The Man behind the Wonderland - The Life and Work of the Legendary Author Lewis Carroll. Stuart Dodgson Collingwood. Читать онлайн. Newlib. NEWLIB.NET

Автор: Stuart Dodgson Collingwood
Издательство: Bookwire
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Жанр произведения: Документальная литература
Год издания: 0
isbn: 9788027218967
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a photograph by Lewis Carroll).

      When he promised to write out “Alice” for Miss Liddell he had no idea of publication; but his friend, Mr. George Macdonald, to whom he had shown the story, persuaded him to submit it to a publisher. Messrs. Macmillan agreed to produce it, and as Mr. Dodgson had not sufficient faith in his own artistic powers to venture to allow his illustrations to appear, it was necessary to find some artist who would undertake the work. By the advice of Tom Taylor he approached Mr. Tenniel, who was fortunately well disposed, and on April 5, 1864, the final arrangements were made.

      The following interesting account of a meeting with Mr. Dodgson is from the pen of Mrs. Bennie, wife of the Rector of Glenfield, near Leicester:—

      Some little time after the publication of “Alice’s Adventures” we went for our summer holiday to Whitby. We were visiting friends, and my brother and sister went to the hotel. They soon after asked us to dine with them there at the table d’hôte. I had on one side of me a gentleman whom I did not know, but as I had spent a good deal of time travelling in foreign countries, I always, at once, speak to any one I am placed next. I found on this occasion I had a very agreeable neighbour, and we seemed to be much interested in the same books, and politics also were touched on. After dinner my sister and brother rather took me to task for talking so much to a complete stranger. I said. “But it was quite a treat to talk to him and to hear him talk. Of one thing I am quite sure, he is a genius.” My brother and sister, who had not heard him speak, again laughed at me, and said, “You are far too easily pleased.” I, however, maintained my point, and said what great delight his conversation had given me, and how remarkably clever it had been. Next morning nurse took out our two little twin daughters in front of the sea. I went out a short time afterwards, looked for them, and found them seated with my friend of the table d’hôte between them, and they were listening to him, open-mouthed, and in the greatest state of enjoyment, with his knee covered with minute toys. I, seeing their great delight, motioned to him to go on; this he did for some time. A most charming story he told them about sea-urchins and Ammonites. When it was over, I said, “You must be the author of ‘Alice’s Adventures.’” He laughed, but looked astonished, and said, “My dear Madam, my name is Dodgson, and ‘Alice’s Adventures’ was written by Lewis Carroll.” I replied, “Then you must have borrowed the name, for only he could have told a story as you have just done.” After a little sparring he admitted the fact, and I went home and proudly told my sister and brother how my genius had turned out a greater one than I expected. They assured me I must be mistaken, and that, as I had suggested it to him, he had taken advantage of the idea, and said he was what I wanted him to be. A few days after some friends came to Whitby who knew his aunts, and confirmed the truth of his statement, and thus I made the acquaintance of one whose friendship has been the source of great pleasure for nearly thirty years. He has most generously sent us all his books, with kind inscriptions, to “Minnie and Doe,” whom he photographed, but would not take Canon Bennie or me; he said he never took portraits of people of more than seventeen years of age until they were seventy. He visited us, and we often met him at Eastbourne, and his death was indeed a great loss after so many happy years of friendship with one we so greatly admired and loved.

      He spent a part of the Long Vacation at Freshwater, taking great interest in the children who, for him, were the chief attraction of the seaside.

      Every morning four little children dressed in yellow go by from the front down to the beach: they go by in a state of great excitement, brandishing wooden spades, and making strange noises; from that moment they disappear entirely—they are never to be seen on the beach. The only theory I can form is, that they all tumble into a hole somewhere, and continue excavating therein during the day: however that may be, I have once or twice come across them returning at night, in exactly the same state of excitement, and seemingly in quite as great a hurry to get home as they were before to get out. The evening noises they make sound to me very much like the morning noises, but I suppose they are different to them, and contain an account of the day’s achievements.

       J. SANT.

       (From a photograph by Lewis Carroll).

      His enthusiasm for photography, and his keen appreciation of the beautiful, made him prefer the society of artists to that of any other class of people. He knew the Rossettis intimately, and his Diary shows him to have been acquainted with Millais, Holman Hunt, Sant, Westmacott, Val Prinsep, Watts, and a host of others. Arthur Hughes painted a charming picture to his order (“The Lady with the Lilacs”) which used to hang in his rooms at Christ Church. The Andersons were great friends of his, Mrs. Anderson being one of his favourite child-painters. Those who have visited him at Oxford will remember a beautiful girl’s head, painted by her from a rough sketch she had once made in a railway carriage of a child who happened to be sitting opposite her.

       HOLMAN HUNT.

       (From a photograph by Lewis Carroll).

      His own drawings were in no way remarkable. Ruskin, whose advice he took on his artistic capabilities, told him that he had not enough talent to make it worth his while to devote much time to sketching, but every one who saw his photographs admired them. Considering the difficulties of the “wet process,” and the fact that he had a conscientious horror of “touching up” his negatives, the pictures he produced are quite wonderful. Some of them were shown to the Queen, who said that she admired them very much, and that they were “such as the Prince would have appreciated very highly, and taken much pleasure in.”

      On July 4, 1865, exactly three years after the memorable row up the river, Miss Alice Liddell received the first presentation copy of “Alice’s Adventures in Wonderland”: the second was sent to Princess Beatrice.

       SIR JOHN MILLAIS.

       (From a photograph by Lewis Carroll).

      The first edition, which consisted of two thousand copies, was condemned by both author and illustrator, for the pictures did not come out well. All purchasers were accordingly asked to return their copies, and to send their names and addresses; a new edition was prepared, and distributed to those who had sent back their old copies, which the author gave away to various homes and hospitals. The substituted edition was a complete success, “a perfect piece of artistic printing,” as Mr. Dodgson called it. He hardly dared to hope that more than two thousand copies would be sold, and anticipated a considerable loss over the book. His surprise was great when edition after edition was demanded, and when he found that “Alice,” far from being a monetary failure, was bringing him in a very considerable income every year.

      A rough comparison between “Alice’s Adventures Underground” and the book in its completed form, shows how slight were the alterations that Lewis Carroll thought it necessary to make.

      The “Wonderland” is somewhat longer, but the general plan of the book, and the simplicity of diction, which is one of its principal charms, are unchanged. His memory was so good that I believe the story as he wrote it down was almost word for word the same that he had told in the boat. The whole idea came like an inspiration into his mind, and that sort of inspiration does not often come more than once in