It is needless to point out that in this series of oaths, these obligations imposed upon the knights, there is a moral development very superior to that of the laic society of the period. Moral notions so lofty, so delicate, so scrupulous, and so humane, emanated clearly from the Christian clergy. Only the clergy thought thus about the duties and the relations of mankind; and their influence was employed in directing towards the accomplishment of such duties, towards the integrity of such relations, the ideas and customs engendered by knighthood. It had not been instituted with so pious and deep a design, for the protection of the weak, the maintenance of justice, and the reformation of morals; it had been, at its origin and in its earliest features, a natural consequence of feudal relations and warlike life, a confirmation of the bonds established and the sentiments aroused between different masters in the same country and comrades with the same destinies. The clergy promptly saw what might be deduced from such a fact; and they made of it a means of establishing more peacefulness in society, and in the conduct of individuals a more rigid morality. This was the general work they pursued; and, if it were convenient to study the matter more closely, we might see, in the canons of councils from the eleventh to the fourteenth centuries, the Church exerting herself to develop more and more in this order of knight-hood, this institution of an essentially warlike origin, the moral and civilizing character of which a glimpse has just been caught in the documents of knighthood itself.
In proportion as knighthood appeared more and more in this simultaneously warlike, religious, and moral character, it more and more gained power over the imagination of men, and just as it had become closely interwoven with their creeds, it soon became the ideal of their thoughts, the source of their noblest pleasures. Poetry, like religion, took hold of it. From the eleventh century onwards, knighthood, its ceremonies, its duties, and its adventures, were the mine from which the poets drew in order to charm the people, in order to satisfy and excite at the same time that yearning of the soul, that need of events more varied and more captivating, and of emotions more exalted and more pure than real life could furnish. In the springtide of communities poetry is not merely a pleasure and a pastime for a nation; it is a source of progress; it elevates and develops the moral nature of men at the same time that it amuses them and stirs them deeply. We have just seen what oaths were taken by the knights and administered by the priests; and now, here is an ancient ballad by Eustache Deschamps, a poet of the fourteenth century, from which it will be seen that poets impressed upon knights the same duties and the same virtues, and that the influence of poetry had the same aim as that of religion:
| I. Amend your lives, ye who would fain The order of the knights attain; Devoutly watch, devoutly pray; From pride and sin, O, turn away! Shun all that’s base; the Church defend; Be the widow’s and the orphan’s friend; Be good and Leal; take nought by might; Be bold and guard the people’s right;— This is the rule for the gallant knight. II. Be meek of heart; work day by day; Tread, ever tread, the knightly way; Make lawful war; long travel dare; Tourney and joust for lady fair; To everlasting honor cling, That none the barbs of blame may fling; Be never slack in work or fight; Be ever least in self’s own sight;— This is the rule for the gallant knight. III. Love the liege lord; with might and main His rights above all else maintain; Be open-handed, just, and true; The paths of upright men pursue; No deaf ear to their precepts turn; The prowess of the valiant learn; That ye may do things great and bright, As did great Alexander hight;— This is the rule for the gallant knight. |
A great deal has been said to the effect that all this is sheer poetry, a beautiful chimera without any resemblance to reality. Indeed, it has just been remarked here, that the three centuries under consideration, the middle ages, were, in point of fact, one of the most brutal, most ruffianly epochs in history, one of those wherein we encounter most crimes and violence; wherein the public peace was most incessantly troubled; and wherein the greatest licentiousness in morals prevailed. Nevertheless it cannot be denied that side by side with these gross and barbarous morals, this social disorder, there existed knightly morality and knightly poetry. We have moral records confronting ruffianly deeds; and the contrast is shocking, but real. It is exactly this contrast which makes the great and fundamental characteristic of the middle ages. Let us turn our eyes towards other communities, towards the earliest stages, for instance, of Greek society, towards that heroic age of which Homer’s poems are the faithful reflection. There is nothing there like the contrasts by which we are struck in the middle ages. We do not see that, at the period and amongst the people of the Homeric poems, there was abroad in the air or had penetrated into the imaginations of men any idea more lofty or more pure than their every-day actions; the heroes of Homer seem to have no misgiving about their brutishness, their ferocity, their greed, their egotism, there is nothing in their souls superior to the deeds of their lives. In the France of the middle ages, on the contrary, though practically crimes and disorders, moral and social evils abound, yet men have in their