Turpin’s attention, however, was chiefly directed towards his neighbor, the ruffler, in whom he recognized a famous impostor of the day, with whose history he was sufficiently well acquainted to be able at once to identify the individual. We have before stated, that a magnificent coal-black beard decorated the chin of this worthy; but this was not all — his costume was in perfect keeping with his beard, and consisted of a very theatrical-looking tunic, upon the breast of which was embroidered, in golden wire, the Maltese cross; while over his shoulders were thrown the folds of an ample cloak of Tyrian hue. To his side was girt a long and doughty sword, which he termed, in his knightly phrase, Excalibur; and upon his profuse hair rested a hat as broad in the brim as a Spanish sombrero.
Exaggerated as this description may appear, we can assure our readers that it is not overdrawn; and that a counterpart of the sketch we have given of the ruffler certainly “strutted his hour” upon the stage of human life, and that the very ancient and discriminating city of Canterbury — to which be all honor — was his theatre of action. His history is so far curious, that it exemplifies, more strongly than a thousand discourses could do, how prone we are to be governed by appearances, and how easily we may be made the dupes of a plausible impostor. Be it remembered, however, that we treat of the eighteenth century, before the march of intellect had commenced; we are much too knowing to be similarly practised upon in these enlightened times. But we will let the knight of Malta, for such was the title assumed by the ruffler, tell his own story in his own way hereafter; contenting ourselves with the moral precepts we have already deduced from it.
Next to the knight of Malta stood the whip-jack, habited in his sailor gear — striped shirt and dirty canvas trousers; and adjoining him was the palliard, a loathsome tatterdemalion, his dress one heap of rags, and his discolored skin one mass of artificial leprosy and imposthumes.
As Turpin’s eye shifted from one to another of these figures, he chanced upon an individual who had been long endeavoring to arrest his attention. This personage was completely in the background. All that Dick could discern of him was a brown curly head of hair, carelessly arranged in the modern mode; a handsome, impudent, sun-freckled face, with one eye closed, and the other occupied by a broken bottle-neck, through which, as a substitute for a lorgnette, the individual reconnoitered him. A cocked hat was placed in a very dégagée manner under his arm, and he held an ebony cane in his hand, very much in the style of a “fassionable,” as the French have it, of the present day. This glimpse was sufficient to satisfy Turpin. He recognized in this whimsical personage an acquaintance.
Jerry Juniper was what the classical Captain Grose would designate a “gentleman with three outs,” and, although he was not entirely without wit, nor, his associates avouched, without money, nor, certainly, in his own opinion, had that been asked, without manners; yet was he assuredly without shoes, without stockings, without shirt. This latter deficiency was made up by a voluminous cravat, tied with proportionately large bows. A jaunty pair of yellow breeches, somewhat faded; a waistcoat of silver brocade, richly embroidered, somewhat tarnished and lack-lustre; a murrey-colored velvet coat, somewhat chafed, completed the costume of this beggar Brummell, this mendicant macaroni!
Jerry Juniper was a character well known at the time, as a constant frequenter of all races, fairs, regattas, ship-launches, bull-baits, and prize-fights, all of which he attended, and to which he transported himself with an expedition little less remarkable than that of Turpin. You met him at Epsom, at Ascot, at Newmarket, at Doncaster, at the Roodee of Chester, at the Curragh of Kildare. The most remote as well as the most adjacent meeting attracted him. The cock-pit was his constant haunt, and in more senses than one was he a leg. No opera-dancer could be more agile, more nimble; scarcely, indeed, more graceful, than was Jerry, with his shoeless and stockingless feet; and the manner in which he executed a pirouette, or a pas, before a line of carriages, seldom failed to procure him “golden opinions from all sorts of dames.” With the ladies, it must be owned, Jerry was rather upon too easy terms; but then, perhaps, the ladies were upon too easy terms with Jerry; and if a bright-eyed fair one condescended to jest with him, what marvel if he should sometimes slightly transgress the laws of decorum. These aberrations, however, were trifling; altogether he was so well known, and knew everybody else so well, that he seldom committed himself; and, singular to say, could on occasions even be serious. In addition to his other faculties, no one cut a sly joke, or trolled a merry ditty, better than Jerry. His peculiarities, in short, were on the pleasant side, and he was a general favorite in consequence.
No sooner did Jerry perceive that he was recognized, than, after kissing his hand, with the air of a petit-maître, to the highwayman, he strove to edge his way through the crowd. All his efforts were fruitless; and, tired of a situation in the rear rank, so inconsistent, he conceived, with his own importance, he had recourse to an expedient often practised with success in harlequinades, and not unfrequently in real life, where a flying leap is occasionally taken over our heads. He ran back a few yards to give himself an impetus, returned, and, placing his hands upon the shoulders of a stalwart vagabond near to him, threw a summerset upon the broad cap of a palliard, who was so jammed in the midst that he could not have stirred to avoid the shock; thence, without pausing, he vaulted forwards, and dropped lightly upon the ground in front of Zoroaster, and immediately before the highwayman.
Dick laughed immoderately at Jerry’s manœuvre. He shook his old chum cordially by the hand, saying, in a whisper, “What the devil brings you here, Jerry?”
“I might retort, and ask you that question, Captain Turpin,” replied Jerry, sotto voce. “It is odd to see me here, certainly — quite out of my element — lost amongst this canaille— this Canting Crew — all the fault of a pair of gipsy eyes, bright as a diamond, dark as a sloe. You comprehend — a little affair, ha! Liable to these things. Bring your ear closer, my boy; be upon your guard — keep a sharp look out — there’s a devil of a reward upon your head — I won’t answer for all those rascals.”
“Thank you for the hint, Jerry,” replied Dick, in the same tone. “I calculated my chances pretty nicely when I came here. But if I should perceive any symptoms of foul play — any attempt to snitch or nose, amongst this pack of peddlers — I have a friend or two at hand, who won’t be silent upon the occasion. Rest assured I shall have my eye upon the gnarling scoundrels. I won’t be sold for nothing.”
“Trust you for that,” returned Juniper, with a wink. “Stay,” added he; “a thought strikes me. I have a scheme in petto which may, perhaps, afford you some fun, and will, at all events, insure your safety during your stay.”
“What is it?” asked Dick.
“Just amuse yourself with a flirtation for a moment or two with that pretty damsel, who has been casting her ogles at you for the last five minutes without success, while I effect a master-stroke.”
And as Turpin, nothing loth, followed his advice, Jerry addressed himself to Zoroaster. After a little conference, accompanied by that worthy and the knight of Malta, the trio stepped forward from the line, and approached Dick, when Juniper, assuming some such attitude as our admirable Jones, the comedian, is wont to display, delivered himself of the following address. Turpin listened with the gravity of one of the distinguished persons alluded to, at the commencement of the present chapter, upon their receiving the freedom of the city at the hands of a mayor and corporation. Thus spoke Jerry:
“Highest of High-Tobymen! rummest of rum Padders, and most scampish of Scampsmen! We, in the name of Barbara, our most tawny queen; in the name of Zoroaster, our Upright Man, Dimber Damber, or Olli Campolli, by all which titles his excellency is distinguished; in our own respective names, as High Pads and Low Pads, Rum Gills and Queer Gills, Patricos, Palliards, Priggers, Whip-Jacks, and Jarkmen, from the Arch Rogue to the Needy Mizzler, fully sensible of the honor you have conferred upon us in gracing Stop-Hole Abbey with your presence; and conceiving that we can in no way evince our sense of your condescension so entirely as by offering you the freedom of our crew, together with the