The Collected Works. William Cowper. Читать онлайн. Newlib. NEWLIB.NET

Автор: William Cowper
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Not much concerned to know what they did there,

       Not deeming kittens worth a poet's care.

       But presently a loud and furious hiss

       Caus'd me to stop, and to exclaim, "What's this?"

       When, lo! upon the threshold met my view,

       With head erect, and eyes of fiery hue,

       A viper, long as Count de Grasse's queue.

       Forth from his head his forked tongue he throws,

       Darting it full against a kitten's nose;

       Who, having never seen, in field or house,

       The like, sat still and silent as a mouse:

       Only projecting, with attention due,

       Her whisker'd face, she ask'd him, "Who are you?"

       On to the hall went I, with pace not slow,

       But swift as lightning, for a long Dutch hoe:

       With which well arm'd I hastened to the spot,

       To find the viper, but I found him not.

       And turning up the leaves and shrubs around,

       Found only—that he was not to be found.

       But still the kittens, sitting as before,

       Sat watching close the bottom of the door.

       "I hope," said I, "the villain I would kill

       Has slipt between the door and the door's sill;

       And, if I make despatch and follow hard,

       No doubt but I shall find him in the yard;"

       For long ere now it should have been rehearsed,

       'Twas in the garden that I found him first.

       Ev'n there I found him, there the full-grown cat

       His head with velvet paw did gently pat:

       As curious as the kittens erst had been

       To learn what this phenomenon might mean.

       Fill'd with heroic ardour at the sight,

       And fearing every moment he would bite,

       And rob our household of our only cat,

       That was of age to combat with a rat;

       With outstretched hoe I slew him at the door,

       And taught him NEVER TO COME THERE NO MORE.

      Lady Austen became a tenant of the vicarage at Olney. When Mr. Newton occupied that parsonage, he had opened a door in the garden-wall, which admitted him in the most commodious manner to visit the sequestered poet, who resided in the next house. Lady Austen had the advantage of this easy intercourse; and so captivating was her society, both to Cowper and to Mrs. Unwin, that these intimate neighbours might be almost said to make one family, as it became their custom to dine always together, alternately in the houses of the two ladies.

      The musical talents of Lady Austen induced Cowper to write a few songs of peculiar sweetness and pathos, to suit particular airs that she was accustomed to play on the harpsichord. We insert three of these, as proofs that, even in his hours of social amusement, the poet loved to dwell on ideas of tender devotion and pathetic solemnity.

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      Air—"My fond shepherds of late," &c.

      No longer I follow a sound;

       No longer a dream I pursue:

       O happiness! not to be found,

       Unattainable treasure, adieu!

      I have sought thee in splendor and dress,

       In the regions of pleasure and taste;

       I have sought thee, and seem'd to possess,

       But have proved thee a vision at last.

      An humble ambition and hope

       The voice of true wisdom inspires!

       'Tis sufficient, if peace be the scope

       And the summit of all our desires.

      Peace may be the lot of the mind

       That seeks it in meekness and love;

       But rapture and bliss are confined

       To the glorified spirits above!

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      Air—"The lass of Pattie's mill."

      When all within is peace,

       How nature seems to smile!

       Delights that never cease,

       The live-long day beguile.

       From morn to dewy eve,

       With open hand she showers

       Fresh blessings to deceive

       And soothe the silent hours.

      It is content of heart

       Gives Nature power to please;

       The mind that feels no smart

       Enlivens all it sees;

       Can make a wint'ry sky

       Seem bright as smiling May,

       And evening's closing eye

       As peep of early day.

      The vast majestic globe,

       So beauteously array'd

       In Nature's various robe,

       With wond'rous skill display'd,

       Is to a mourner's heart

       A dreary wild at best;

       It flutters to depart,

       And longs to be at rest.

      The following song, adapted to the march in Scipio, obtained too great a celebrity not to merit insertion in this place. It relates to the loss of the Royal George, the flag-ship of Admiral Kempenfelt, which went down with nine hundred persons on board, (among whom was Rear-Admiral Kempenfelt,) at Spithead, August 29, 1782. The song was a favourite production of the poet's; so much so, that he amused himself by translating it into Latin verse. We take the version from one of his subsequent letters, for the sake of annexing it to the original.

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      Toll for the brave!

       The brave that are no more!

       All sunk beneath the wave,

       Fast by their native shore!

      Eight hundred of the brave,

       Whose courage well was tried,

       Had made the vessel heel,

       And laid her on her side.

      A land-breeze shook the shrouds,

       And she was overset;

       Down went the Royal George,

       With all her crew complete.

      Toll for the brave!

       Brave Kempenfelt is gone;

       His last sea-fight is fought;

       His