And the novel, is it getting on? Your courage has not declined? Solitude does not weigh on you? I really think that it is not absolute, and that somewhere there is a sweetheart who comes and goes, or who lives near there. But there is something of the anchorite in your life just the same, and if envy your situation. As for me, I am too alone at Palaiseau, with a dead soul; not alone enough at Nohant, with the children whom I love too much to belong to myself—and at Paris, one does not know what one is, one forgets oneself entirely for a thousand things which are not worth any more than oneself. I embrace you with all my heart, dear friend; remember me to your mother, to your dear family, and write me at Nohant, that will do me good.
The cheeses? I don't know at all, it seems to me that they spoke to me of them, but I don't remember at all. I will tell you that from down there.
XLIII. TO GEORGE SAND
Croisset, Saturday night
No, dear master, you are not near your end. So much the worse for you perhaps. But you will live to be old, very old, as giants live, since you are of that race: only you MUST rest. One thing astonishes me and that is that you have not died twenty times over, having thought so much, written so much and suffered so much. Do go then, since you have the desire, to the Mediterranean. Its azure sky quiets and invigorates. There are the Countries of Youth, such as the Bay of Naples. Do they make one sadder sometimes? I do not know.
Life is not easy! What a complicated and extravagant affair! I know something about that. One must have money for everything! So that with a modest revenue and an unproductive profession one has to make up one's mind to have but little. So I do! The habit is formed, but the days that work does not go well are not amusing. Yes indeed! I would love to follow you into another planet. And a propos of money, it is that which will make our planet uninhabitable in the near future, for it will be impossible to live here, even for the rich, without looking after one's property; one will have to spend several hours a day fussing over one's INCOME. Charming! I continue to fuss over my novel, and I shall go to Paris when I reach the end of my chapter, towards the middle of next month.
And whatever you suspect, no "lovely lady" comes to see me. Lovely ladies have occupied my mind a good deal, but have taken up very little of my time. Applying the term anchorite to me is perhaps a juster comparison than you think.
I pass entire weeks without exchanging a word with a human being, and at the end of the week it is not possible for me to recall a single day nor any event whatsoever. I see my mother and my niece on Sundays, and that is all. My only company consists of a band of rats in the garret, which make an infernal racket above my head, when the water does not roar or the wind blow. The nights are black as ink, and a silence surrounds me comparable to that of the desert. Sensitiveness is increased immeasurably in such a setting. I have palpitations of the heart for nothing.
All that results from our charming profession. That is what it means to torment the soul and the body. But perhaps this torment is our proper lot here below?
I told you, didn't I, that I had reread Consuelo and the Comtesse de Rudolstadt; it took me four days. We must discuss them at length, when you are willing. Why am I in love with Siverain? Perhaps because I am of both sexes.
XLIV. TO GUSTAVE FLAUBERT at Croissset
Nohant, 15 January, 1867
Here I am at home, fairly strong except for several hours during the evening. Yet, THAT WILL PASS. THE EVIL OR HE WHO ENDURES IT, my old cure used to say, CAN NOT LAST. I received your letter this morning, dear friend of my heart. Why do I love you more than most of the others, even more than old and well-tried friends? I am asking, for my condition at this hour, is that of being
THOU WHO GOEST SEEKING, AT SUNSET, FORTUNE! …
Yes, intellectual fortune, LIGHT! Oh well, here it is: one gets, being old, at the sunset of life—which is the most beautiful hour of tones and reflections—a new idea of everything and of affection above all.
In the age of power and of personality, one tests one's friends as one tests the earth, from the point of view of reciprocity. One feels oneself solid, one wants to find that which bears one or leads one, solid. But, when one feels the intensity of the moi fleeing, one loves persons and things for what they are in themselves, for what they represent in the eyes of one's soul, and not at all for what they add further to one's destiny. It is like the picture or the statue which one would like to own, when one dreams at the same time of a beautiful house of one's own in which to put it.
But one has passed through green Bohemia without gathering anything there; one has remained poor, sentimental and troubadourish. One knows very well that it will always be the same, and that one will die without a hearth or a home. Then one thinks of the statue, of the picture which one would not know what to do with and which one would not know where to place with due honor, if one owned it. One is content to know that they are in some temple not profaned by cold analysis, a little far from the eye, and one loves them so much the more. One says: I will go again to the country where they are. I shall see again and I shall love always that which has made me love and understand them. The contact of my personality will not have changed them, it will not be myself that I shall love in them.
And it is thus, truly, that the ideal which one does not dream of grasping, fixes itself in one because it remains ITSELF. That is all the secret of the beautiful, of the only truth, of love, friendship, of art, of enthusiasm, and of faith. Consider it, you will see.
That solitude in which you live would be delicious to me in fine weather. In winter I find it stoical, and am forced to recall to myself that you have not the moral need of locomotion AS A HABIT. I used to think that was another expenditure of strength during this season of being shut in;—well, it is very fine, but it must not continue indefinitely; if the novel has to last longer, you must interrupt it, or vary it with distractions. Really, my dear friend, think of the life of the body, which gets upset and nervous when you subdue it too much. When I was ill in Paris, I saw a physician, very mad, but very intelligent, who said very true things on that subject. He said that I SPIRITUALIZED myself in a disquieting manner, and when I told him, exactly, a propos of you, that one could abstract oneself from everything except work, and have more rather than less strength, he answered that the danger was as great in accumulating as in losing, and a propos of this, many excellent things which I wish I could repeat to you.
Besides, you know them, but you never pay any attention to them. Then this work which you abuse so in words, is a passion, and a great one! Now, I shall tell you what you tell me. For our sake and for the sake of your old troubadour, do SPARE yourself a little.
Consuelo, La Comtesse de Rudolstadt, what are they? Are they mine? I don't recall a single word in them. You are reading that, you? Are you really amused? Then I shall read them one of these days and I shall love myself if you love me.
What