And now we had come to the orchard; it was before us; we had only to open that little whitewashed gate in the hedge and we might find ourselves in its storied domain. But before we reached the gate we glanced to our left, along the grassy, spruce-bordered lane which led over to Uncle Roger’s; and at the entrance of that lane we saw a girl standing, with a gray cat at her feet. She lifted her hand and beckoned blithely to us; and, the orchard forgotten, we followed her summons. For we knew that this must be the Story Girl; and in that gay and graceful gesture was an allurement not to be gainsaid or denied.
We looked at her as we drew near with such interest that we forgot to feel shy. No, she was not pretty. She was tall for her fourteen years, slim and straight; around her long, white face—rather too long and too white—fell sleek, dark-brown curls, tied above either ear with rosettes of scarlet ribbon. Her large, curving mouth was as red as a poppy, and she had brilliant, almond-shaped, hazel eyes; but we did not think her pretty.
Then she spoke; she said,
“Good morning.”
Never had we heard a voice like hers. Never, in all my life since, have I heard such a voice. I cannot describe it. I might say it was clear; I might say it was sweet; I might say it was vibrant and far-reaching and bell-like; all this would be true, but it would give you no real idea of the peculiar quality which made the Story Girl’s voice what it was.
If voices had colour, hers would have been like a rainbow. It made words LIVE. Whatever she said became a breathing entity, not a mere verbal statement or utterance. Felix and I were too young to understand or analyze the impression it made upon us; but we instantly felt at her greeting that it WAS a good morning—a surpassingly good morning—the very best morning that had ever happened in this most excellent of worlds.
“You are Felix and Beverley,” she went on, shaking our hands with an air of frank comradeship, which was very different from the shy, feminine advances of Felicity and Cecily. From that moment we were as good friends as if we had known each other for a hundred years. “I am glad to see you. I was so disappointed I couldn’t go over last night. I got up early this morning, though, for I felt sure you would be up early, too, and that you’d like to have me tell you about things. I can tell things so much better than Felicity or Cecily. Do you think Felicity is VERY pretty?”
“She’s the prettiest girl I ever saw,” I said enthusiastically, remembering that Felicity had called me handsome.
“The boys all think so,” said the Story Girl, not, I fancied, quite well pleased. “And I suppose she is. She is a splendid cook, too, though she is only twelve. I can’t cook. I am trying to learn, but I don’t make much progress. Aunt Olivia says I haven’t enough natural gumption ever to be a cook; but I’d love to be able to make as good cakes and pies as Felicity can make. But then, Felicity is stupid. It’s not ill-natured of me to say that. It’s just the truth, and you’d soon find it out for yourselves. I like Felicity very well, but she IS stupid. Cecily is ever so much cleverer. Cecily’s a dear. So is Uncle Alec; and Aunt Janet is pretty nice, too.”
“What is Aunt Olivia like?” asked Felix.
“Aunt Olivia is very pretty. She is just like a pansy—all velvety and purply and goldy.”
Felix and I SAW, somewhere inside of our heads, a velvet and purple and gold pansy-woman, just as the Story Girl spoke.
“But is she NICE?” I asked. That was the main question about grown-ups. Their looks mattered little to us.
“She is lovely. But she is twenty-nine, you know. That’s pretty old. She doesn’t bother me much. Aunt Janet says that I’d have no bringing up at all, if it wasn’t for her. Aunt Olivia says children should just be let COME up—that everything else is settled for them long before they are born. I don’t understand that. Do you?”
No, we did not. But it was our experience that grown-ups had a habit of saying things hard to understand.
“What is Uncle Roger like?” was our next question.
“Well, I like Uncle Roger,” said the Story Girl meditatively. “He is big and jolly. But he teases people too much. You ask him a serious question and you get a ridiculous answer. He hardly ever scolds or gets cross, though, and THAT is something. He is an old bachelor.”
“Doesn’t he ever mean to get married?” asked Felix.
“I don’t know. Aunt Olivia wishes he would, because she’s tired keeping house for him, and she wants to go to Aunt Julia in California. But she says he’ll never get married, because he is looking for perfection, and when he finds her she won’t have HIM.”
By this time we were all sitting down on the gnarled roots of the spruces, and the big gray cat came over and made friends with us. He was a lordly animal, with a silver-gray coat beautifully marked with darker stripes. With such colouring most cats would have had white or silver feet; but he had four black paws and a black nose. Such points gave him an air of distinction, and marked him out as quite different from the common or garden variety of cats. He seemed to be a cat with a tolerably good opinion of himself, and his response to our advances was slightly tinged with condescension.
“This isn’t Topsy, is it?” I asked. I knew at once that the question was a foolish one. Topsy, the cat of which father had talked, had flourished thirty years before, and all her nine lives could scarcely have lasted so long.
“No, but it is Topsy’s great-great-great-great-grandson,” said the Story Girl gravely. “His name is Paddy and he is my own particular cat. We have barn cats, but Paddy never associates with them. I am very good friends with all cats. They are so sleek and comfortable and dignified. And it is so easy to make them happy. Oh, I’m so glad you boys have come to live here. Nothing ever happens here, except days, so we have to make our own good times. We were short of boys before—only Dan and Peter to four girls.”
“FOUR girls? Oh, yes, Sara Ray. Felicity mentioned her. What is she like? Where does she live?”
“Just down the hill. You can’t see the house for the spruce bush. Sara is a nice girl. She’s only eleven, and her mother is dreadfully strict. She never allows Sara to read a single story. JUST you fancy! Sara’s conscience is always troubling her for doing things she’s sure her mother won’t approve, but it never prevents her from doing them. It only spoils her fun. Uncle Roger says that a mother who won’t let you do anything, and a conscience that won’t let you enjoy anything is an awful combination, and he doesn’t wonder Sara is pale and thin and nervous. But, between you and me, I believe the real reason is that her mother doesn’t give her half enough to eat. Not that she’s mean, you know—but she thinks it isn’t healthy for children to eat much, or anything but certain things. Isn’t it fortunate we weren’t born into that sort of a family?”
“I think it’s awfully lucky we were all born into the same family,” Felix remarked.
“Isn’t it? I’ve often thought so. And I’ve often thought what a dreadful thing it would have been if Grandfather and Grandmother King had never got married to each other. I don’t suppose there would have been a single one of us children here at all; or if we were, we would be part somebody else and that would be almost as bad. When I think it all over I can’t feel too thankful that Grandfather and Grandmother