. A break had ensued between the first and second parts, the latter having appeared practically in full in La Presse of December, 1845. The sub-headings have remained unchanged since the original printing.
J. WALKER MCSPADDEN.
THE PHYSIOLOGY OF MARRIAGE; OR, THE MUSINGS OF AN ECLECTIC PHILOSOPHER ON THE HAPPINESS AND UNHAPPINESS OF MARRIED LIFE
INTRODUCTION
"Marriage is not an institution of nature. The family in the east is entirely different from the family in the west. Man is the servant of nature, and the institutions of society are grafts, not spontaneous growths of nature. Laws are made to suit manners, and manners vary.
"Marriage must therefore undergo the gradual development towards perfection to which all human affairs submit."
These words, pronounced in the presence of the Conseil d'Etat by Napoleon during the discussion of the civil code, produced a profound impression upon the author of this book; and perhaps unconsciously he received the suggestion of this work, which he now presents to the public. And indeed at the period during which, while still in his youth, he studied French law, the word ADULTERY made a singular impression upon him. Taking, as it did, a prominent place in the code, this word never occurred to his mind without conjuring up its mournful train of consequences. Tears, shame, hatred, terror, secret crime, bloody wars, families without a head, and social misery rose like a sudden line of phantoms before him when he read the solemn word ADULTERY! Later on, when he became acquainted with the most cultivated circles of society, the author perceived that the rigor of marriage laws was very generally modified by adultery. He found that the number of unhappy homes was larger than that of happy marriages. In fact, he was the first to notice that of all human sciences that which relates to marriage was the least progressive. But this was the observation of a young man; and with him, as with so many others, this thought, like a pebble flung into the bosom of a lake, was lost in the abyss of his tumultuous thoughts. Nevertheless, in spite of himself the author was compelled to investigate, and eventually there was gathered within his mind, little by little, a swarm of conclusions, more or less just, on the subject of married life. Works like the present one are formed in the mind of the author with as much mystery as that with which truffles grow on the scented plains of Perigord. Out of the primitive and holy horror which adultery caused him and the investigation which he had thoughtlessly made, there was born one morning a trifling thought in which his ideas were formulated. This thought was really a satire upon marriage. It was as follows: A husband and wife found themselves in love with each other for the first time after twenty-seven years of marriage.
He amused himself with this little axiom and passed a whole week in delight, grouping around this harmless epigram the crowd of ideas which came to him unconsciously and which he was astonished to find that he possessed. His humorous mood yielded at last to the claims of serious investigation. Willing as he was to take a hint, the author returned to his habitual idleness. Nevertheless, this slight germ of science and of joke grew to perfection, unfostered, in the fields of thought. Each phase of the work which had been condemned by others took root and gathered strength, surviving like the slight branch of a tree which, flung upon the sand by a winter's storm, finds itself covered at morning with white and fantastic icicles, produced by the caprices of nightly frosts. So the sketch lived on and became the starting point of myriad branching moralizations. It was like a polypus which multiplies itself by generation. The feelings of youth, the observations which a favorable opportunity led him to make, were verified in the most trifling events of his after life. Soon this mass of ideas became harmonized, took life, seemed, as it were, to become a living individual and moved in the midst of those domains of fancy, where the soul loves to give full rein to its wild creations. Amid all the distractions of the world and of life, the author always heard a voice ringing in his ears and mockingly revealing the secrets of things at the very moment he was watching a woman as she danced, smiled, or talked. Just as Mephistopheles pointed out to Faust in that terrific assemblage at the Brocken, faces full of frightful augury, so the author was conscious in the midst of the ball of a demon who would strike him on the shoulder with a familiar air and say to him: "Do you notice that enchanting smile? It is a grin of hatred." And then the demon would strut about like one of the captains in the old comedies of Hardy. He would twitch the folds of a lace mantle and endeavor to make new the fretted tinsel and spangles of its former glory. And then like Rabelais he would burst into loud and unrestrainable laughter, and would trace on the street-wall a word which might serve as a pendant to the "Drink!" which was the only oracle obtainable from the heavenly bottle. This literary Trilby would often appear seated on piles of books, and with hooked fingers would point out with a grin of malice two yellow volumes whose title dazzled the eyes. Then when he saw he had attracted the author's attention he spelt out, in a voice alluring as the tones of an harmonica, Physiology of Marriage! But, almost always he appeared at night during my dreams, gentle as some fairy guardian; he tried by words of sweetness to subdue the soul which he would appropriate to himself. While he attracted, he also scoffed at me; supple as a woman's mind, cruel as a tiger, his friendliness was more formidable than his hatred, for he never yielded a caress without also inflicting a wound. One night in particular he exhausted the resources of his sorceries, and crowned all by a last effort. He came, he sat on the edge of the bed like a young maiden full of love, who at first keeps silence but whose eyes sparkle, until at last her secret escapes her.
"This," said he, "is a prospectus of a new life-buoy, by means of which one can pass over the Seine dry-footed. This other pamphlet is the report of the Institute on a garment by wearing which we can pass through flames without being burnt. Have you no scheme which can preserve marriage from the miseries of excessive cold and excessive heat? Listen to me! Here we have a book on the Art of preserving foods; on the Art of curing smoky chimneys; on the Art of making good mortar; on the Art of tying a cravat; on the Art of carving meat."
In