But for the last few weeks a new influence had come over Hetty—vague, atmospheric, shaping itself into no self-confessed hopes or prospects, but producing a pleasant narcotic effect, making her tread the ground and go about her work in a sort of dream, unconscious of weight or effort, and showing her all things through a soft, liquid veil, as if she were living not in this solid world of brick and stone, but in a beatified world, such as the sun lights up for us in the waters. Hetty had become aware that Mr. Arthur Donnithorne would take a good deal of trouble for the chance of seeing her; that he always placed himself at church so as to have the fullest view of her both sitting and standing; that he was constantly finding reason for calling at the Hall Farm, and always would contrive to say something for the sake of making her speak to him and look at him. The poor child no more conceived at present the idea that the young squire could ever be her lover than a baker’s pretty daughter in the crowd, whom a young emperor distinguishes by an imperial but admiring smile, conceives that she shall be made empress. But the baker’s daughter goes home and dreams of the handsome young emperor, and perhaps weighs the flour amiss while she is thinking what a heavenly lot it must be to have him for a husband. And so, poor Hetty had got a face and a presence haunting her waking and sleeping dreams; bright, soft glances had penetrated her, and suffused her life with a strange, happy languor. The eyes that shed those glances were really not half so fine as Adam’s, which sometimes looked at her with a sad, beseeching tenderness, but they had found a ready medium in Hetty’s little silly imagination, whereas Adam’s could get no entrance through that atmosphere. For three weeks, at least, her inward life had consisted of little else than living through in memory the looks and words Arthur had directed towards her—of little else than recalling the sensations with which she heard his voice outside the house, and saw him enter, and became conscious that his eyes were fixed on her, and then became conscious that a tall figure, looking down on her with eyes that seemed to touch her, was coming nearer in clothes of beautiful texture with an odour like that of a flower-garden borne on the evening breeze. Foolish thoughts! But all this happened, you must remember, nearly sixty years ago, and Hetty was quite uneducated—a simple farmer’s girl, to whom a gentleman with a white hand was dazzling as an Olympian god. Until to-day, she had never looked farther into the future than to the next time Captain Donnithorne would come to the Farm, or the next Sunday when she should see him at church; but now she thought, perhaps he would try to meet her when she went to the Chase to-morrow—and if he should speak to her, and walk a little way, when nobody was by! That had never happened yet; and now her imagination, instead of retracing the past, was busy fashioning what would happen to-morrow—whereabout in the Chase she should see him coming towards her, how she should put her new rose-coloured ribbon on, which he had never seen, and what he would say to her to make her return his glance—a glance which she would be living through in her memory, over and over again, all the rest of the day.
In this state of mind, how could Hetty give any feeling to Adam’s troubles, or think much about poor old Thias being drowned? Young souls, in such pleasant delirium as hers are as unsympathetic as butterflies sipping nectar; they are isolated from all appeals by a barrier of dreams—by invisible looks and impalpable arms.
While Hetty’s hands were busy packing up the butter, and her head filled with these pictures of the morrow, Arthur Donnithorne, riding by Mr. Irwine’s side towards the valley of the Willow Brook, had also certain indistinct anticipations, running as an undercurrent in his mind while he was listening to Mr. Irwine’s account of Dinah—indistinct, yet strong enough to make him feel rather conscious when Mr. Irwine suddenly said, “What fascinated you so in Mrs. Poyser’s dairy, Arthur? Have you become an amateur of damp quarries and skimming dishes?”
Arthur knew the rector too well to suppose that a clever invention would be of any use, so he said, with his accustomed frankness, “No, I went to look at the pretty butter-maker Hetty Sorrel. She’s a perfect Hebe; and if I were an artist, I would paint her. It’s amazing what pretty girls one sees among the farmers’ daughters, when the men are such clowns. That common, round, red face one sees sometimes in the men—all cheek and no features, like Martin Poyser’s—comes out in the women of the famuly as the most charming phiz imaginable.”
“Well, I have no objection to your contemplating Hetty in an artistic light, but I must not have you feeding her vanity and filling her little noddle with the notion that she’s a great beauty, attractive to fine gentlemen, or you will spoil her for a poor man’s wife—honest Craig’s, for example, whom I have seen bestowing soft glances on her. The little puss seems already to have airs enough to make a husband as miserable as it’s a law of nature for a quiet man to be when he marries a beauty. Apropos of marrying, I hope our friend Adam will get settled, now the poor old man’s gone. He will only have his mother to keep in future, and I’ve a notion that there’s a kindness between him and that nice modest girl, Mary Burge, from something that fell from old Jonathan one day when I was talking to him. But when I mentioned the subject to Adam he looked uneasy and turned the conversation. I suppose the love-making doesn’t run smooth, or perhaps Adam hangs back till he’s in a better position. He has independence of spirit enough for two men—rather an excess of pride, if anything.”
“That would be a capital match for Adam. He would slip into old Burge’s shoes and make a fine thing of that building business, I’ll answer for him. I should like to see him well settled in this parish; he would be ready then to act as my grand-vizier when I wanted one. We could plan no end of repairs and improvements together. I’ve never seen the girl, though, I think—at least I’ve never looked at her.”
“Look at her next Sunday at church—she sits with her father on the left of the reading-desk. You needn’t look quite so much at Hetty Sorrel then. When I’ve made up my mind that I can’t afford to buy a tempting dog, I take no notice of him, because if he took a strong fancy to me and looked lovingly at me, the struggle between arithmetic and inclination might become unpleasantly severe. I pique myself on my wisdom there, Arthur, and as an old fellow to whom wisdom had become cheap, I bestow it upon you.”
“Thank you. It may stand me in good stead some day though I don’t know that I have any present use for it. Bless me! How the brook has overflowed. Suppose we have a canter, now we’re at the bottom of the hill.”
That is the great advantage of dialogue on horseback; it can be merged any minute into a trot or a canter, and one might have escaped from Socrates himself in the saddle. The two friends were free from the necessity of further conversation till they pulled up in the lane behind Adam’s cottage.
Chapter X.
Dinah Visits Lisbeth.
At five o’clock Lisbeth came downstairs with a large key in her hand: it was the key of the chamber where her husband lay dead. Throughout the day, except in her occasional outbursts of wailing grief, she had been in incessant movement, performing the initial duties to her dead with the awe and exactitude that belong to religious rites. She had brought out her little store of bleached linen, which she had for long years kept in reserve for this supreme use. It seemed but yesterday—that time so many midsummers ago, when she had told Thias where this linen lay, that he might be sure and reach it out for her when she died, for she was the elder of the two. Then there had been the work of cleansing to the strictest purity every object in the sacred chamber, and of removing from it every trace of common daily occupation. The small window, which had hitherto freely let in the frosty moonlight or the warm summer sunrise on the working man’s slumber, must now be darkened with a fair white sheet, for this was the sleep which is as sacred under the bare rafters as in ceiled houses. Lisbeth had even mended a long-neglected and unnoticeable rent in the checkered bit of bed-curtain; for the moments were few and precious now in which she would be able to do the smallest office of respect or love for the still corpse, to which in all her thoughts she attributed some consciousness. Our dead are never dead to us until we have forgotten them: they can be injured by us, they can be wounded; they know all our penitence, all our aching sense that their place is empty, all the kisses we bestow