People said that Slav blood flowed in her veins, and that it was that which gave the sweet radiance to her deep-blue eyes and the night of her raven hair. Klaus Heinrich was like her, so he heard people say, in that he too had steel-blue eyes with dark hair, while Albrecht and Ditlinde were fair, just as papa had been before his hair turned grey. But he was far from handsome, owing to the breadth of his cheek-bones, and especially to his left hand, which mamma was always reminding him to hide adroitly, in the side-pocket of his coat, behind his back, or under the breast of his jacket—especially when his affectionate impulses prompted him to throw both his arms round her. Her look was cold when she bade him mind his hand.
He saw her as she was in the picture in the Marble Hall: in a short silk dress with lace flounces and long gloves, which showed only a glimpse of her ivory arm under her puffed sleeves, a diadem in the night of her hair, her stately form erect, a smile of cool perfection on her strangely hard lips—and behind her the metallic-blue wheel of a peacock's tail. Her face was soft, but its beauty made it stern, and it was easy to see that her heart too was stern and absorbed in her beauty. She slept far into the day when a ball or party was in prospect, and ate only yolks of eggs, so as not to overload herself. Then in the evening she was radiant as she walked on papa's arm along the prescribed path through the halls—grey-haired dignitaries blushed when they were addressed by her, and the Courier reported that it was not only because of her exalted rank that her Royal Highness had been the queen of the ball. Yes, people felt happier for the sight of her, whether it was at the Court or outside in the streets, or in the afternoon driving or riding in the park—and their cheeks kindled. Flowers and cheers met her, all hearts went out to her, and it was clear that the people in cheering her were cheering themselves, and that their glad cries meant that they were cheered and elevated by the sight of her. But Klaus Heinrich knew well that mamma had spent long, anxious hours on her beauty, that there was practice and method in her smiles and greetings, and that her own pulse beat never the quicker for anything or anyone.
Did she love anyone—himself, Klaus Heinrich, for instance, for all his likeness to her? Why, of course she did, when she had time to, even when she coldly reminded him of his hand. But it seemed as if she reserved any expression or sign of her tender feelings for occasions when lookers-on were present who were likely to be edified by them. Klaus Heinrich and Ditlinde did not often come into contact with their mother, chiefly because they, unlike Albrecht, the Heir Apparent, for some time past, did not have their meals at their parents' table, but apart with the Swiss governess; and when they were summoned to mamma's boudoir, which happened once a week, the interview consisted in a few casual questions and polite answers—giving no scope for displays of feeling, while its whole drift seemed to be the proper way to sit in an arm-chair with a teacup full of milk.
But at the concerts which took place in the Marble Hall every other Thursday under the name of “The Grand Duchess's Thursdays,” and were so arranged that the Court sat at little gilt-legged velvet-covered tables, while the leading tenor Schramm from the Court Theatre, accompanied by an orchestra, sang so lustily that the veins swelled on his bald temples—at the concerts Klaus Heinrich and Ditlinde, in their best clothes, were sometimes allowed in the Hall for one song and the succeeding pause, when mamma showed how fond she was of them, showed it to them and to everybody else in so heartfelt and expressive a way that nobody could have any doubt about it. She summoned them to the table at which she sat, and told them with a happy smile to sit beside her, laid their cheeks on her shoulders or bosom, looked at them with a soft, soulful look in her eyes and kissed them both on forehead and mouth. Then the ladies bent their heads and their eyelids quivered, while the men slowly nodded and bit their lips in order, in manly wise, to restrain their emotions…. Yes, it was beautiful, and the children felt they had their share in the effect, which was greater than anything Schramm the singer could procure with his most inspired notes, and nestled close to mamma. For Klaus Heinrich at last realized that it was in the nature of things, no business of ours, to have a simple feeling and to be made happy by it, but that it was our duty to make our tenderness visible to the Hall and to exhibit it, that the hearts of our guests might swell.
Occasionally the people outside in the town and park also were allowed to see that mamma loved us. For while Albrecht drove or rode—bad rider though he was—with the Grand Duke early in the morning, Klaus Heinrich and Ditlinde had from time to time to take turns at accompanying mamma on her drives, which took place in the spring and autumn at the time of the afternoon promenade, with Baroness von Schulenburg-Tressen in attendance. Klaus Heinrich was a little excited and feverish before these drives, to which unfortunately no enjoyment, but on the contrary a great deal of trouble and effort attached. For, directly the open carriage came out through the Lions Gate on to the Albrechtsplatz, past the grenadiers at the “present,” there were a lot of people collected, waiting for it—men, women, and children, who shouted and stared full of curiosity; and that meant pulling oneself together, sitting up erect, smiling, hiding the left hand, and saluting in such a way as to make the people happy. And so it went on right through the city and the fields. Other vehicles were obliged to keep away from ours; the police looked to that. But the foot-passengers stood on the kerb, the women curtseyed, the men took off their hats and looked with eyes full of devotion and importunate curiosity,—and this was the impression Klaus Heinrich got: that they all were there just to be there and to stare, while he was there to show himself and to be stared at; and his was far the harder part. He kept his left hand in his coat-pocket and smiled as mamma wished him to, while he felt that his cheeks were aglow. But the Courier reported that the rosy redness of our little duke's cheeks showed what a healthy boy he was.
Klaus Heinrich was thirteen years old when he stood at the solitary mother-of-pearl table in the middle of the cold silver hall, and tried to probe the reality of things around him. And as he scrutinized the various phenomena: the empty, torn pride of the room, aimless and uncomfortable, the symmetry of the white candles, which seemed to express awe and tension and discreet self-obliteration, the passing shadow on his father's face when anybody addressed him unasked, the cool and calculated beauty of his mother, whose one object was admiration, the devoted and importunately curious gaze of the people outside—then a suspicion seized him, a vague and approximate conception of his situation. But simultaneously horror seized him, terror at such a destiny, a dread of his “exalted calling,” so strong that he turned round and covered his eyes with both his hands—both, the little wrinkled left one too—and sank down at the lonely table and cried, cried from sympathy with himself and his heart—till they came, and wrung their hands and turned their eyes up to heaven and questioned him, and led him away…. He gave out that he had been frightened, and that was quite true.
He had known nothing, understood nothing, suspected nothing of the difficulty and sternness of the life prescribed for him; he had been merry and careless, and had given his guardians many a scare. But there was no resisting the impressions which soon came thronging upon him and forcing him to open his eyes to the real state of things. In the northern suburbs, not far from the spa-gardens, a new road had been opened: people told him that the City Council had decided to call it “Klaus Heinrich Strasse.” Once when driving out with his mother and he called at a picture-dealer's, they wanted to buy something. The footman waited at the carriage door, the public gathered round, the picture-dealer bustled about—there was nothing new in all that. But Klaus Heinrich for the first time noticed his photograph in the shop window. It was hanging next those of artists and great men, men with lofty brows, with a look of the loneliness of fame in their eyes.
People were satisfied with him on the whole. He gained dignity with years, and self-possession under the pressure of his exalted calling. But the strange thing was that his longing increased at the same time: that roving inquisitiveness which Schulrat Dröge was not the man to satisfy, and which had impelled him to chat with the lackeys. He had given up doing that; it did not lead to anything. They smiled at him, confirming him by that very laugh in the suspicion that his world of the symmetrically marshalled candles presented an unconscious antithesis to the world outside, but they were no manner of help to him. He looked round about him on the expeditions, in the walks he took through the town gardens with Ditlinde and the Swiss governess, followed by a lackey. He felt that if they were all of one mind to stare at him, while he was all alone and made conspicuous just to be stared at, he also had no share in their being