“Few such things remain hidden from him who knows, not even the smallest, if he strives after such knowledge.”
As he spoke he gave the girl such a look as made her eyelids fall, and he went on with greater warmth: “There would be fewer tears shed by death-beds, my child, if we could but show the world the means by which the initiated hold converse with the souls of the dead.”
Melissa shook her pretty head sadly, and the Magian kindly stroked her waving hair; then, looking her straight in the eyes, he said: “The dead live. What once has been can never cease to be, any more than out of nothing can anything come. It is so simple; and so, too, are the workings of magic, which amaze you so much. What you call magic, when I practice it, Eros, the great god of love, has wrought a thousand times in your breast. When your heart leaps at your brother’s caress, when the god’s arrow pierces you, and the glance of a lover fills you with gladness, when the sweet harmonies of fine music wrap your soul above this earth, or the wail of a child moves you to compassion, you have felt the magic power stirring in your own soul. You feel it when some mysterious power, without any will of your own, prompts you to some act, be it what it may. And, besides all this, if a leaf flutters off the table without being touched by any visible hand, you do not doubt that a draught of air, which you can neither hear nor see, has swept through the room. If at noon the world is suddenly darkened, you know, without looking up at the sky, that it is overcast by a cloud. In the very same way you can feel the nearness of a soul that was dear to you without being able to see it. All that is necessary is to strengthen the faculty which knows its presence, and give it the proper training, and then you will see and hear them. The Magians have the key which unlocks the door of the world of spirits to the human senses. Your noble brother, in whom the claims of the spirit have long since triumphed over those of sense, has found this key without seeking it, since he has been permitted to see Korinna’s soul. And if he follows a competent guide he will see her again.”
“But why? What good will it do him?” asked Melissa, with a reproachful and anxious look at the man whose influence, as she divined would be pernicious to her brother, in spite of his knowledge. The Magian gave a compassionate shrug, and in the look he cast at the philosopher, the question was legible, “What have such as these to do with the highest things?”
Philip nodded in impatient assent, and, without paying any further heed to his brother and sister, besought his friend to give him the proofs of the theory that the physical causation of things is weaker than the sympathy which connects them. Melissa knew full well that any attempt now to separate Philip from Serapion would be futile; however, she would not leave the last chance untried, and asked him gravely whether he had forgotten his mother’s tomb.
He hastily assured her that he fully intended to visit it presently. Fruit and fragrant oil could be had here at any hour of the night.
“And your two wreaths?” she said, in mild reproach, for she had observed them both below the portrait of Korinna.
“I had another use for them,” he said, evasively; and then he added, apologetically: “You have brought flowers enough, I know. If I can find time, I will go to-morrow to see my father.” He nodded to them both, turned to the Magian, and went on eagerly:
“Then that magical sympathy—”
They did not wait to hear the discussion; Alexander signed to his sister to follow him.
He, too, knew that his brother’s ear was deaf now to anything he could say. What Serapion had said had riveted even his attention, and the question whether it might indeed be vouchsafed to living mortals to see the souls of the departed, and hear their voices, exercised his mind so greatly that he could not forbear asking his sister’s opinion on such matters.
But Melissa’s good sense had felt that there was something not quite sound in the Magian’s argument—nor did she conceal her conviction that Philip, who was always hard to convince, had accepted Serapion’s views, not because he yielded to the weight of his reasons, but because he—and Alexander, too, for that matter—hoped by his mediation to see the beautiful Korinna again.
This the artist admitted; but when he jested of the danger of a jealous quarrel between him and his brother, for the sake of a dead girl, there was something hard in his tone, and very unlike him, which Melissa did not like.
They breathed more freely as they got out into the open air, and her efforts to change the subject of their conversation were happily seconded; for at the door they met the family of their neighbor Skopas, the owner of a stone-quarry, whose grave-plot adjoined theirs, and Melissa was happy again as she heard her brother laughing as gayly as ever with Skopas’s pretty daughter. The mania had not taken such deep hold of the light-hearted young painter as of Philip, the poring and gloomy philosopher; and she was glad as she heard her friend Ino call Alexander a faithless butterfly, while her sister Helena declared that he was a godless scoffer.
CHAPTER V.
The crowds on the road were now homeward bound, and they were all in such wild, high spirits that, from what was to be seen and heard, it could never have been supposed that they had come from so mournful a scene. They took the road by the sea leading from the Nekropolis to Eleusis, wandering on in the glowing moonlight.
A great procession of Greeks had been to Eleusis, to celebrate the mysteries after the manner of the Greek Eleusis, on which that of Alexandria was modeled. The newly initiated, and the elder adepts, whose duty it was to superintend their reception, had remained in the temple; but the other mystics now swelled the train of those who were coming from the city of the dead.
Here, indeed, Serapis took the place of Pluto, and much that was Greek had assumed strange and Egyptian forms: even the order of the ceremonies had been entirely changed; still, on the African, as on the Attic shore, the Greek cry went up, “To the sea, O mystics!” and the bidding to Iakchos: “Be with us, O Iakchos!”
It could be heard from afar, but the voices of the shouters were already weary, and most of the torches had burned low. The wreaths of ivy and myrtle in their hair were limp; the singers of the hymn no longer kept their ranks; and even Iambe, whose jests had cheered the mourning Demeter, and whose lips at Eleusis had overflowed with witticisms, was exhausted and silent. She still held in her hand the jar from which she had given the bereaved goddess a reviving draught, but it was empty and she longed for a drink. She was indeed a he: for it was a youth in woman’s dress who played the rollicking part of Iambe, and it was Alexander’s friend and comrade Diodoros who had represented the daughter of Pan and Echo, who, the legend said, had acted as slave in the house of Metaneira, the Eleusinian queen, when Demeter took refuge there. His sturdy legs had good reason to be as weary as his tongue, which had known no rest for five hours.
But he caught sight of the large vehicle drawn by four horses, in which the vast corn-measure, the kalathos, which Serapis wore as his distinguishing head-gear, had been conveyed to Eleusis. It was empty now, for the contents had been offered to the god, and the four black horses had an easy task with the great wagon. No one had as yet thought of using it as a conveyance back to the town; but Diodoros, who was both ingenious and tired, ran after it and leaped up. Several now wanted to follow his example, but he pushed them off, even thrusting at them with a newly lighted torch, for he could not be quiet in spite of his fatigue. In the midst of the skirmishing he perceived his friend and Melissa.
His heart had been given to the gentle girl ever since they had been playmates in his father’s garden, and when he saw her, walking along downcast, while her brother sported with his neighbor’s daughters, he beckoned to her, and, as she refused to accompany him in the wagon, he nimbly sprang off, lifted her up in his arms, made strong by exercise in the Palaestra, and gently deposited her, in spite of her struggles, on the flat floor of the car, by the side of the empty kalathos.
“The rape of Persephone!” he cried. “The second performance in one. night!”
Then