All round London the roads were blocked everywhere by turnpikes. It is difficult to understand the annoyance of being stopped continually to show a pass or to pay the pike. Thus, there were two or three turnpikes in what is now called the Euston Road, and was then the New Road; one of them was close to Great Portland Street, another at Gower Street. At Battle Bridge, which is now King’s Cross, there were two, one on the east, and one on the west; there was a pike in St. John Street, Clerkenwell. There were two in the City Road, and one in New North Road, Hoxton; one at Shoreditch, one in Bethnal Green Road, one in Commercial Road. No fewer than three in East India Dock Road, three in the Old Kent Road, one in Bridge Street, Vauxhall; one in Great Surrey Street, near the Obelisk; one at Kennington Church—what man turned of forty cannot remember the scene at the turnpike on Derby Day, when hundreds of carriages would be stopped while the pikeman was fighting for his fee? There was a turnpike named after Tyburn, close to Marble Arch; another at the beginning of Kensington Gardens; one at St. James’s Church, Hampstead Road. Ingenious persons knew how to avoid the pike by making a long détour.
KENNINGTON GATE DERBY DAY
THE OLD ROMAN BATH IN THE STRAND
The turnpike has gone, and the pikeman with his apron has gone—nearly everybody’s apron has gone too—and the gates have been removed. That is a clear gain. But there are also losses. What, for instance, has become of all the baths? Surely we have not, as a nation, ceased to desire cleanliness? Yet in reading the list of the London baths fifty years ago one cannot choose but ask the question. St. Annice-le-Clair used to be a medicinal spring, considered efficacious in rheumatic cases. Who stopped that spring and built upon its site? The Peerless Pool close beside it was the best swimming bath in all London. When was that filled up and built over? Where are St. Chad’s Wells now? Formerly they were in Gray’s Inn Road, near ‘Battle Bridge,’ which is now King’s Cross, and their waters saved many an apothecary’s bill. There were swimming baths in Shepherdess Walk, near the almshouses. When were they destroyed? There was another in Cold Bath Fields; the spring, a remarkably cold one, still runs into a bath of marble slabs, represented to have been laid for Mistress Nell Gwynne in the days of the Merry Monarch. Curiously, the list from which I am quoting does not mention the most delightful bath of all—the old Roman Bath in the Strand. I remember making the acquaintance of this bath long ago, in the fifties, being then a student at King’s. The water is icy cold, but fresh and bright, and always running. The place is never crowded; hardly anybody seems to know that here, in the heart of London, is a monument of Roman times, to visit which, if it were at Arles or Avignon, people would go all the way from London. Some day, no doubt, we shall hear that it has been sold and destroyed, like Sion College, and the spring built over.
CHAPTER IV.
IN THE STREET.
Let us, friend Eighty-seven, take a walk down the Strand on this fine April afternoon of Thirty-seven. First, however, you must alter your dress a little. Put on this swallow-tail coat, with the high velvet collar—it is more becoming than the sporting coat in green bulging out over the hips; change your light tie and masher collar for this beautiful satin stock and this double breastpin; put on a velvet waistcoat and an under-waistcoat of cloth; thin Cossack trousers with straps will complete your costume; turn your shirt cuffs back outside the coat sleeve, carry your gloves in your hand, and take your cane. You are now, dear Eighty-seven, transformed into the dandy of fifty years ago, and will not excite any attention as we walk along the street.
LONDON STREET CHARACTERS, 1827
(From a Drawing by John Leech)
We will start from Charing Cross and will walk towards the City. You cannot remember, Eighty-seven, the King’s Mews that stood here on the site of Trafalgar Square. When it is completed, with the National Gallery on the north side, the monument and statue of Nelson, the fountains and statues that they talk about, there will be a very fine square. And we have certainly got rid of a group of mean and squalid streets to make room for the square. It is lucky that they have left Northumberland House, the last of the great palaces that once lined the Strand.
THE KING’S MEWS IN 1750
(From a Print by I. Maurer)
The Strand looks very much as it will in your time, though the shop fronts are not by any means so fine. There is no Charing Cross Station or Northumberland Avenue; most of the shops have bow windows and there is no plate-glass, but instead, small panes such as you will only see here and there in your time. The people, however, have a surprisingly different appearance. The ladies, because the east wind is cold, still keep to their fur tippets, their thick shawls, and have their necks wrapped round with boas, the ends of which hang down to their skirts, a fashion revived by yourself; their bonnets are remarkable structures, like an ornamental coal-scuttle of the Thirty-seven, not the Eighty-seven, period, and some of them are of surprising dimensions, and decorated with an amazing profusion of ribbons and artificial flowers. Their sleeves are shaped like a leg of mutton; their shawls are like a dining-room carpet of the time—not like your dining-room carpet, Eighty-seven, but a carpet of flaunting colour, crimson and scarlet which would give you a headache. But the curls of the younger ladies are not without their charms, and their eyes are as bright as those of their grandchildren, are they not?
Let us stand still awhile and watch the throng where the tide of life, as Johnson said, is the fullest.
BARRACK AND OLD HOUSES ON THE SITE OF TRAFALGAR SQUARE
(From a Drawing made by F. W. Fairholt in 1826)
Here comes, with a roll intended for a military swagger, the cheap dandy. I know not what he is by trade; he is too old for a medical student, not shabby enough for an attorney’s clerk, and not respectable enough for a City clerk. Is it possible that he is a young gentleman of very small fortune which he is running through? He wears a tall hat broader at the top than at the bottom, he carries white thread gloves, sports a cane, has his trousers tightly strapped, wears a tremendously high stock, with a sham diamond pin, a coat with a velvet collar, and a double-breasted waistcoat. His right hand is stuck—it is an aggressive attitude—in his coat-tail pocket. The little old gentleman who follows him, in black shorts and white silk stockings, will be gone before your time; so will yonder still more ancient gentleman in powdered hair and pigtail who walks slowly along. Pigtails in your time will be clean forgotten as well as black silk shorts.
THE LAST CABRIOLET DRIVER
(From the Drawing by George Cruikshank in ‘Sketches by Boz’)
Do you see that thin, spare gentleman in the cloak, riding slowly along the street followed by a mounted servant? The people all take off their hats respectfully to him, and country folk gaze upon him curiously. That is the Duke. There is only one Duke to the ordinary Briton. It is the Duke with the hook nose—the Iron Duke—the Duke of Wellington.
The new-fashioned cabriolet, with a seat at the side for the driver and a high hood for the fare, is light and swift, but it is not beautiful nor is it popular. The wheels are too high and the machine is too narrow. It is always upsetting, and bringing its passengers to grief.
Here is one of the new police, with blue swallow-tail coat tightly buttoned, and white trousers. They are reported to be mightily unpopular with the light-fingered gentry, with whose pursuits