Public Opinion: Political Essay. Walter Lippmann

these original weaknesses are complicated by tricks of memory, and the incessant creative quality of the imagination. Cf. also Sherrington, The Integrative Action of the Nervous System, pp. 318-327. The late Professor Hugo Münsterberg wrote a popular book on this subject called On the Witness Stand.

40. Wm. James, Principles of Psychology, Vol. I, p. 488.

41. John Dewey, How We Think, pg 121.

42. op. cit., p. 133.

43. A. von Gennep, La formation des légendes, pp. 158-159. Cited F. van Langenhove, The Growth of a Legend, pp. 120-122.

44. Bernard Berenson, The Central Italian Painters of the Renaissance, pp. 60, et seq.

45. Cf. also his comment on Dante's Visual Images, and his Early Illustrators in The Study and Criticism of Italian Art (First Series), p. 13. "We cannot help dressing Virgil as a Roman, and giving him a 'classical profile' and 'statuesque carriage,' but Dante's visual image of Virgil was probably no less mediaeval, no more based on a critical reconstruction of antiquity, than his entire conception of the Roman poet. Fourteenth Century illustrators make Virgil look like a mediaeval scholar, dressed in cap and gown, and there is no reason why Dante's visual image of him should have been other than this."

46. The Central Italian Painters, pp. 66-67.

47. Cited by Mr. Edward Hale Bierstadt, New Republic, June 1 1921 p. 21.

48. Graham Wallas, Our Social Heritage, p. 17.