I remember in my youth placing one of my sister's wax dolls (mine were all wooden, as I was of a destructive nature) to sit before the fire one cold winter's day; I remember dollie was somewhat disfigured ever afterwards.
The remembrance of that doll haunted me during my stay in Rangoon; I felt I could deeply sympathise with, and thoroughly understand her feelings on that occasion; and for the first two or three hours, remembering the effect the heat had upon her appearance, I found myself frequently feeling my features to discover whether they still retained their original form and beauty. But after a few hours I became resigned; all I desired was to melt away quickly and quietly, and have done with it.
At first I looked upon the "Punkah" as a nuisance, its unceasing movement irritated me, it ruffled my hair, and I invariably bumped my head against it on rising. But after enduring one long Punkahless half-hour, I came to look on it as the one thing that made life bearable, and the "Punkah-wallah" as the greatest benefactor of mankind.
In the early mornings and evenings I became, hardly cooler, but what might be described as firmer, and it was at these times that the wonderful sights of Rangoon were displayed to my admiring gaze.
I saw the celebrated "Schwee Dagon Pagoda" with its magnificent towering golden dome, surmounted by the beautiful gold and jewelled "Htee;" the innumerable shrines, images, cupolas, and pagodas at its base, the curious mixture of tawdry decorations and wonderful wood carvings everywhere visible, and the exquisite blending and intermingling of colours in the bright dresses of the natives, who crowd daily to offer their gifts at this most holy shrine. It is quite futile to attempt description of such a place; words cannot depict form and colour satisfactorily, least of all convey to those who have not themselves beheld it, a conception of the imposing beauty of this world famed Pagoda.
The Burmese are a most devout people; the great flight of steps leading to the Pagoda is worn by the tread of many feet, and every day the place is crowded with worshippers.
They begin young. I saw one wee baby, scarcely more than a year old, brought by his father to learn to make his offering at the shrine of Buddha. The father with difficulty balanced the little fellow in a kneeling position before a shrine, with the tiny brown hands raised in a supplicating attitude, and then retired a few steps to watch. Instantly the baby overbalanced and toppled forward on its face. He was picked up and placed in his former position, only to tumble down again when left. This performance was repeated about five times; the father never seemed to notice the humour of the situation—the baby certainly did not.
One of the most interesting sights of Rangoon is that of the elephants. Ostensibly their work is to pile timber ready for embarkation on the river, but evidently they consider that they exist and work in order to be admired by all who pay them a visit.
And well they deserve admiration! They go about their duties in a stately, leisurely manner, lifting the logs with trunk, tusks, and forefeet; piling them up with a push here, a pull there, and then marching to the end of the pile and contemplating the result with their heads on one side, to see if all are straight and firm. And they do all in such a stately, royal manner, that they give an air of dignity to the menial work, and one comes away with the feeling that to pile teak side by side with an elephant would be an honour worth living for.
During my peregrinations round the town I was taken to see the home of the Indian Civilian, a huge imposing building, with such an air of awe-inspiring importance about every stick and stone, that none save those initiated into the secrets of the place, may enter without feeling deeply honoured by the permission to do so. Even a "Bombay Burman" could hardly approach, without losing some of his natural hardihood.
ELEPHANT MOVING TIMBER
It may have been the awe with which this building inspired me, it may have been my visit to the Pagoda, with its air of mysticism and unknown possibilities, but when I retired to my large dimly lighted bed-room after my first day's wanderings in Rangoon, my natural courage forsook me, and I became the prey to a fit of appalling terrors.
All the ghostly stories I had ever read of the spiritualism of the East, of the mystic powers of "Thugs," "Vampires" and other unpleasant beings, returned to my mind.
For some time I could not sleep, and when at last I did sink into an uneasy doze I was haunted by nightmares of ghostly apparitions, and powerful and revengeful images of Gaudama.
Suddenly I awoke with the feeling that something, I knew not what, had roused me from my uneasy slumber. And then, as I lay trembling and listening, out of darkness came a Voice, weird, uncanny, which exclaimed in solemn tones the mystic word "Tuctoo."
What could it be? Was I one destined to learn deep secrets of the mystic world? Had the spirit, if spirit it were, some great truth to make known to me? if so, what a pity it did not speak English!
"Tuctoo" remarked the voice again, this time rather impatiently.
I racked my brains to think of a possible meaning for this mysterious word, but all in vain, I could understand nothing.
"Tuctoo, tuctoo, tuctoo," it continued.
And then, out of the darkness came another voice, an angry English voice, loud in its righteous indignation, the voice of my host.
"Shut up you beast," he cried, and perhaps he added one or two more words suited to the occasion. I lay down and tried to pretend that I had not been frightened, and in doing so, fell asleep. I was introduced to the "Tuctoo" next day, but did not consider him a pleasant acquaintance. He is a lizard about a foot long, with a large red mouth, and a long wriggling tail; he reminded me of a baby alligator. He dwells on the inner walls of houses, and his presence in a house is supposed to bring good luck, but his tiresome habit of "tuctooing" in a most human voice at all hours of the day or night make him rather unpopular. We chased him down the wall with a long "Shan" spear and caught him in a towel, but he looked so very pugnacious that we did not detain him from his business.
Of course the most important element of life in Rangoon, in fact in all Burmah, is the Gymkhana.
Apparently, the European population in Rangoon exists solely in order to go to the Gymkhana. It attracts like a magnet. People may not intend to go there when they set out, but no matter how far afield they go, sooner or later in the evening they are bound to appear at the Gymkhana. If they did not go there in the daytime they would inevitably walk there in their sleep.
This renowned Gymkhana is situate in the Halpin Road (pronounced "Hairpin," which is confusing to the uninitiated) and is a large, open, much verandaed, wooden building. Of the lower story, sacred to the male sex, I caught only a hurried glimpse in passing, and the impression left on my mind was a confusion of long men, reclining in long chairs, with long drinks.
On my first visit to the upper regions, I fancied myself in a private lunatic asylum, for there, in a large room built for the purpose, were numbers of men and women, to all other appearances perfectly sane, waltzing round and round to the inspiriting music of the military band; dancing, in ordinary afternoon attire, not languidly, but vigorously and enthusiastically, and that in a temperature such as Shadrach, Meshech and Abednego never dreamed of.
But I soon discovered that there was method in this madness, for the heat, when dancing, was so unspeakably awful that to sit still seemed quite cool in contrast, and it was worth the sufferings of the dance to feel cool afterwards, if only in imagination.
In another room of the Gymkhana the ladies assemble to read their favourite magazines, or to glower from afar upon the early birds who have already appropriated them.
And here I must pause to say a word in deprecation of the accusations of gossip and scandal, which are so frequently launched against the Anglo-Indian ladies.