Immediately behind Sir Thomas Boleyn came a sumptuous litter covered with cloth of gold, drawn by four white palfreys caparisoned in white damask down to the ground, and each having a page in white and blue satin at its head. Over the litter was borne a canopy of cloth of gold supported by four gilt staves, and ornamented at the corners with silver bells, ringing forth sweet music as it moved along. Each staff was borne by a knight, of whom sixteen were in attendance to relieve one another when fatigued.
In this litter sat Anne Boleyn. She wore a surcoat of white tissue, and a mantle of the same material lined with ermine. Her gown, which, however, was now concealed by the surcoat, was of cloth of gold tissue, raised with pearls of silver damask, with a stomacher of purple gold similarly raised, and large open sleeves lined with chequered tissue. Around her neck she wore a chain of orient pearls, from which depended a diamond cross. A black velvet cap, richly embroidered with pearls and other precious stones, and ornamented with a small white plume, covered her head; and her small feet were hidden in blue velvet brodequins, decorated with diamond stars.
Anne Boleyn’s features were exquisitely formed, and though not regular, far more charming than if they had been so. Her nose was slightly aquiline, but not enough so to detract from its beauty, and had a little retrousse; point that completed its attraction. The rest of her features were delicately chiselled: the chin being beautifully rounded, the brow smooth and white as snow, while the rose could not vie with the bloom of her cheek. Her neck—alas! that the fell hand of the executioner should ever touch it—was long and slender, her eyes large and blue, and of irresistible witchery—sometimes scorching the beholder like a sunbeam, anon melting him with soul-subduing softness.
Of her accomplishments other opportunities will be found to speak; but it may be mentioned that she was skilled on many instruments, danced and sang divinely, and had rare powers of conversation and wit. If to these she had not added the dangerous desire to please, and the wish to hold other hearts than the royal one she had enslaved, in thraldom, all might, perhaps, have been well. But, alas like many other beautiful women, she had a strong tendency to coquetry. How severely she suffered for it, it is the purpose of this history to relate. An excellent description of her has been given by a contemporary writer, the Comte de Chateaubriand, who, while somewhat disparaging her personal attractions, speaks in rapturous terms of her accomplishments: “Anne,” writes the Comte, “avait un esprit si deslie qui c’estoit a qui l’ouiroit desgoiser; et ci venoitelle a poetiser, telle qu’ Orpheus, elle eust faict les ours et rochers attentifs: puis saltoit, balloit, et dancoit toutes dances Anglaises ou Estranges, et en imagina nombre qui ont garde son nom ou celluy du galant pour qui les feit: puis scavoit tous les jeux, qu’elle jouoit avec non plus d’heur que d’habilite puis chantoit comme syrene, s’accompagnant de luth; harpoit mieueix que le roy David, et manioit fort gentilment fleuste et rebec; puis s’accoustroit de tant et si merveilleuses facons, que ses inventions, faisoient d’elle le parangon de toutes des dames les plus sucrees de la court; mais nulle n’avoit sa grace, laquelle, au dire d’un ancien, passe venuste’.” Such was the opinion of one who knew her well during her residence at the French court, when in attendance on Mary of England, consort of Louis XII., and afterwards Duchess of Suffolk.
At this moment Anne’s eyes were fixed with some tenderness upon one of the supporters of her canopy on the right—a very handsome young man, attired in a doublet and hose of black tylsent, paned and cut, and whose tall, well-proportioned figure was seen to the greatest advantage, inasmuch as he had divested himself of his mantle, for his better convenience in walking.
“I fear me you will fatigue yourself, Sir Thomas Wyat,” said Anne Boleyn, in tones of musical sweetness, which made the heart beat and the colour mount to the cheeks of him she addressed. “You had better allow Sir Thomas Arundel or Sir John Hulstone to relieve you.”
“I can feel no fatigue when near you, madam,” replied Wyat, in a low tone.
A slight blush overspread Anne’s features, and she raised her embroidered kerchief to her lips.
“If I had that kerchief I would wear it at the next lists, and defy all comers,” said Wyat.
“You shall have it, then,” rejoined Anne. “I love all chivalrous exploits, and will do my best to encourage them.”
“Take heed, Sir Thomas,” said Sir Francis Weston, the knight who held the staff on the other side, “or we shall have the canopy down. Let Sir Thomas Arundel relieve you.”
“No,” rejoined Wyat, recovering himself; “I will not rest till we come to the bridge.”
“You are in no haste to possess the kerchief,” said Anne petulantly.
“There you wrong me, madam!” cried Sir Thomas eagerly.
“What ho, good fellows!” he shouted to the attendants at the palfreys’ heads, “your lady desires you to stop.”
“And I desire them to go on—I, Will Sommers, jester to the high and mighty King Harry the Eighth!” cried a voice of mock authority behind the knight. “What if Sir Thomas Wyat has undertaken to carry the canopy farther than any of his companions, is that a reason he should be relieved? Of a surety not—go on, I say!”
The person who thus spoke then stepped forward, and threw a glance so full of significance at Anne Boleyn that she did not care to dispute the order, but, on the contrary, laughingly acquiesced in it.
Will Sommers—the king’s jester, as he described himself—was a small middle-aged personage, with a physiognomy in which good nature and malice, folly and shrewdness, were so oddly blended, that it was difficult to say which predominated. His look was cunning and sarcastic, but it was tempered by great drollery and oddity of manner, and he laughed so heartily at his own jests and jibes, that it was scarcely possible to help joining him. His attire consisted of a long loose gown of spotted crimson silk, with the royal cipher woven in front in gold; hose of blue cloth, guarded with red and black cloth; and red cordovan buskins. A sash tied round his waist served him instead of a girdle, and he wore a trencher-shaped velvet cap on his head, with a white tufted feather in it. In his hand he carried a small horn. He was generally attended by a monkey, habited in a crimson doublet and hood, which sat upon his shoulder, and played very diverting tricks, but the animal was not with him on the present occasion.
Will Sommers was a great favourite with the king, and ventured upon familiarities which no one else dared to use with him. The favour in which he stood with his royal master procured him admittance to his presence at all hours and at all seasons, and his influence, though seldom exerted, was very great. He was especially serviceable in turning aside the edge of the king’s displeasure, and more frequently exerted himself to allay the storm than to raise it. His principal hostility was directed against Wolsey, whose arrogance and grasping practices were the constant subjects of his railing. It was seldom, such was his privileged character, and the protection he enjoyed from the sovereign, that any of the courtiers resented his remarks; but Sir Thomas Wyat’s feelings being now deeply interested, he turned sharply round, and said, “How now, thou meddling varlet, what business hast thou to interfere?”
“I interfere to prove my authority, gossip Wyat,” replied Sommers, “and to show that, varlet as I am, I am as powerful as Mistress Anne Boleyn—nay, that I am yet more powerful, because I am obeyed, while she is not.”
“Were I at liberty,” said Sir Thomas angrily, “I would make thee repent thine insolence.”
“But thou art not at liberty, good gossip,”