Elizabeth's Campaign. Mrs. Humphry Ward. Читать онлайн. Newlib. NEWLIB.NET

Автор: Mrs. Humphry Ward
Издательство: Bookwire
Серия:
Жанр произведения: Языкознание
Год издания: 0
isbn: 4064066164447
Скачать книгу
If they'll let me go on with my book, I don't mind driving a few poor fellows now and then!'

      The Squire looked at him critically.

      'The fact is you're too well fed, Levasseur, or you look it. That annoys people. Now I might gorge for a month, and shouldn't put on a pound.'

      'I suppose your household is rationed?'

      'Not it! We eat what we want. Just like the labourers. I found an old labourer eating his dinner under a hedge yesterday. Half a pound of bread at the very least, and he gets as much for his supper, and nearly as much for his breakfast. "I shall eat it, Squire, as long as I can get it. There's nowt else packs ye like bread." And quite right too. Good word "pack."'

      'What'll he do when he can't get it?' laughed Levasseur, taking up his hat.

      'Stuff! This food business is all one big blague. Anyway the Government got us into the war; they're jolly well bound to feed us through it. They will, for their own necks' sake. Well, good-night.'

      Levasseur nodded in response, with the same silent, aimless grin, and disappeared through the garden door of the library.

      'Queer fellow!' thought the Squire. 'But he's useful. I shall get him to help catalogue these things as he did the others. Ah, there you are!'

      He turned with a reproachful air as the door opened.

      The westerly sun was coming strongly into the library, and shone full on the face and figure of the Squire's new secretary as she stood in the door-way. He expected an apology for an absence just five minutes over the two hours; but she offered none.

      'Pamela asked me to tell you, Mr. Mannering, that tea was ready under the verandah.'

      'Afternoon tea is an abominable waste of time!' said the Squire discontentedly, facing her with a Greek pot under each arm.

      'Do you think so? To me it's always the pleasantest meal in the day.'

      The voice was musical and attractive, but its complete self-possession produced a vague irritation in the Squire. With his two former secretaries, a Cambridge man and a spectacled maiden with a London University degree, he had been accustomed to play the tyrant as must as he pleased. Something had told him from the very beginning that he would not be able to tyrannize over this newcomer.

      But his quick masterful temper was already trying to devise ways of putting her down. He beckoned her towards the table where she had left her work, and she went obediently.

      'You've got that line wrong.' He pointed to a quotation from the Odyssey. 'Read it, please!'

      She read it. He stopped her triumphantly.

      'No, no, you can't make that long!' He pointed to one of the Greek words.

      Her fair skin flushed.

      'But indeed you can!' she said eagerly. 'Merry quotes three parallel passages. I have them in one of my notebooks.' And she began to search her table. Mannering stopped her ungraciously.

      'Of course there's always some learned fool behind every bad reading. Anyway, what do you say to those accents?' He pointed severely to another line of her Greek. This time Miss Bremerton's countenance changed.

      'Oh dear, what a blunder!' she said in distress, as she bent over her pages. 'I assure you I don't often do anything as bad as that.'

      Mannering was secretly delighted. His manner became at once all politeness.

      'Don't worry yourself, please. We all make mistakes. … You have a beautiful Greek handwriting.'

      Miss Bremerton took the compliment calmly—did not indeed seem to hear it. She was already scratching out the offending words with a sharp penknife, and daintily rewriting them. Then she looked up.

      'Pamela asked me to go back to her. And I was to say, will you come, or shall she send tea here?'

      'Oh, I'll come, I'll come. I've got something to say to Pamela,' said the Squire, frowning. And he stalked in front of her along the library passage, his brilliant white hair gleaming in its shadows. It was well perhaps that he did not see the amusement which played round Elizabeth Bremerton's handsome mouth as she pursued him.

      Tea was laid on a flagged walk under a glazed pergola running along part of the southern wall of the house. Here Pamela was sitting waiting, with a basket of knitting on her knee which she put out of sight as soon as she heard her father's step. She had taken off her hat, and her plentiful brown hair was drawn in a soft wave across her forehead, and thickly coiled behind a shapely head. She was very young, and very pretty. Perhaps the impression of youth predominated, youth uncertain of itself, conscious rather of its own richness and force than of any definite aims or desires. Her expression was extremely reserved. A veil seemed to lie over her deep, heavy-lidded eyes, and over features that had now delicacy and bloom, but promised much more—something far beyond any mere girlish prettiness. She was tall and finely made, and for the school tableaux in which she had frequently helped she had been generally cast for such parts as 'Nausicaa among her maidens,' 'Athene lighting the way for Odysseus and Telemachus,' 'Dante's Beatrice,' or any other personage requiring dignity, even a touch of majesty. Flowing skirts, indeed, at once made a queen of her. It was evident that she was not at her ease with her father; nor, as yet, with her father's new secretary.

      The contrast between this lady and Pamela Mannering was obvious at once. If Pamela suggested romance, Elizabeth Bremerton suggested efficiency, cheerfulness, and the practical life. Her grandmother had been Dutch, and in Elizabeth the fair skin and yellow-gold hair (Rembrandt's 'Saskia' shows the type) of many Dutch forebears had reappeared. She was a trifle plump; her hair curled prettily round her temples; her firm dimpled chin and the fair complexion of her face and neck were set off, evidently with intention, by the plain blouse of black silky stuff, open at the neck, and showing a modest string of small but real pearls. The Squire, who had a wide knowledge of jewels, had noticed these pearls at once. It seemed to him—vaguely—that lady secretaries should not possess real pearls; or if they did possess them, should carefully keep them to themselves.

      He accepted a cup of tea from his daughter, and drank it absently before he asked:

      'Where's Desmond?'

      'He went to lunch at Fallerton—at the camp. Captain Byles asked him. I think afterwards he was going to play in a match.'

      The same thought passed through the minds of both father and daughter. 'This day week, Desmond will be gone.' In Pamela it brought back the dull pain of which she was now habitually conscious—the pain of expected parting. In her father it aroused an equally habitual antagonism—the temper, indeed, of ironic exasperation in which all his thinking and doing were at the moment steeped. He looked up suddenly.

      'Pamela, I have got something disagreeable to say to you.'

      His daughter turned a startled face.

      'I have had a quarrel with Sir Henry Chicksands, and I do not wish you, or Desmond, or any of my children, to have any communication henceforth with him, or with any of his family!'

      'Father, what do you mean?'

      The girl's incredulous dismay only increased the Squire's irritation.

      'I mean what I say. Of course your married sisters and Aubrey will do what they please, though I have warned Aubrey how I shall view it if he takes sides against me. But you and Desmond are under my control—you, at any rate. I forbid you to go to Chetworth, and your friendship with Beryl must be given up.'

      'Father!' cried his daughter passionately, 'she is my best friend, and she is engaged to Aubrey.'

      'If they are wise, they will break it off. Family quarrels are awkward things. And if Aubrey has any feeling for his father, he will be as angry as I am.'

      'What has Sir Henry been doing, father?'

      'Taking my own property out of my hands, my dear, giving notice to my farmers, and proposing to plough up my park, without my consent. That's