Shepler nodded. "But men like us are apt to be unreasonable with the young. We expect them to have their own vigour and our wisdom, and the infirmities of neither."
The good-byes were hastily said, and the little train rattled down the cañon. Miss Milbrey stood in the door of the car, and Percival watched her while the glistening rails that seemed to be pushing her away narrowed in perspective. She stood motionless and inscrutable to the last, but still looking steadily toward him—almost wistfully, it seemed to him once.
"Well," he said cheerfully to Uncle Peter.
"You know, son, I don't like to cuss, but except one or two of them folks I'd sooner live in the middle kittle of hell than in the place that turns 'em out. They rile me—that talk about 'people in the humbler walks of life.' Of course I am humble, but then, son, if you come right down to it, as the feller said, I ain't so damned humble!"
CHAPTER IX.
Three Letters, Private and Confidential
From Mr. Percival Bines to Miss Psyche Bines, Montana City.
On car at Skiplap, Tuesday Night.
Dear Sis:—When you kept nagging me about "Who is the girl?" and I said you could search me, you wouldn't have it that way. But, honestly, until this morning I didn't know her myself. Now that I can put you next, here goes.
One night last March, after I'd come back from the other side, I happened into a little theatre on Broadway where a burlesque was running. It's a rowdy little place—a music hall—but nice people go there because, though it's stuffy, it's kept decent.
She was in a box with two men—one old and one young—and an older woman. As soon as I saw her she had me lashed to the mast in a high sea, with the great salt waves dashing over me. I never took much stock in the tales about its happening at first sight, but they're as matter-of-fact as market reports. Soon as I looked at her it seemed to me I'd known her always. I was sure we knew each other better than any two people between the Battery and Yonkers, and that I wasn't acting sociable to sit down there away from her and pretend we were Strangers Yet. Actually, it rattled me so I had to take the full count. If I hadn't been wedged in between a couple of people that filled all the space, and then some, it isn't any twenty to one that I wouldn't have gone right up to her and asked her what she meant by cutting me. I was udgy enough for it. But I kept looking and after awhile I was able to sit up and ask what hit me.
She was dressed in something black and kind of shiny and wore a big black hat fussed up with little red roses, and her face did more things to me in a minute than all the rest I've ever seen. It was full of little kissy places. Her lips were very red and her teeth were very white, and I couldn't tell about her eyes. But she was bred up to the last notch, I could see that.
Well, I watched her through the tobacco smoke until the last curtain fell. They were putting on wraps for a minute or so, and I noticed that the young fellow in the party, who'd been drinking all through the show, wasn't a bit too steady to do an act on the high-wire. They left the box and came down the stairs and I bunched into the crowd and let myself ooze out with them, wondering if I'd ever see her again.
I fetched up at an exit on the side street, and there they were directly in front of me. I just naturally drifted to one side and continued my little private corner in crude rubber. It was drizzling in a beastly way, the street was full of carriages, numbers were being called, cab-drivers were insulting each other hoarsely, people dashing out to see if their carriages weren't coming—everything in a whirl of drizzle and dark and yells, with the horses' hoofs on the pavement sounding like castanets. The two older people got into a carriage and were driven off, while she and the young fellow waited for theirs. I could see then that he was good and soused. He was the same lad they throw on the screen when the "Old Homestead" Quartet sings "Where Is My Wandering Boy To-night?" I could see she was annoyed and a little worried, because he was past taking notice.
The man kept yelling the number of their carriage from time to time, while the others he'd called were driving up—it was 249 if any one ever tries to worm it out of you—and then I saw from her face that 249 had wriggled pretty near to the curb, but was still kept away by another carriage. She said something to the drunken cub and started to reach the carriage by going out into the street behind the one in its way. At the same time their carriage started forward, and the inebriate, instead of going with her, started the other way to meet it, and so, there she was alone on the slippery pavement in this muddle of prancing horses and yelling terriers. If you can get any bets that I was more than two seconds getting out there to her, take them all, and give better than track odds if necessary. Then I guess she got rattled, for when I would have led her back to the curb she made a dash the other way and all but slipped under a team of bays that were just aching to claw the roses off her hat. I saw she was helpless and "turned around," so I just naturally grabbed her and she was so frightened by this time that she grabbed me, and the result was that I carried her to the sidewalk and set her down. Their carriage still stood there with little Georgie Rumlets screaming to the driver to go on. I had her inside in a jiffy, and they were off. Not a word about "My Preserver!" though, of course, with the fright and noise and her mortification, that was natural.
After that, you can believe it or not, she was the girl. And I never dreamed of seeing her any place but New York again.
Well, this morning when I came up from below at the mine she was standing there as if she had been waiting for me. She is Miss Avice Milbrey, of New York. Her father and mother—fine people, the real thing, I judge—were with her, members of a party Rulon Shepler has with him on his car. They've been here all day; went through the mine; had lunch with them, and later a walk with her, they leaving at 5.30 for the East. We got on fairly well, considering. She is a wonder, if anybody cross-examines you. She is about your height, I should judge, about five feet four, though not so plump as you; still her look of slenderness is deceptive. She's one of the build that aren't so big as they look, nor yet so small as they look. Thoroughbred is the word for her, style and action, as the horse people say, perfect. The poise of her head, her mettlesome manner, her walk, show that she's been bred up like a Derby winner. Her face is the one all the aristocrats are copied from, finely cut nose, chin firm but dainty, lips just delicately full and the reddest ever, and her colour when she has any a rose-pink. I don't know that I can give you her eyes. You only see first that they're deep and clear, but as near as anything they are the warm slatish lavender blue you see in the little fall asters. She has so much hair it makes her head look small, a sort of light chestnut, with warmish streaks in it. Transparent is another word for her. You can look right through her—eyes and skin are so clear. Her nature too is the frank, open kind, "step in and examine our stock; no trouble to show goods" and all that, and she is so beautifully unconscious of her beauty that it goes double. At times she gave me a queer little impression of being older at the game than I am, though she can't be a day over twenty, but I guess that's because she's been around in society so much. Probably she'd be called the typical New York girl, if you wanted to talk talky talk.
Now I've told you everything, except that the people all asked kindly after you, especially her mother and a Mrs. Drelmer, who's a four-horse team all by herself. Oh, yes! No, I can't remember very well; some kind of a brown walking skirt, short, and high boots and one of those blue striped shirt-waists, the squeezy looking kind, and when we went to walk, a red plaid golf cape; and for general all-around dearness—say, the other entries would all turn green and have to be withdrawn. If any one thinks this thing is going to end here you make a book on it right