[Sidenote: Private palaces.]
[Sidenote: Houses of the nobles.]
The increasing wealth and luxury of Rome, especially caused by the conquest of Asia, led to the erection on the Palatine of those magnificent private residences, which became one of the most striking features the capital. The first of these historical houses was built by M. Livius Drusus, and overlooked the city. It afterwards passed into the hands of Crassus, Cicero, and Censorinus. Pompey had a house on the Palatine, but afterwards transferred his residence to the Casinae, another aristocratic quarter. M. Aemilius Lepidus also lived in a magnificent palace; the house of Crassus was still more splendid, adorned with columns of marble from Mount Hymettus. The house of Catullus excelled even that of Crassus. This again was excelled by that of Aquillius on the Viminal, which for some time was the most splendid in Rome, until Lucullus occupied nearly the whole of the Pincian Hill with his gardens and galleries of art, which contained some of the chefs d'oeuvre of antiquity. The gardens of Servilius, which lay on the declivity of the Houses of Aventine, were adorned with Greek statues, exceeded in beauty by those of Sallust between the Pincian and the Quirinal hills, built with the spoils of Numidia, and ultimately the property of the emperors. The house of Clodius on the Palatine, near to that of Cicero, was one of the finest in Rome, occupied before him by Scaurus, who gave for it nearly fifteen million sesterces, about $650,000. It was adorned with Greek paintings and sculptures. The house of Cicero, which he bought of Crassus, cost him $150,000. Its atrium was adorned with Greek marble columns thirty-eight feet high. Hortensius lived in a house on the Palatine, afterwards occupied by Augustus. The residence of his friend Atticus, on the Quirinal, was more modest, whose chief ornament was a grove. Pompey surrounded his house with gardens and porticos.
[Sidenote: Destruction and rebuilding of the Capitol.]
The year 83 B.C. was marked by the destruction by fire of the old Capitoline Temple, which had withstood the ravages of the Gauls. Sulla aspired to rebuild it, and caused to be transported to Rome for that purpose the column of the Olympian Zeus at Athens. It was completed by Caesar, and its roof was gilded at an expense of $15,000,000. The pediment was adorned with statuary, and near it was a colossal statue of Jupiter.
[Sidenote: Theatre of Pompey.]
In the early ages of the republic there were no theatres at Rome, theatrical representations being regarded as demoralizing. The regular drama was the last development even of Grecian genius. The Roman aristocracy set their faces against dramatic entertainments till after the conquest of Greece. These plays were introduced and performed on temporary stages in the open air, or in wooden buildings. There was no grand theatre till Pompey erected one of stone, B.C. 55, in the Campus Martius, which was capable of holding eighty thousand spectators, and it had between its numerous pillars three thousand bronze statues. [Footnote: Plin. H. N., xxxvi. 24.] He also erected, behind his theatre, a grand portico of one hundred pillars, which became one of the most fashionable lounging-places of Rome, and which was adorned with statues and images. Pompey also built various temples.
[Sidenote: Forum Julian.]
[Sidenote: Basilica Julia.]
His great rival however surpassed him in labors to ornament the capital. Caesar enlarged the Forum, or rather added a new one, the ground of which cost $2,500,000. It was called the Forum Julian, and was three hundred and forty feet long by two hundred wide, containing a temple of Venus. He did not live, however, to carry out his magnificent plans. He contemplated building an edifice, for the assembly of the Comitia Tributa, of marble, with a portico inclosing a space of a mile square, and also the erection of a temple to Mars of unparalleled size and magnificence. He commenced the Basilica Julia and the Curia Julia—vast buildings, which were completed under the emperors.
[Sidenote: Rome under the Emperors.]
Such were the principal edifices of Rome until the imperial sway. Augustus boasted that he found the city of brick and left it of marble. It was not until the emperors embellished the city with amphitheatres, theatres, baths, and vast architectural monuments that it was really worthy to be regarded as the metropolis of the world. The great improvements of Rome in the republican period were of a private nature, such as the palaces of senatorial families. There were no temples equal to those in the Grecian cities either for size, ornament, or beauty. Indeed, Rome was never famous for temples, but for edifices of material utility rather than for the worship of the gods; yet the Romans, under the rule of the aristocracy, were more religious than the Corinthians or Athenians.
[Sidenote: Works of Augustus.]
[Sidenote: The Subura.]
[Sidenote: Forum Romanum.]
[Sidenote: Its magnificence.]
[Sidenote: Surrounding buildings.]
[Sidenote: Temple of Castor and Pollux.]
[Sidenote: Basilica Julia.]
[Sidenote: Arch of Septimius Severus, and columns of Trajan.]
[Sidenote: Forum Julium.]
[Sidenote: Forum Augusti.]
[Sidenote: Forum of Trajan.]
[Sidenote: Basilica Ulpia.]
On the destruction of the senatorial or constitutional party that had ruled since the expulsion of the kings, and probably before, and the peaceful accession of Augustus, B.C. 31, a great impulse was given to the embellishments of the city. His long reign, his severe taste, and his immense resources—undisputed master of one hundred and fifty millions of subjects—enabled him to carry out the designs of Julius, and to restore an immense number of monuments falling to decay. But Rome was even then deficient in those things which most attract attention in our modern capitals—the streets and squares. The longest street of Rome was scarcely three fourths of a mile in length; but the houses upon it were of great altitude. Moreover the streets were narrow and dark—scarcely more than fifteen feet in width. But they were not encumbered with carriages. Private equipages, which form one of the most imposing features of a modern city, were unknown. There was nothing attractive in a Roman street, dark, narrow, and dirty, with but few vehicles, and with dingy shops, like those of Paris in the Middle Ages. The sun scarcely ever penetrated to them. They were damp and cold. The greater part of the city belonged to wealthy and selfish capitalists, like Crassus, who thought more of their gains than the health or beauty of the city. The Subura, the Sub Velia, and the Velabrum, built in the valleys, were choked up with tall houses, frequently more, and seldom less, than seventy feet in height. The hills alone were covered with aristocratic residences, temples, and public monuments. The only open space, where the poor people could get fresh air and extensive prospect, was Circus Maximus and the Forum Romanum. The former was three fourths of a mile in length and one eighth in breadth, surrounded with a double row of benches, the lower of stone and the upper of wood, and would seat two hundred and eighty-five thousand spectators. The Forum was the centre of architectural splendor, as well as of life and business. Its original site extended from the eastern part of the Capitoline to the spot where the Velia begins to ascend, and was bounded on the south by the Via Sacra, which extended to the arx or citadel. It was that consecrated street by which the augurs descended when they inaugurated the great festivals of the republic, and in which lived the Pontifex Maximus. Although the Forum Romanum was only seven hundred feet by four hundred and seventy, yet it was surrounded by and connected with basilicas, halls, porticoes, temples, and shops. It was a place of great public resort for all classes of people—a scene of life and splendor rarely if ever equaled, and having some resemblance to the crowded square of Venice on which St. Mark's stands. Originally it was a marketplace, busy and lively, a great resort where might be seen "good men walking quietly by themselves," [Footnote: