Ahsonnutli
Closely resembling him was Ahsonnutli, the principal deity of the Navaho Indians of New Mexico, who was regarded as the creator of the heavens and earth. He was supposed to have placed twelve men at each of the cardinal points to uphold the heavens. He was believed to possess the qualities of both sexes, and is entitled the Turquoise Man-woman.
Atius Tiráwa
Atius Tiráwa was the great god of the Pawnees. He also was a creative deity, and ordered the courses of the sun, moon, and stars. As known to-day he is regarded as omnipotent and intangible; but how far this conception of him has been coloured by missionary influence it would be difficult to say. We find, however, in other Indian mythologies which we know have not been sophisticated by Christian belief many references to deities who possess such attributes, and there is no reason why we should infer that Atius Tiráwa is any other than a purely aboriginal conception.
Esaugetuh Emissee
The great life-giving god of the Creeks and other Muskhogeans was Esaugetuh Emissee, whose name signifies, 'Master of Breath.' The sound of the name represents the emission of breath from the mouth. He was the god of wind, and, like many another divinity in American mythology, his rule over that element was allied with his power over the breath of life—one of the forms of wind or air. Savage man regards the wind as the great source of breath and life. Indeed, in many tongues the words 'wind,' 'soul,' and 'breath' have a common origin. We find a like conception in the Aztec wind-god Tezcatlipoca, who was looked upon as the primary source of existence.8
The Coyote God
Among the people of the far west, the Californians and Chinooks, an outstanding deity is, strangely enough, the Coyote. But whereas among the Chinooks he was thought to be a benign being, the Maidu and other Californian tribes pictured him as mischievous, cunning, and destructive. Kodoyanpe, the Maidu creator, discovered the world along with Coyote, and with his aid rendered it habitable for mankind. The pair fashioned men out of small wooden images, as the gods of the Kiche of Central America are related to have done in the myth in the Popol Vuh. But the mannikins proved unsuitable to their purpose, and they turned them into animals. Kodoyanpe's intentions were beneficent, and as matters appeared to be going but ill, he concluded that Coyote was at the bottom of the mischief. In this he was correct, and on consideration he resolved to destroy Coyote. On the side of the disturber was a formidable array of monsters and other evil agencies. But Kodoyanpe received powerful assistance from a being called the Conqueror, who rid the universe of many monsters and wicked spirits which might have proved unfriendly to the life of man, as yet unborn. The combat raged fiercely over a protracted period, but at last the beneficent Kodoyanpe was defeated by the crafty Coyote. Kodoyanpe had buried many of the wooden mannikins whom he had at first created, and they now sprang from their places and became the Indian race.
This is, of course, a day-and-night or light-and-darkness myth. Kodoyanpe is the sun, the spirit of day, who after a diurnal struggle with the forces of darkness flies toward the west for refuge. Coyote is the spirit of night, typified by an animal of nocturnal habits which slinks forth from its den as the shades of dusk fall on the land. We find a similar conception in Egyptian mythology, where Anubis, the jackal-headed, swallows his father Osiris, the brilliant god of day, as the night swallows up the sun.
Another version of the Coyote myth current in California describes how in the beginning there was only the primeval waste of waters, upon which Kodoyanpe and Coyote dropped in a canoe. Coyote willed that the surf beneath them should become sand.
"Coyote was coming. He came to Got'at. There he met a heavy surf. He was afraid that he might be drifted away, and went up to the spruce-trees. He stayed there a long time. Then he took some sand and threw it upon that surf: 'This shall be a prairie and no surf. The future generations shall walk on this prairie!' Thus Clatsop became a prairie. The surf became a prairie."9
But among other tribes as well as among the Chinooks Italapas, the Coyote, is a beneficent deity. Thus in the myths of the Shushwap and Kutenai Indians of British Columbia he figures as the creative agency, and in the folk-tales of the Ashochimi of California he appears after the deluge and plants in the earth the feathers of various birds, which according to their colour become the several Indian tribes.
Blue Jay
Another mischievous deity of the Chinooks and other western peoples is Blue Jay. He is a turbulent braggart, schemer, and mischief-maker. He is the very clown of gods, and invariably in trouble himself if he is not manufacturing it for others. He has the shape of a jay-bird, which was given him by the Supernatural People because he lost to them in an archery contest. They placed a curse upon him, telling him the note he used as a bird would gain an unenviable notoriety as a bad omen. Blue Jay has an elder brother, the Robin, who is continually upbraiding him for his mischievous conduct in sententious phraseology. The story of the many tricks and pranks played by Blue Jay, not only on the long-suffering members of his tribe, but also upon the denizens of the supernatural world, must have afforded intense amusement around many an Indian camp-fire. Even the proverbial gravity of the Red Man could scarcely hold out against the comical adventures of this American Owl-glass.
Thunder-Gods
North America is rich in thunder-gods. Of these a typical example is Haokah, the god of the Sioux. The countenance of this divinity was divided into halves, one of which expressed grief and the other cheerfulness—that is, on occasion he could either weep with the rain or smile with the sun. Heat affected him as cold, and cold was to him as heat. He beat the tattoo of the thunder on his great drum, using the wind as a drum-stick. In some phases he is reminiscent of Jupiter, for he hurls the lightning to earth in the shape of thunderbolts. He wears a pair of horns, perhaps to typify his connexion with the lightning, or else with the chase, for many American thunder-gods are mighty hunters. This double conception arises from their possession of the lightning-spear, or arrow, which also gives them in some cases the character of a war-god. Strangely enough, such gods of the chase often resembled in appearance the animals they hunted. For example, Tsui 'Kalu (Slanting Eyes), a hunter-god of the Cherokee Indians, seems to resemble a deer. He is of giant proportions, and dwells in a great mountain of the Blue Ridge Range, in North-western Virginia. He appears to have possessed all the game in the district as his private property. A Cherokee thunder-god is Asgaya Gigagei (Red Man). The facts that he is described as being of a red colour, thus typifying the lightning, and that the Cherokees were originally a mountain people, leave little room for doubt that he is a thunder-god, for it is around the mountain peaks that the heavy thunder-clouds gather, and the red lightning flashing from their depths looks like the moving limbs of the half-hidden deity. We also find occasionally invoked in the Cherokee religious formulæ a pair of twin deities known as the 'Little Men,' or 'Thunder-boys.' This reminds us that in Peru twins were always regarded as sacred to the lightning, since they were emblematic of the thunder-and-lightning twins, Apocatequil and Piguerao. All these thunder-gods are analogous to the Aztec Tlaloc, the Kiche Hurakan, and the Otomi Mixcoatl.10 A well-known instance of the thunder- or hunter-god who possesses animal characteristics will occur to those who are familiar with the old English legend of Herne the Hunter, with his deer's head and antlers.
The Dakota Indians worshipped a deity whom they addressed as Waukheon (Thunder-bird). This being was engaged in constant strife with the water-god, Unktahe, who was a cunning sorcerer, and a controller of dreams and witchcraft. Their conflict probably symbolizes the atmospheric