It was as though a chapter of my life had been brought to a close, and I was neither disappointed nor regretful. On the contrary, I was conscious of a certain relief, of a burden lifted. In that instant I learned the lesson of the futility of material substances. Of what great importance were they spiritually if they could go so quickly? Pains, thirsts, heartaches could be put into the creation of something external which in one sweep could be taken from you. With the destruction of the window, my scale of suburban values was consumed. I could never again pin my faith on concrete things; I must build on myself alone. I hoped I should continue to have lovely objects around me, but I could also be happy without them.
The next day was filled with neighbors coming to condole and offer help, and with insurance adjusters peering about and questioning. They found the too-heavy fire in the furnace had overheated the pipes around which the asbestos had not yet been wrapped. We lost a good deal because, although the house was covered, the insurance on the furniture had not been shifted to its new location, and, moreover, many of our possessions were irreplaceable, their worth having lain in the sentiment attached to them.
A personal catastrophe may in the end prove to be a public benefit. People in the community are brought together in sympathy, and learn by the experience of others how to protect themselves. After our mischance every householder in Columbia Colony began to look to his furnace and insure his home.
Our walls were fireproof, and much of the house could be saved, but it was really more disheartening than complete demolition would have been, for in the latter case we could have started to rebuild from the beginning. I admired Bill greatly for the resolute way he set about the painful business again. He went over every inch, here saying, “This board is all right,” and there tearing out black pieces of charred wood. It was a dirty job, but he stuck to it. Nevertheless, paint and stain as we would, we could not quite get rid of the unmistakable and ineradicable odor which clings around a burned building, almost like the smell of death.
Next summer we moved in once more. But the house was never the same. Never could I recapture that first flush of joy.
Grant, my second son, was born almost immediately. I loved having a baby to tend again, and wanted at least four more as quickly as my health would permit. I could not wait another five years. I yearned especially for a daughter, and twenty months later my wish came true. After Peggy’s birth, the doctor went downstairs and saw Bill sitting in the library with Grant in his arms and tears welling from his eyes.
“Why, what’s the matter? There’s a nice little girl upstairs.”
“I’m thinking of this poor little boy. Margaret has wanted a girl so long—now she’ll have no room in her heart for him.”
Bill’s fears were groundless. Grant was not supplanted, but Peggy was so satisfactory a baby that I was not particularly disappointed when my illness cropped up again and the doctor said my family must end at this point. I was quite content with things as they were.
Even as a little fellow, the sandy-haired, square-built Stuart was practical, loved sports, and had a reasoning, logical mind, always experimenting with life as well as with mechanical things. A thorough Higgins, he had to find out for himself and prove it. He used to stamp and scold when presented with a chore, such as mowing the lawn or bringing in wood for the fireplaces, but his rebellions were brief, and, when he realized the inevitable, he turned it into a game. “Come on over,” he hailed his friends. “We’ve lots to do. Let’s get to it! We’re going to have great fun.”
The other boys, taken in by his enthusiastic invitations, also believed that mowing the lawn or bringing in wood were among the best games invented.
Grant was more self-conscious than Stuart, and more inarticulate, but more affectionate. He followed the baby Peggy slavishly. They were usually hand in hand, and Grant’s darkness contrasted with her bright, blond hair. From the time she could talk they referred to themselves as “we.” Peggy was the most independent child I have ever seen. At three she knew what she wanted and where she was going. She was vivacious, mischievous, laughing—the embodiment of all my hopes in a daughter.
Stuart typified the scientist, Grant the artist, Peggy the doer. It was maternally gratifying to wonder whether they would carry out these propensities in their later lives.
I enjoyed my literary activities along with my children, and Bill encouraged me. “You go ahead and finish your writing. I’ll get the dinner and wash the dishes.” And what is more he did it, drawing the shades, however, so that nobody could see him. He thought I should make a career of it instead of limiting myself to small-town interests.
Both Bill and I were feeling what amounted to a world hunger, the pull and haul towards wider horizons. For him Paris was still over the next hill. I was not able to express my discontent with the futility of my present course, but after my experience as a nurse with fundamentals this quiet withdrawal into the tame domesticity of the pretty riverside settlement seemed to be bordering on stagnation. I felt as though we had drifted into a swamp, but we would not wait for the tide to set us free.
It was hopeless to emphasize the importance of practical necessities to an artist, and consequently I decided to resume nursing in order to earn my share. We had spent years building our home and used it only for a brief while. I was glad to leave when, in one of our financial doldrums, we plunged back into the rushing stream of New York life.
Chapter Six FANATICS OF THEIR PURE IDEALS
We took an apartment way uptown. It was the old-fashioned railroad type—big, high-ceilinged, with plenty of room, air, and light. The children’s grandmother came to live with us and her presence gave me ease of mind when I was called on a case; my children were utterly safe in her care.
Headlong we dived into one of the most interesting phases of life the United States has ever seen. Radicalism in manners, art, industry, morals, politics was effervescing, and the lid was about to blow off in the Great War. John Spargo, an authority on Karl Marx, had translated Das Kapital into English, thus giving impetus to Socialism. Lincoln Steffens had published The Shame of the Cities, George Fitzpatrick had produced War, What For?, a strange and wonderful arraignment of capitalism, which sold thousands of copies.
The names of Cézanne, Matisse, and Picasso first became familiar sounds on this side of the Atlantic at the time of the notable Armory Exhibition, when outstanding examples of impressionist and cubist painting were imported from Europe. But there was so much of eccentricity—a leg on top of a head, a hat on a foot, the Nude Descending a Staircase, all in the name of art—that you had to close one eye to look at it. The Armory vibrated; it shook New York.
Although Bill had studied according to the old school, he could see the point of view of the radical in art, and in politics as well. His attitude towards the underdog was much like father’s. He had always been a Socialist, although not active, and held his friend Eugene V. Debs in high esteem.
A religion without a name was spreading over the country. The converts were liberals, Socialists, anarchists, revolutionists of all shades. They were as fixed in their faith in the coming revolution as ever any Primitive Christian in the immediate establishment of the Kingdom of God. Some could even predict the exact date of its advent.
At one end of the scale of rebels and scoffers were the “pink” parliamentarian socialists and theorists at whom anarchists hurled the insult “bourgeois.” At the other were the Industrial Workers of the World, the “Wobblies,” advocating unionization of the whole industry rather than the craft or trade. This was to be brought about, if need be, by direct action.
Almost without knowing it you became a “comrade.” You could either belong to a group that believed civilization was to be saved by the vote and