102 Dostoyevsky's biographers have laid too much stress on the eternal complaints in his letters to relations and intimate friends. These should not be taken too seriously, for neurotic people love to complain and to be consoled. I speak feelingly, for I have inherited this little weakness. My will is very strong; I think nothing could break my spirit or crush me, and yet any one reading my letters to my mother and my intimate Mends would get the impression of a person in despair and on the verge of suicide. Doctors who speciaUse in nervous disorders coidd no doubt explain this anomaly. For my part, I think that persons may have both very strong wills and feeble nerves. In their actions they are guided by their strong wills, but from time to time they soothe their unhealthy nerves by cries and tears, and complaints to those of their friends who are indulgent to them.
Another of Dostoyevsky's most characteristic ideas, his passionate interest in the Catholic Church, is also only to be explained by atavism. The Russians have never shown any interest in the affairs of the Vatican. The Pope is hardly known in Russia, no one ever thinks or speaks of him, hardly any writer has mentioned him. But Dostoyevsky has something to say about the Vatican in almost every number of The Writer's Journal, and discusses the future of the Catholic Church with fervour. He calls it a dead Church, declares that Catholicism has long ceased to be anything but idolatry, and yet we see plainly that this Church is still living in his heart. His Catholic ancestors must have been fervid believers; Rome must have played an immense part in their lives. Dostoyevsky's fidelity to the Orthodox Church is merely the logical sequence of the fidelity of his ancestors to the Catholic Church. " I could never understand why your father took such an interest in that old fool the Pope," said a Russian writer and friend of my father's to me one day. Now to Dostoyevsky " that old fool" was the most interesting figure in Europe.
The spiritual and moral isolation in which my father lived all his life was no unique phenomenon in our country. Nearly all our great writers have been of foreign descent, and have felt ill at ease in Russia. Pushkin was of African origin, the poet Lermontov was the descendant of a Scotch bard, Lermont, who came to Russia for some reason unknown to me; the poet Yukovsky was the son of a Turk, Nekrassov's mother was a Pole; Dostoyevsky was a Lithuanian, Alexis Tolstoy an Ukrainian, Leo Tolstoy of German blood. Only Turgenev and Gontsharov were true Russians. It is probable that young Russia is still incapable of producing great talents unaided. She can kindle them with the spark of her genius, but the pyre must be prepared by older or more highly civilised peoples. All these semi-Russians were never at home in Russia. Their lives were a series of struggles against the Mongolian society which surrounded and suffocated them. " The devil caused me to be born in Russia ! " cried Pushkin. "It is a dirty country of slaves and tjTants," said the Scottish Lermontov. " I am thinking of expatriating myself, of escaping from the ocean of odious baseness, of depraved indolence which threatens on all sides to engulf the little island of honest and laborious life I have created," wrote the German colonist Leo Tolstoy. In fact, the more prudent of the great Russian writers left the country : the poet Yukovsky preferred to live in Germany; Alexis Tolstoy was attracted by the artistic treasures of Italy. Those who remained waged war on Russian ignorance and brutality and died young, vanquished by them, like Pushkin and Lermontov, who were killed in duels. Nekrassov lived among the Russians and died a most unhappy man; Dostoyevsky himself records this in his obituary notice of Nekrassov. Tolstoy isolated himself as much as he could in his Yasnaia Poliana, but it is difficult to isolate oneself in Russia. His disciples, stupid Mongols, ended by taking advantage of the old man's enfeebled will and estranging him from his wife, the one person who really loved and understood him; they dragged him from his home to die by the wayside. . . . Poor great men, sacrificed by God for the civilisation of our country!
All these writers of foreign origin shared my father's ideas about Russia. They loathed our so-called cultivated society, and were only at their ease among the people. Their best types are drawn from the peasants, who in their eyes represented the future of our country. Dostoyevsky acts as interpreter to all these great men when he says to the Russian intellectuals : "You think yourselves true Europeans, and at bottom you have no culture. The people, whom you propose to civilise by means of your European Utopias, is much more civilised than you, through Christ, before whom it kneels and Who has saved it from despair."
XXIX
THE LAST YEAR OF DOSTOYEVSKY'S LIFE
DOSTOYEVSKY Came back in the guise of a conqueror to Staraja Russa, where we were settled for the summer. " What a pity you were not at the Assembly ! "